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SMTX | April 2013 | Tidbits
World-renowned leaders to speak at San Marcos Conference Center Community leaders can access the knowledge and experience of world-renowned leaders by attending Chickfil-A® Leadercast® at the City of San Marcos Conference Center Friday, May 10. Chick-fil-A® Leadercast® is a oneday leader development event broadcast LIVE from Atlanta, Ga. to hundreds of sites throughout the nation, including San Marcos. Speakers for this year’s event include:
Bond, School Bond On February 26, 2013, the San Marcos Consolidated Independent School District Board of Trustees voted unanimously to call a bond election to be held May 11, 2013. The election is for two propositions, totaling $76.98 million. If approved, the estimated tax impact of this bond is anticipated to be 7 cents for a total tax rate of $1.42. This represents an increase of approximately $5.83 per month per $100,000 of taxable home value. This bond will address renovations and additions on district school campuses. It will add new campuses for Pre-K and Phoenix Learning Center students. It will add an new multi-purpose athletic complex to the high school.
• Jack Welch, Former Chairman and CEO of General Electric • Mike Krzyzewski, Head men’s basketball coach, Duke University and Team USA • Rorke Denver, Navy SEAL and star of the 2012 movie Act of Valor • Sanya Richards-Ross, 2012 London Olympic gold medalist, track & field • Condolezza Rice, Secretary of State (2005-2009) and may more... As an added value for San Marcos, Texas attendees, Brian McCoy and Megan McCoy-Jones from McCoy’s Building Supply will keynote the lunchtime program live from the San Marcos Conference Center. For local ticketing information, call 512-393-5900
Voter Registration Deadline
April 11
Proposition 1, for $58.58 million, includes renovations of existing facilities and the construction of new district facilities to address aging campuses and infrastructure, provide equity across the district, increase campus security and provide space for student growth.
I Vofotred
arcos
San M
Proposition 2, for $18.4 million, proposes to construct a multi-purpose athletic stadium for the school district. New Multi-Purpose Athletic Stadium: $18,400,000 Currently, the district does not have a stadium facility and rents Bobcat Stadium from Texas State University for athletic events. The district is subject to the University’s schedule for its high school football schedule and other athletic events. The new athletic complex with have seating for 8,000 that will be owned, maintained and operated by the school district. For more details on the bond visit SMCISDBond.com
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| By Morgan Kemper |
04.13 | SMTX | BOBCATFANS
SMTX | inside look
Fire Station Studio Reference monitors to see what’s being mixed
Console for sound mixing and finishing touches
One of the many mixing boards and sound rooms they have at Fire Station Studio
Sound baffles cover the walls to keep the sound clean
Signal processors and other tech stuff that you need a degree in Sound Engineering to understand
Wears reference headphones to ensure he knows what’s going on
While recording, Blue October’s Ryan Delahoussaye, sat in every chair playing several instruments which will later be layered to create an orchestral sound
notes | on fire
Fire Station Studios 224 N. Guadalupe St. San Marcos, TX 78666
Live recording Mastering ( including DVD authoring ) Video post-production firestationstudios.com
Blue October at work on March 18 recording their upcoming album.
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| Photos Eric Morales |
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David Gardner Linking Texas
musicians to
their fans
David Gardner likes Texas Music. So much so, when he discovered a glaring deficiency in the business of distributing texas music CDs he founded Icehouse Music and created a much needed distribution link. Icehouse Music developed a multi layered method to put the great sounds of Texas at the fingertips of music fans through retailers in cyberspace and locations all across the Lone Star State. founder and president ICEHOUSE MUSIC
Q: What were some of the challenges you faced when you started Icehouse? A: Icehouse was formed in response to a challenge. It is very difficult to sell physical cds in traditional locations. One of our original missions was create nontraditional outlets to sell Texas/Americana music. Q: How are you responding to challenges to traditional brick and mortar sales from online distribution and digital downloads? A: As mentioned before, we have created a nontraditional network that stretches far and wide to offer Texas/ Americana music – both on our label imprint and others. In my opinion this is the best response. That said, we sell many pieces on Amazon and many downloads on Itunes. We are very proud to have a multi-layered company that is involved in both the creation and distribution of the music we really care about and want to share with as many people as possible, within Texas and all over the world. It is our belief that a sizable segment of music buyers want to hold a physical product. Read the liner notes and enjoy the artwork. The trick is getting these units in front of people while box stores are downsizing cd racks and very few brick and mortar record stores still exist (sadly!). Q: Many Bobcats may not know much about the Center for Texas Music History at Texas State and how Icehouse supports it. Could
you tell us a little about how Icehouse supports the Center and what it does? A: We really admire the work Gary Hartman does for the Center for Texas Music History. Icehouse is always there to support in a myriad of ways. Most recently, the Center is a recipient of proceeds related to our Guy Clark tribute album and the concert that kicked it off. We hope to engage Gary Hartman and the Center to collaborate on more projects in the future - such as more special concerts and events Q: Icehouse also supports the Cheatham Street Music Foundation. How important has Cheatham Street been to the development of local artists and artists in the Icehouse catalog? A: We admire the Cheatham Street Music Foundation as well and support them through a portion of album sales. Q: Over the years, which artist were you most excited about doing business with? A: We did an autobiographical album with Johnny Bush called “Kashmere Gardens Mud” recorded at the legendary Sugar Hill Studios in Houston. Some great little gems on this record lots of surprises. Released back in 2006 but worth checking out. Q: Which new artists are you excited to spread the word about? A: The Trishas come to mind right away.
| Words Thomas Coleman Kneisley Photo McKenna Beal |
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Willie Nelson
1. This American icon (and Southwestern Writer’s
Collection donor) has played in San Marcos more times than we can count, but one of his most memorable concerts took place at the Hays County Civic Center in the late 1970s – it was “Willie and Friends Do It for a Friend,” a benefit for country singer Jess D’Maine (better known as Fred Frieling, former All Conference Bobcat football star ‘64-’66) after a Nashville motorcycle accident left Frieling paralyzed.
The Ash Family
2.Bread and Wine is their best album to date.
Set the title song on repeat, and play over and over again.
Songs & Artists every SMTXer should have: Stick this in your ear…
Elvis Presley
3.Elvis played on campus in old Evans Auditorium in
1954, and agriculture prof Tollie Buie almost lost his job for sponsoring the student event (Buie’s son Dan attended the show - and says Elvis wore a bright orange suit and shoes, and the place “went nuts.”) Everyone has a favorite Elvis song, but if you can’t decide, “Blue Suede Shoes” speaks to the times and would be a good choice. (More about Dan Buie: See Roy Head - #20 on this list.)
Blue October “It’s all walks of life: black, white,
4.Asian, Hispanic,” explains Blue October vocalist
Justin Furstenfeld. “And it’s not just one genre. It’s people who like hip-hop; it’s people who like rock…” And guitarist C.B. Hudson is a Texas State alumnus who applied for the job over breakfast in a downtown San Marcos cafe. “It was fate – or Kismet,” Hudson admits. Their home stage in San Marcos is the beautiful Texas Music Theatre.
Ace in the Hole
5.A hard to find collector’s item is the Ace
in the Hole album made by George Strait’s band in the Fire Station Studios. Along with their boss, most of these guys are Texas State grads. Ace in the Hole Band, featuring George Strait, “Lonesome Rodeo Cowboy”— Ace in the Hole contributed this song to Travelin’ Texas, vol. 2, compiled by the CTMH. If you cannot find one of those collector’s disks, get yourself a copy of the Texas Jamm Band’s selftitled album. That is made up of the primary members of the George Strait touring band and a few other high caliber musicians.
We’ve come a long way from the nights of lugging a heavy stack of beloved vinyl record albums – to that party on Field Street. Cassette tapes are ancient audio history. On a collegiate timeline, even the shiny, silver compact disk (CD) was invented 25 years ago, before most of the 35,000 current Texas State students were born. Today, electronic music devices and smart phones hold the keys to the musical kingdom. Well, time to jump on Spotify or iTunes and trip out to the tunes of our San Marcos 50.
Marcia Ball, “I Wish You Well.”
6.may be the Queen of the New Orleans
She
Jazz Festival, but all of Texas loves Marcia Ball, and for good reason. She’s one of the founding figures of the modern Texas music scene. Her album Roadside Attractions, is a favorite. Marcia has kickstarted much of what’s great about San Marcos music. She gave the keynote address to launch the Center For Texas Music History at Texas State University and has played the grand opening of Cheatham Street Warehouse several times (long story) and has made Cheatham Street and San Marcos her home away from home for many years since.
Jerry Jeff Walker
7.“Sangria Wine” and everything on his
breakout Viva Terlingua album. A sell-out favorite on the Cheatham Street Warehouse and Gruene Hall stages. Jerry Jeff is a contributor to the Southwestern Writers Collection.
Hardin and Russell
8.Were an early favorite live act in San Mar-
cos during the 1970s, and today Tom Russell has grown to be a songwriter’s songwriter. Check out my favorite: “Gallo del Cielo,” made popular by Joe Ely.
Ponty Bone “Clifton’s Boogie” is the
9.work of local artist and Accordion great
Ponty Bone. Who has squeezed in more New Year’s in San Marcos than most of us can
15
. Bob Wills and His Texas Playboys, “The New San Antonio
Rose.” Perhaps the world’s favorite song about Texas. As one of the most influential figures in country music history, Wills drew from all the different ethnic influences found throughout the state to help create western swing, the unofficial “national music of Texas.” The Original Texas Playboys played some of their last shows at Chilympiad, The World Championship Chili Cookoff during the 1980s.
16 James McMurtry
. Another of the breakout “Class of ‘86” who has swept the Americana music awards and rides the top of the charts with every release. His cult-like following has grown from coast to coast, and his live performances are the stuff legends are made of. “Choctaw Bingo” and “We Can’t Make It Here” are two epic Americana songs of our time.
| List By Diana Hendricks |
count, as a favorite longtime New Year’s Eve band. He has been featured in the CTMC Unplugged concerts and the Summer in the Park Series.
Clarence “Gatemouth” 10Brown, .
“Okie Dokie Stomp” from the Blues Ain’t Nothin’ album. He guest-lectured on campus in a country music history class back in the late ’70s, was a Cheatham Street regular, and always requested Fuschak’s Pit Barbecue chopped beef sandwiches in his contract when he came to town. “The best chopped beef I ever ate,” he said more than once.
11 Guy Clark
. There’s no better songwriter alive today than Guy Clark. “Like A Coat From The Cold” wins the fave spot here, for sentimental reasons. Pat Green, Robert Earl Keen, Cory Morrow and so many other younger singersongwriters owe much of their success to the songwriting path blazed years earlier by Guy Clark.
12 W.C. Clark,
. “I’m Hooked On You.” Clark has “played” his dues at many Unplugged concerts and has hit several live stages in town, making the Kyle-Buda area his home.
13 Eddie Durham,
. “Hittin’ The Bottle.” This San Marcos native son is credited for the first jazz electric guitar solo. The Center for Texas Music History is currently playing a part in preserving his San Marcos childhood home.
Ruthie Foster with Cyd 14Cassone, .
“Small Town Blues.” “Ruthie is the most soulful singer to come out of Texas in years, and her rendition of the Stephen Foster classic, “Oh, Susannah” about a slave longing for freedom, will send chills up and down your spine,” says Dr. Gary Hartman.
18 Doctor G and the MudCats . (a.k.a. Gregg Andrews, history professor emeritus and founder of the Center for
17 Asleep at the Wheel
. “That’s Your Red Wagon.” Ray Benson and the Wheel are one of the most important bands in Texas music history. One of their first Texas gigs was at Cheatham Street Warehouse in the mid-1970s. They reawakened a national interest in Texas-born western swing by making it cool and fun again. In so doing, they changed the course of musical history for generations to come.
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Texas Music History). Best bets would be anything from their debut album, MudCat, maybe “Swinging on a Texas Moon” or “Rockin’ Rita,” or My Daddy’s Blues, the second album of swampytonk music, the haunting story of “Cousin Jesse,” or pull on your dancing boots and waltz to “Soft Loving Side of Me.”
19
. HalleyAnna The Debut album, The Country, drew attention from No Depression magazine to the Big Apple, and the new self-titled project, produced by Bill Chambers, father of Australian Americana superstar Kasey Chambers, is scheduled for release in May. Walt Wilkins says, “Hearing HalleyAnna always makes me happy. She’s like sunshine in a beautiful package.” Definitely a member of the Class of 2013 to watch.
winning accordionist Jimenez is to the world of TexMex Conjunto. A familiar face on the music scene in San Marcos, Flaco is a sure bet in any accordion shoot-out.
25
. Eric Johnson, one of the greatest guitar players to come out of the 1980s, was a regular at Cheatham Street as he was honing his talent. Albert King, Johnny Winter, and Stevie Ray Vaughan all sang his praises, and his “Cliffs of Dover” is an exceptional illustration of Texas guitar perfection.
26 Robert Earl Keen
. “The Road Goes On Forever” Not only do
been playing in San Marcos since he was 13, long before he was featured on the cover of Guitar Player magazine.
30 Gurf Morlix
. “Madalyn’s Bones” This cut from the Diamonds to Dust album tells the story of the identification of famed atheist Madalyn Murray O’Hair’s bones by Texas State faculty member Dave Glassman. It mentions “the number on her hip,” the ID on the hip replacement that was among the bones.
31 Emilio Navaira
. A Texas State alum and San Antonio country-Tejano artist, Emilio shows his George Strait influence in “Life Is Good.” His rich vocals on “Juntos” is also a good choice.
20 Roy Head
Omar and the 32Howlers
. “Treat Her Right” This was Head’s biggest hit. Lots of local talent and historic value in this one, as he started as a San Marcos High School band member (along with a host of other San Marcos classmates including Bill Pennington and Dan Buie) and went to the top of the charts in the early ‘60s. Roy Head and the Traits, who began performing in high school in 1957, performed a golden anniversary concert here in town in 2007.
.
. What Texas State student hasn’t had “Hard Times in the Land of Plenty?” Available on Columbia Records, recorded at the Fire Station Studios, and still just as solid as it was in the 1980s.
33 James Polk
. . Grammy Award nominee Polk was an instructor of jazz studies at Texas State before he retired. He served for ten years as musical arranger for Ray Charles. He’s been named Jazz Pianist of the Year in Texas.
21 Terri Hendrix
. , who cut her musical teeth at the Cheatham Street Songwriter Circle in the “Class of 1986,” is a Texas State alum and has performed at several of the CTMH Unplugged concerts. This longtime San Marcos resident has played at the Price Center, in elementary school classrooms, and at the Summer in the Park Series. Today, with a Grammy under her belt and songs recorded by the Dixie Chicks and others, Terri is one of the most talented, heartfelt songwriters on the scene.
34 Ruben Ramos his San Marcos roots include long-time bass player, Joe Bob’s Bar and Grill veteran, and Texas State alum Bill Whitbeck, but he also talks about San Marcos on several of his albums.
22
27 Lyle Lovett
23
28 John Arthur Martinez,
. Whitney Houston She didn’t yet need a bodyguard, but she was already standing on the edge of stardom when she played in Evans Auditorium on the Texas State campus in the ’80s. . Ray Wylie Hubbard “Mother Blues,” “Drunken Poet’s Dream,” and a sackful of others make this Wimberley resident an Americana superstar. And his mailbox checks for the classic, “Redneck Mother,” keep the lights on.
24
. Flaco Jimenez What B.B. King is to the blues, Grammy-
. He played around San Marcos as a young songwriter back in his Texas A&M days, long before he became a cult classic crooner. He was Robert Earl Keen’s roommate at A&M.
. is another Texas State alum ‘84 and finalist in the “Nashville Star” competition. His influences range from Flaco Jimenez to Marty Robbins, and his style falls somewhere in between.
29 Monte Montgomery
. This acoustic guitar virtuoso recorded his Architect CD at the Fire Station Studios and has
. Grammy winner Ruben Ramos is no stranger to the Texas State campus and concerts at the Hays County Civic Center. Another favorite dance band through the
decades.
35 Bruce Robison
. This alum and Bandera native has had his songs recorded by everyone from the Dixie Chicks to Tim McGraw, and he wrote George Strait’s 55th (but who’s counting?) No. 1 hit, “Wrapped.”
36 Randy Rogers
. “They Call It the Hill Country” Texas State grad (’01) and Mercury Records artist. This song from the Roller Coaster album was written by Kent Finlay. The Randy Rogers Band is another Cheatham Street Warehouse product.
37 Billy Joe Shaver
. “Star In My Heart” Billy Joe is a longtime Cheatham Street and Gruene Hall regular. Billy Joe is one of Texas’ top four greatest songwriters ever, and this beautiful song reflects his passion for life, even in the face of enormous personal tragedies. 04.13 | SMTX | BOBCATFANS 13
38
45 The Skunks
39 Todd Snider
46 Texas Tornados
. Sisters Morales “Cancion Mixteca” Lisa and Roberta are at home at Unplugged concerts as well as on stages around San Marcos. This traditional Mexican ballad combines beautiful harmonies, driving beat, and great instrumentation — this is the way good music was meant to be. . Todd came to San Marcos because Texas State was here. He slept on a lot of couches, learned to write songs here, and has made a songwriting career steeped in Texas Hill Country color. His “Devil’s Backbone Tavern” is a good choice for this list.
40 George Strait
. Pick any of the No. 1 hits that this Texas State Distinguished Alumnus has recorded so far — we’re going with “Blame It on Mexico,” one of George’s first hits, written by Texas State alum Darrell Staedtler ’66.
41 Sons of Fathers
. “Only For A Day” and “The Country” are two favorite picks on their debut album. San Marcos native David Beck and his songwriter compadre Paul Cauthen are getting ink in Rolling Stone. They are definitely in the Top Ten Percent in the Class of 2013.
42 Pake Rossi,
. calls San Marcos his stomping grounds these days, and when we look at the Class of 2013, he makes the list of promising songwriters. “For All That It’s Worth” from his first album is a best bet.
. Austin’s premier punk/new wave band packed the house with slam dancing and rafter swinging in the 1970s. Jesse Sublett and Jon Dee Graham created the Austin new wave sound. If you can find a copy of “Cheap Girl,” you will get the real deal, but later release, “Gimme Some,” rings true from the good ol’ days.
. “Hey, Baby! Que Paso?” The Tornados blended together all the great musical influences of their home state to help make Texas music popular worldwide. If you haven’t heard the Texas Tornados, you haven’t really heard Texas music, according to Dr. Gary Hartman. The Texas Tornados recorded much of their Grammy-winning sound at the Fire Station Studios and performed in Strahan Coliseum for a national Native American Pow Wow. “Is Anybody Goin’ to San Antone” or “Laredo Rose” would be the best choices.
47 Townes Van Zandt
. “If I Needed You.” A work of art by the poet laureate of Texas music—a Cheatham Street favorite, and of course, recorded at the Fire Station. Brian T. Atkinson bio, I’ll Be Here In The Morning, has popularized a new renaissance of TVZ music.
48 Stevie Ray Vaughan
. He played in town every Tuesday night, “ladies free,” for a year or so and recorded some of his most influential work at the Fire Station Studios. Memories of SRV in San Marcos are definitely on many people’s “Pride and Joy” list.
43
49 Walt Wilkins
44
50 Van Wilks
. Uncle Lucius, shared the stage with Ray Wylie Hubbard at the Texas Music Theatre to rock in 2013 and they have not slowed down since. Austin indie-rock band has made TMT their second home. “Keep The Wolves Away” . Reckless Kelly, a staple on stages in San Marcos since 1997. Brothers Willy and Cody Braun headed to the Texas hill country from the Northwest and grew to influence a new generation of acoustic songwriters. “Wicked Twisted Road” is a favorite. Double dipping here, we will add Micky and The Motorcars (“Seashell”) as the younger brothers of Reckless Kelly who have followed in their older siblings’ footsteps. What a family!
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. “Trains I Missed” from Diamond in the Sun CD. As Tom Copeland says, “An obvious choice considering the connection of trains at Cheatham Street and the trains we never seem to miss in San Marcos—it’s a great song.” . Incredible bandleader, guitar player, songwriter - perennial favorite for Austin Music Awards band of the year, instrumentalist of the year, guitarist of the year - named to Texas Music Hall of Fame. Favorite treat every time he is in town: Gil’s Manske Rolls. Too Bitter and Cheatham Street Warehouse veteran, this Brownwood, Texas, native is also a proud Texas State Alum.
Sit up straight
Shoulders relaxed
Right arm balanced on lower bout
Knees at 90 degree angle, feet flat on ground (or use foot stool)
| Words & Photo Eric Morales |
Guitar neck is 45 degrees or less (head is below eye level)
the finer points Of Holding A Classical Guitar
Both wrists relatively straight and relaxed Both arms extended equally from the body
Claire Puckett (Mother Falcon and Hikes) demonstrates how to properly hold a classical guitar.
Guitar in middle of torso (upper bout touches your chest) Guitar centered across body (your nose is over the 12th fret)
Guitar holds in this position without arms touching it
notes | Six Strings
It’s a scientific fact that If a guy knows how to play the guitar, girls will throw themselves at him. Be wary of dating a guy, or girl, who plays guitar. It’s science. The 18th Annual World Air Guitar Championships take place in Oulu, Finland on August 21-23. In 2004 Paul McCartney, Mick Jagger, Keith Richards, Eric Clapton & many more guitar legends signed a Fender Strat to be auctioned off for Tsunami victim relief efforts. The winning bid was 2.7 million.
In the mid-1970s, Central Texas was like Paris in the 1930s, with expatriate singer-songwriters and a host of other artists flowing out of Nashville, Los Angeles and points beyond, to a place where coloring outside the lines was encouraged, and legend became fact. It was in this fertile ground that a new sound took root. Suddenly, the songs on the radio had an organic feel, the music was rough around the edges and had a back porch jam feel, and the lyrics flowed like a hill country river. | By Diana Hendricks |
From Left, Mike Daily (steel guitar), Ron Cable (lead guitar), and George Strait (rhythm guitar and vocals) and Terry Hale (bass guitar) as a young band, Ace In The Hole begins a long, awardwinning career (Photo courtesy Cheatham Street Foundation.)
(Photo courtesy of Cheatham Street Foundation)
And the journalists and writers got it. In this progressive country/redneck rock/ outlaw moment in Texas music, writers got to flex their imaginations and watch legend become fact. As the newspaper man said, in The Man Who Shot Liberty Valance, “This is the West, sir. When the legend becomes fact, print the legend.”
As Reid tells the story of the first financial music festival disaster that was the first incarnation of Willie Nelson’s Picnic, billed as the 1972 Dripping Springs Reunion, he knew he was onto something more. Reid introduced Armadillo World Headquarters owner Eddie Wilson to a broader audience than the young hippies and old cowboys who stood side by side in the old armory building-turned-music hall in Austin.
Jan Reid’s “The Coming of Redneck Hip” marked this acclaimed Texas author’s first Reid wrote: (Eddie) Wilson and his music major feature on the pages of a slick new business colleagues stress that any Austin music magazine called Texas Monthly. Reid boom must remain localized. The creation of chronicled this new country rock hybrid The night George Strait won his first Couna music center in Austin would bring millions sound that was coming out of Austin, try Music Award for Male Vocalist of the of dollars into the local economy, millions and wrote of the migration of seasoned Year, Cheatham Street Warehouse family and friends celebrated that would wind up in the pockets of Austin musicians flocking into the capitol city. “It with signs and cheers. musicians, technicians, artists and publicists wasn’t just the music,” says Reid. “Austin struggling to get by. Even the environment was becoming a mecca for writers, artists, would benefit. According to Wilson the music industry, unlike others musicians, poets. There was a real scene growing here. that a growing Austin might attract, “doesn’t pollute and it doesn’t get in the way visually; about 50 million dollars could be put into When Reid describes Murphey on that stage, he could be describing the Austin music business and remain invisible.” The stage has been the entire new sound coming out of Austin, “It was like somebody set very nicely, so why not continue? Thus the music businessmen turned a Baptist church into a country-western honky-tonk invaded proceed, caution thrown to the winds. by hippies. But the longer they played, the more evident it became that this was a music in which the instruments took a back seat to the lyrics.” 20 BOBCATFANS | SMTX | 04.13
< Joe Ely
(Photo by Kim sy Porterfield, courte of Cheatham Street Foundation)
< Willie Nel so
n (Photo cour tesy Cheatham St of reet Foundation)
Alvin Crow >
(Photo by Diana Hendricks)
That Texas Monthly feature was the basis for what would become one of the most cited books in the study of Austin and Texas music, The Improbable Rise of Redneck Rock (1974). “It all happened so fast,” Reid recalls. “Looking back, I left a lot out of that first edition. I was focusing on Austin. It had some flaws. There were great sounds coming from all over the state. Doug Sahm and Augie (Meyers) were happening in San Antonio, with the West Side Horns. Delbert (McClinton) was hot in Fort Worth. They were happening, too. That is part of the reason I wanted to write the Doug Sahm biography (Texas Tornado) and the 2004 edition of Redneck Rock needed to be more than just a re-issue. I hadn’t given enough credit at the time for what a lot of people were doing in Texas music.” Progressive Country – or Redneck Rock – or Outlaw Country. Call it what you will, but in the mid-1970s, San Marcos was a perfect place to hone this newfangled, old style music to a new level. San Marcos had voted on-premise alcohol only a couple of years before, and there were a few restaurants and bars in town that had occasional live music, but no place was dedicated to music. Before Kent Finlay and Jim Cunningham opened Cheatham Street Warehouse in the summer of 1974, they had done their share of “research development” at
Luckenbach, and in the music halls of Austin. Their mission was to focus on the music like an old-style honkytonk beer joint. A great jukebox, a shuffleboard table and a couple of pool tables line the neon walls. Longnecks and tap beer served in Mason jars were complimented by a variety of peanuts and chips, and a line of gallon jars filled with pickled eggs, pickled pigs feet and dill pickles provided an old-time flavor to the beer joint. Telephone company cable spools served as tables and folding chairs found at auctions along with some old wooden theatre seating finished the décor.
Todd Snider > (Photo by Diana Hendricks)
And the music came alive in that old warehouse. While the outside was a rusted tin façade, the warehouse was lined with rich old wood, and shaped like a fiddle - the acoustics proved to be perfect for a live music venue. Opening night featured Freda and the Fire Dogs, with lead singer Marcia Ball. Today, she is a four-time Grammy nominee, an inductee in the Gulf Coast Music Hall of Fame, the winner of eight Blues Music Awards and in the Living Blues Readers’ Poll Awards was voted Female Blues Artist of the Year and Most Outstanding Musician (Keyboard). And the tradition began.
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To look at the band calendar at Cheatham Street in the late 1970s today is like reading a who’s who of Texas music today. But then, everyone was getting started and sharpening their skills. On any given night, unknown musicians would step on the stage and debut new songs and new sounds, and the audience was there to soak up the magic – generally for about a dollar and a half cover charge. Among those, a new little group called Ace in the Hole was also going through a transformation. They had been Stony Ridge, led by San Antonio native Jay Dominguez, and after a band dispute, Jay fired the band. But wait, the band owned most of the sound equipment. So in the fall of 1975, they put signs up on campus advertising for a lead singer for a “working band with gigs.”
the door of the rusty old building on their way to the top. Today, the old warehouse still showcases good music nightly. The Cheatham Street Music Foundation is a non-profit organization dedicated to developing, promoting, preserving, and perpetuating Texas music.
A tip of the hat to the Triple Crown for 5901 days of consecutive live music (as of 4.1.13) in San Marcos, according to the counter on their website. Nephew’s has had a strong off-andon affair with good live music and as been a favorite student spot for several decades. And kudos to the Texas Music Theatre. Brothers Scott and Gray Gregson and their partners have poured hundreds of thousands of dollars into the live music community in San Marcos, by creating a 1,000 seat, world-class listening room from a historic old theatre, bringing name acts into town, and broadening the music scene while paying homage to the Redneck Rock tradition, as is evident by legendary Ray Wiley Hubbard’s sold out 2012 New Year’s Eve performance.
A young cowboy just out of the Army auditioned and got the job. George Strait was to become their true Ace in the Hole, as the band members who were on the stage for those weekly “Ladies Free” shows at Cheatham Street are still core to the band playing today on their sold-out national “The Cowboy Rides Away” retirement tour. These bands and countless others were playing for the audiences. Crowds were flocking into Cheatham Street in the heyday of the Redneck Rock moment to listen to music. Later, Stevie Ray Vaughan, The Fabulous Thunderbirds, Van Wilks, and Eric Johnson broadened the sound to a blues-rock genre. Resistol wearing cowboys sat down next to tie-dyed hippies, drawn together by the music. The beer was cheap, and not always cold, but everyone came for the music.
Willie Nelson wrote “Me and Paul,” during the heyday of Redneck Rock: “It’s been rough and rocky traveling, but I’m finally standing upright on the ground. After taking several readings, I’m surprised to find my mind’s still fairly sound…” San Marcos can claim a significant stake in the Improbable Rise of Redneck Rock. And, like Willie and Paul, with live music on nearly every corner downtown, a music foundation, a state-of-the-art music theatre, and a steady stream of incredible talent, it’s safe to say, “We’re finally standing upright on the ground.” A typical ad in the Hays County Citizen in 1976 spotlights the calibre of music growing out of San Marcos. (Photo courtesy of the Cheatham Street Foundation)
notes | The Warehouse
Cheatham Street became “Austin’s Far Out Beer Joint,” according to Joe Gracey at KOKE-FM, the voice of Redneck rock and was welcomed into the circuit as a welcoming stage for Texas musicians to cut their teeth and hone their skills. Townes Van Zandt, Guy Clark, Jerry Jeff Walker, Willie Nelson, and countless other “legends” passed through
One venue does not make a “scene,” and while Cheatham Street Warehouse holds the record for developing stars and overall longevity, others held their own for a few years along the way, and each has a story or two about someone who passed through on the way to bigger and brighter stages. The Nickel Keg, the Skate Skeller, Jon Bones, the Cheyenne Social Club, the Prairie Rose, the list of places with live music came and went. But few of those places had staying power, or a stubborn determination to keep the music going.
opened in June, 1974 Where George Strait and The Ace In the hole band played their first 50 gigs
Video
Watch an on stage proposal before Randy Rogers plays “Kiss me in the dark”
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SMTX | chewed and brewed | April 2013 |
Centerfield’s Hot Mess Kyle’s new sports bar serves up fan favorites, anything from lipsmacking stadium nachos, delicious wings, to perfectly mixed Mexican Martinis. Not only is the food and drink at Centerfield Sports Bar & Grill delicious, it’s inexpensive. Kitchen open till 11pm on weekends.
Late Night Munchies The craving hits you like a smack to the face, however there is a problem; it’s late and you badly need your tastebuds and belly satisfied. Night owls must hunt and search for their food, but not all cravings are easily satisfied. You have grandiose standards to achieve and you will not be denied until they are reached. It’s understandable, we’ve all been there. God bless the late night munchies!
200 W. Center Street Kyle, Texas 78640 (512) 268-1400
New To Kyle Established December 2012
Parking
On the street
Atmosphere
Opened in a 1913 mercantile building
Time
11am-2am Daily Kitchen closes 11pm Happy Hour 3-7
Signatures
Mexican Martinis Chicken Wings Pizzas
What’s New
Hold on to your wiener. A Two-FootLong Hot Dog is unveiled this month.
UFC
All the fights and no cover.
The Good Grub Guide highlights the dishes and neighborhood favorites in the area’s food scene. They are reviewed and selected by the editorial staff.
24 BOBCATFANS | SMTX | 04.13
KEY
Delivery Happy Hour Outdoor Seating
$$$ Most Entrees over $20 $$ Most Entrees $10 - $20 $ Most Entrees under $10
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BOBCATFANS | SMTX | Good Grub Guide
Subway Open 24 Hours Meatball subs piled high with “the works” or extra Jack cheese. The Subway located on University Drive right next to campus is open every hour of the day. Here’s to your fresh alternative for that middle-of-thenight craving,
AMERICAN Cool Mint Café Just off campus is a slightly hidden 1920’s Arts and Crafts Bungalow style café. With fine dining in mind, Cool Mint chef serves only the freshest ingredients. Lunch and dinner Tues-Sat. 415 Burleson St, San Marcos (512) 396-2665 $$ Gills Chicken A San Marcos original Gill’s serves crisp and golden, yet juicy, fried chicken. Not to mention, the fried okra is something to rave about. Lunch and dinner daily. 2550 Hunter Rd, #1112, San Marcos (512) 353-3113 $ Grins A true San Marcos icon that has been enjoyed by several generations of students and locals. Order a juicy burger or chicken fried steak with a margarita and dine on their outdoor patio. Lunch and dinner daily. 802 N LBJ, San Marcos (512) 392-4746 $ Gristmill Located along the Guadalupe River in historic Gruene, this massive restaurant is perfect for a family outing. It has a cheerful atmosphere, and as for the 26 BOBCATFANS | SMTX | 04.13
food, well, it’s just plain deliciousness. There is usually a wait, but it’s indeed worth it. Lunch and dinner daily. 1287 Gruene Rd, New Braunfels (830) 625-0684 $$
ASIAN A-Tan Asian Bistro & Sushi Bar This little bistro has flat-out the best sushi in New Braunfels, always consistent, fresh and inspired. The Guadalupe Roll is very popular and a hefty size, and the egg drop soup is one-of-akind. Lunch and dinner daily. 1528 Common Street, New Braunfels (830) 620-1888 $$$ How Do You Roll? A fusion sushi joint where you pick the ingredients and it’s made for in quickly right before your eyes. Choose from a large selection of sauces, wraps and toppings. Try the 420 roll. Delicious and inexpensive. Lunch and dinner daily. 420 University Drive, San Marcos (512) 393-2221 $ Prik Nam Pla Thai Cuisine With especially fantastic curry dishes, this Thai restaurant in San Marcos is a gem. Try the Pad Thai and fish cakes. The service is consistently accommodating and friendly. Lunch and dinner
Mon-Sat. 1917 Dutton Drive, Ste 104 San Marcos (512) 396-9919 $ BYOB
BARBECUE Cooper’s Old Time Pit BBQ Talk about amazing dry-rub barbeque. Served on the weekends is the ever so popular off-the-bone pork chop, which is so flavorful you don’t even need the sauce. Lunch and dinner daily. 1125 Texas 337 Loop New Braunfels (830) 627-0627 $$
Hays County BBQ & Catering With excellent reviews across the board, this is pit Bar-B-Q done with Central Texas tradition. The housemade cheddar & jalapeno sausage is simply amazing. Slow smoked brisket, turkey, ribs and chops satisfy. Lunch and dinner Mon-Sat. 2601 Hunter Road, San Marcos (512) 392-6000 $ Milt’s Pit BBQ Located in the downtown district, it’s barbeque Kyle residents visit over and over again. They’re the ones with the finest sauce you never saw coming. Lunch and dinner Tues-Sun. Cash only. 208 W Center Street, Kyle (512) 268-4734 $ BYOB
BREAKFAST & TACOS Lolita’s Café This taco stand is arguably the mecca of San Marcos breakfast tacos. Two drive-thrus and a walk up window make it easy to grab and go. With ingredients made fresh bright and early, you’ll never be disappointed. If you’re really hungry try the Burrito California, ask for lots of napkins. Breakfast and lunch daily. 1501 Aquarena Springs, San Marcos (512) 392-3441 $ Pike Restaurant & Antiques Formerly an old Ford dealership, the transition to a restaurant turned out to be vintage and exciting. This place is fantastic for brunch, especially their omelets. Breakfast and lunch daily. 386 W. San Antonio St, New Braunfels (830) 387-4594 $$
Gumby’s Stoner Pie The title says it all. I mean, who can pass up a late night pizza topped with French fries AND cheese sticks?! If you’ve got the lunch munchies, spare some time for the buffet. Otherwise, Gumby’s is servin’ up its premium pies until 3 am on the daily. Have it delivered!
BOBCATFANS | SMTX | Good Grub Guide 27 BOBCATFANS | SMTX | 03.13
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BOBCATFANS | SMTX | Good Grub Guide GLOBAL Euro Café & Market Here’s a local joint where you actually want to try something new for every visit. Featuring authentic Mediterranean style entrees including Gyros, kebabs and Greek yogurt for dessert. Lunch and dinner daily. 350 North Guadalupe Street, San Marcos (512) 392-6044 $ Vodka Street Located on The Square, this classic bistro and bar serves up amazing tapas, burgers, and brunch on Sundays. The food is beautifully presented and serves old-fashioned favorites as well as tasty global dishes that make it stand out. Dinner daily. Sunday brunch. 202 North LBJ Drive San Marcos, TX 78666 (512) 396-4260 $
ITALIAN ilario’s This quaint little trip to Italy is great for any occasion. The menu features old style pizzas and an array of popular Italian dishes with delicious garlic bread at a reasonable price. Local TX wine. Lunch and dinner daily. 5401 S. FM 1626, Kyle (512) 268-3300 $ Italian Garden Located right next to campus, this little restaurant has become a local staple. Serving delicious dishes that are easy on the pocketbook. Lunch and dinner daily. 415 North LBJ Drive, San Marcos (512) 392-8730 $
MEXICAN Chimy’s Cerveceria It’s what you get when you blend a bar with tasty mexican joint. Perfect for a quick bite or relaxing with a strong margarita after a long day on the river. Watch the game while scarfing on a ridiculous portion of fajita nachos. Lunch and dinner Mon-Sat. 217 E. Hopkins, San Marcos (512) 216-6175 $
Garcia’s Mexican Food Restaurant Now with two locations in San Marcos, this is Tex-Mex at its finest. They have terrific chips and salsa to start off with and great fajitas and enchilada entrees. Breakfast, lunch and dinner daily. 1917 Dutton Drive, San Marcos (512) 353-0099 $
Mozie’s Bar & Grill Located in the cozy town of Gruene, you’ve found yourself standing among history. Mozie’s is very narrow and long, and the food is always enjoyable, especially the Shiner battered onion rings and famous fish tacos. Lunch and dinner daily. 1601-A Hunter Road, New Braunfels (830) 515-1281 $$
Zookas Ultimate Burrito Most common response: obsessed! With unusual sauce options, this local burrito shop puts other chains to shame. Serving up endless combinations, this is truly the ultimate burrito shop. Lunch and dinner daily. 312 University Drive Ste A, San Marcos (512) 353-3913 $
Sean Patrick’s Located on The Square, this beautiful pub features the most beer taps in all of Hays Country. From their delicious Guinness Burger to the Bangers & Mash, it has a vast food menu with a Texas-Irish kick. Lunch and dinner daily. 202 East San Antonio Street, San Marcos (512) 392-7310 $
PIZZERIA Brewster’s Pizza Take a drive through the hill country and stop for an amazing pizza pie, and an even more amazing beer, many of which are brewed on site. The Omnivore with spinach is a top preference, substitute wheat crust for a slight flavor twist. Lunch and dinner Tues-Sun. 9595 Ranch Road 12, Wimberley (512) 847-3299 $$ Gumby’s Pizza & Buffet Here’s a typical college pizza joint, but with a lunch buffet and striking salad bar, always with daily specials and the famous Stoner Pie. Here’s a place perfect for some after-the-bar grub. Lunch buffet daily. 403 North Guadalupe Street, San Marcos (512) 754-8629 $
PUB/SPORTS BAR Center Field Sports Bar & Grill This sports bar is warm and inviting with the delicious array of wings and burgers. With their huge portions and addicting french fries, you’ll have plenty to sit through an entire game. Lunch and dinner daily. 200 West Center Street, Kyle (512) 268-1400 $
SANDWICHES Mochas and Javas A local favorite for studying, web surfing, or catching up with friends, this coffee shop serves a variety of heavenly panini sandwiches. Breakfast and lunch daily. 700 N LBJ Drive #103, San Marcos (512) 396-5282 $ Pedestrian Café Located in Mimi’s Trailer Park, this food truck combines an array of robust and fresh flavors to form an epic meal. Each dish is hearty with various sides to accompany whatever your heart desires. Lunch and dinner daily. 301 N Guadalupe St., San Marcos (512) 618-5411 $ Which Wich Sure, here’s one of your typical sub sandwich food chains, but they really do have a crispy style and distinct zest of their own. Which Wich is quick, close to campus and, of course, affordable on any budget. Breakfast, lunch and dinner daily. 302 University, San Marcos (512) 396-4924 $
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BOBCATFANS | SMTX | Good Grub
Mozie’s Bar and Grill Located in the heart of Gruene, Mozie’s is famous for their sliders, dogs, and whiskey. Within this rustic atmosphere, you can indulge in anything to your liking. Featured above is The Big Dog dressed with their special sauerkraut and a side of skinny fries, nothing plain about it.
NO PLATES CAN HOLD OUR BAR-B-QUE Preserving Central Texas Tradition!
The Leaning Pear Adventure out into the beautiful hill country and make sure to stop at The Leaning Pear. The chef has the gift of fusing flavors that will surpass your imagination. There isn’t a dish that will disappoint. Lunch daily, dinner Fri-Sat. Closed Tuesday. 111 River Rd, Wimberley (512) 847-7327 $ Naturally Featuring outstanding homemade quiche and yummy sandwiches, this place is great to take the edge off during your lunch break. The salads and smoothies are a great alternative for a healthy meal as well. Lunch Mon-Sat. 1102 N. Walnut, New Braunfels (830) 214-6300 $
STEAKS & SEAFOOD
BRISKET - PORK RIBS - PORK CHOPS CHICKEN - TURKEY - SAUSAGE
hayscobbq.com 512-392-6000 30 BOBCATFANS | SMTX | 04.13
MON - SAT 11 a.m -8 p.m.
Bordeaux’s Serving up filet mignon and fresh seafood like it’s nobody’s business with sides that are just as scrumptious. Located in the heart of Kyle, Emeril Lagasse has dined there to enjoy Chef Larson’s menu. Dinner Mon-Sat. 108 West Center Street, Kyle (512) 268-3463 $$$
KOBE Steakhouse Hibachi grill for Steaks & Seafood, terrific sushi, happy hour and Asian cuisine all in one! KOBE serves up any combination you’re craving. Lunch and dinner daily. 515 Springtown Way, San Marcos (512) 396-7200 $$ McAdoo’s Seafood Company This Cajun style seafood restaurant and bar has wonderful food and impeccable service to go along with it. Have a drink at the bar while you wait to be seated, then enjoy fresh oysters, fish, or crawfish. Overall, it’s a great fine dining experience for a night out on the town. Lunch and dinner daily. 196 Castell, New Braunfels (830) 629-3474 $$$ Myron’s Prime Steak House Sophisticated and upscale, yet relaxed, this prime steakhouse offers succulent steaks and seafood. The menu is a-lacarte, so everyone can experience a little bit of everything. Dinner daily. 136 North Castell Avenue, New Braunfels. (830) 624-1024 $$$
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Contents | Sweet Tunes Edition | April 2013 |
28 @bobcatfans
19
/bobcatfans
BOBCATFANS Magazine Tapping The Vote........................................................ 15 TX Music History........................................................ 18 The Lion & The Giraffe................................................ 22 Nate Coop.................................................................. 24
44 27
Fire In The Pines......................................................... 26 Ashleigh Stone........................................................... 27 The Real Ray C......................................................... 28 SMTX Magazine The Tidbits................................................................. 04 Fire Station Studios.................................................... 06 Icehouse Music.......................................................... 08 50 SMTX Songs......................................................... 10 The Finer Points.......................................................... 16 Class Of â&#x20AC;&#x2DC;76............................................................... 19
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10
08
(formerly Aspen HeigHts)
text
TellURiDe
to 47464 for info
About The Covers Music, its a powerful drug and this is the one time every year where we do our best to overdose. On the covers are San Marcos music artists past and present. On SMTX (LtoR) Willie Nelson, Jack Rogers & Jerry Jeff Walker. On BOBCATFANS is TXST alumnus and Interscope records Hip-Hop recording artist Ray C. BOBCATFANS Cover Photograph by Eric Morales SMTX Cover Courtesy Cheatham Street, circa 1976
Publisher Rick Koch @rickkoch
Executive Assistant Morgan Kemper
Art Director Will Bowling @wbcreative
Contributors Diana Hendricks Bill Cunningham Tiffany Matthews Steve Huskey Hilda Helsing
Photo Editor Eric Morales @ericmphotoTX Senior Writer & Distribution Jordan Regas @jjregas Events Johnell Huebner @johnellhuebner
under new
ManageMent
Advertising 361.236.5624 rick@ bobcatfans.com Feedback bobcatfans@ gmail.com
Copyright 2013, BOBCATFANS LLC 139 E. Hopkins Suite B San Marcos, TX 78666. All rights reserved. Reproduction in whole or part is prohibited. BOBCATFANS | SMTX Magazine is a privately owned publication and is not affiliated with Texas State University - San Marcos
@VillageTXSTaTe
512.667.6064 201 Telluride ST
San MarcoS TX villageontelluride.com 04.13 | SMTX | BOBCATFANS 5
SMTX | Interesting Object
VINYL RECORDS The vinyl record is for the connoisseur, the audiophile, for whom listening to music through crummy little laptop speakers, or compressed Mp3 format, is just not enough. The vinyl record is for the person who doesn’t just want to listen to music but wants to feel music. It’s for someone who craves hi-fidelity and the snap, crackle and
pop when needle touches vinyl. Listening to music, for some, is a ritual. The 12x12 inch sleeve is not made simply to house and protect the record but serves as a platform and canvas for beautiful illustrations or photographs that we call ‘album cover art.’ We call it art, because that’s what it is.
The act of seeing, touching, feeling, listening can induce a zen-like state that can only be experienced by being wholly involved in the act of experiencing recorded music in its highest form. Where to find Vinyl & Turntables Superfly’s on University Dr., next to Subway
To help make your vinyl albums last longer, clean, handle and stow them appropriately. Artist, Joy Division Album Closer Must Listen, “Isolation”
There is one long, continuous groove on each side of a vinyl record.
LP records which are 33 rpm in speed and are 12-inch in diameter typically play for 25 minutes per side.
Just The Facts The Origin Of The Vinyl Record Way back in 1857, a French scientist named Leon Scott developed the “phonoautograph”, which used a vibrating diaphragm to record sound waves on paper. Laid the groundwork for what would eventually become the gramophone, or LP.
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The World’s Largest Record Collection A man named Paul Mawhinney is believed to have possessed the largest record collection in the world – stretching past the one million mark (and featuring 1.5 million singles!)
Not All Colors Created Equal Clear and colored discs usually attain more pops and cracks (“surface noise”) over time than standard black vinyl records do.
| Photo Eric Morales |
So good. . .
. . .youâ&#x20AC;&#x2122;ll flip your bowl! self-serve frozen yogurt 350 N. Guadalupe St. (Guadalupe & University) 512-667-6720
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Events & Happenings
| April 2013 |
Euphoria Music Festival
Get your dance on for the totally mind blowing electronic music festival just down the road in New Braunfels. Featuring headliners are Datsik, Baauer, EOTO, Tommy Trash and many others. Only positive vibes are acceptable! Food, booze and camping will be available, so why drive back home? Be safe and have a good time! Apr 12-13 @ Whitewater Amphitheater New Braunfels
Texas Cobra Club
Spring Fest Texas Hill Country Paddling Festival
Remember Texas! A proud day for Texans to come together and celebrate Texas Independence. You only “Surrender” your ears to Creager’s lone star inspired tunes, with Special Guest Bleu Edmonson. Apr 4-7 @ 9 a.m. – Embassy Suites San Marcos
Take a lesson from the experts. Enjoy a gear swap, kayaking, boat demos, stand-up paddling, water sports competitions, free classes and much more. But best of all, save a little energy for the After Party at the Olympic Outdoor Center. . Apr 6 @ 8 am – Rio Vista Park
Keep San Marcos Beautiful Concert Series
12th Annual Youthfest
FREE event with live music, art and grub! April 4 Vocal Trash April 11 The Happen-Ins, The Sweet Nuthin’, Kabomba! April 18 Shinyribs, Mike & the Moonpies April 25 Soul Track Mind, The Georges May 2 Del Castillo, Vallejo, Patricia Vonne Thursdays @ 6:30-10 pm – San Marcos Plaza Park
Take advantage of this fantastic outing for the entire family at little or no cost! Enjoy live music and meet some great people! Apr 6 @ 10am – 4pm – San Marcos Plaza Park
Live Music Friday
Apr 11 @ 8pm – Texas Music Theater
Enjoy the beautiful ambiance overlooking the San Marcos River with Three Dudes for wine and live music on the 1st Friday of every month. You never know who you’ll discover. Apr 5 @ 6-8 pm – Three Dudes Winery
Jason Boland and the Stragglers These guys know how to make you two-step, especially with an appearance from Shooter Jennings. Talk about “knockin’ boots!”
Texas State Ultra Road Race You better hope your buns are in shape for this 3-event road race. Start off with a 12.6mile race, followed by a battle to the top of Fulton’s Hill and finally criterium at The Square. You know you can do it! Apr 13-14 @ 8am – San Marcos
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Austin Canoe & Kayak Demo Days Save some money on a brand new kayak and head out on the water with more than 90 others, or just kick back and watch the show. Either way, attend the various clinics and shop around for other vessels and accessories.
Nordic Hike to Spring Lake Take 2 hours out of your busy schedule and grab your hiking pole or your pup! Engage in an effective, healthy workout that stimulates your upper body and legs. Meet in the Meadows Center Parking lot.
Apr 13 @ 10 am – 14 @ 12 pm @ Texas Ski Ranch
Apr 21 @ 2pm – Spring Lake Preserve
Riverfest 2013
Brian Keane
Every year San Marcos brings in our favorite artists from all different genres of music. For all of those country folks out there, this is your year with Gloriana!
How ‘bout giving in to a little Texas Country to kick off the start of finals? You know you’re gonna need a good night out. Apr 26 @ 11 pm – Cheatham Street Warehouse
Apr 18 @ 3-10 pm – Sewell Park
Earth Day Relay
Just for Fun Parade
Round up 3 of your most strapping buddies and compete in this year’s relay. Competitive or not, fun is a given. Whether you prefer to be on foot or on 2 wheels, there’s an event for you. Visit www.earthdayrelay.com for more information.
The first JFF Parade was organized 40 years ago. It is open to anyone and everyone who wants to participate: your pet, as long as it takes kindly to a leash; that band that practices in your garage; or your “handicapable” grandma. Best see you there bright and early and dress funky!
Apr 20 @ Wonder World Park
Apr 27 @ 9am – 12 pm – Rio Vista Park
MR Fest
It’s that time of year again for MR Fest! KTSW brings you the 6th annual free festival featuring plenty of artists at multiple venues. Put your walking shoes on and venture around San Marvelous and take in the music! Apr 26-27 @ participating venues around the square
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SMTX | Health
HERE COMES THE SUN The summer is near and we’re in Texas, so it’s going to get damn hot! Whether you spend your free time drinking by the pool or slapping the bag while floating the river, sunburn is just around the corner. You can still get a tan while wearing sunscreen, and the best part is you won’t have that painful sunburn later on. The higher the SPF, the more protected you are from harmful UVB rays, but not from UVA rays; both are associated with skin damage. So, how do you know which SPF to purchase? Well, it’s this simple: SPF 15 product blocks about 94% of UVB rays; an SPF 30 blocks 97%; and an SPF 45 blocks about 98% of rays. After that, you’re just wasting your money. If you don’t wear sunscreen on your body while lying under the sun, it’s time to at least start putting it on your face – you don’t want to look like you’re 70 when you’re 50, do you?
notes | Set a screen
Sun rays are strongest from 10am – 4pm, reapply every couple hours during this time. What do UVA & UVB mean? UVA = long wave ultraviolet. The “A” reaches below the surface of the skin, most damaging. UVB = short wave ultraviolet. The “B” reaches the surface of the skin. It takes only 15 minutes to get sunburned, but it depends on how strong the rays are as well as your skin type. When you get sunburned, your body tries to compensate by sending blood to the burned site to repair the damaged cells, which is why you turn pink or red.
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| Photo Eric Morales |
SMTX | train hard. eat fresh.
Profiles
Pretty much anywhere.
ZAC MILLER
If you’ve ever been walking around Texas State University campus, and have seen someone climbing or jumping off walls and rails with expert skill and seamless transition, you’re watching a Parkour athlete. Parkour originates in France, and it is sometimes called, “the art of displacement”. A practitioner is called a traceur. Parkour, at first appearance, seems like a dare-devil sport. But, Parkour is actually about disciplined, controlled movement. Although many
| Words & Photo Eric Morales |
people practice Parkour solely for the physical conditioning, Zac Miller claims that Parkour is about body and mind. Parkour is a discipline. It’s more about body awareness, refinement and technique than anything else. It’s not just about being strong; it’s about controlling the body’s movement with the precision of a technician and the expressiveness of an artist. Parkour is best learned by engaging in sportspecific exercises, not unlike martial arts or crossfit training, that are specific to developing strength and
notes | Where to Train
Parkour Training Ground: Walls Rails Stairs Trees Ledges
agility needed for the dynamic Parkour movements. It is recommended to train with a group of traceurs with someone there specifically to help with correcting movements. Zac Miller is highly involved with the Texas State Parkour group, and says that he spends a lot of time helping others get started. Zac is only seventeen, a future Texas State University student, but he’s already involved and counts himself among some of the more committed Parkour athletes in San Marcos.
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SMTX | happy hour Restaurants
Notes | bobcat nation
Bobcat Nation
Grin’s
$3 Chips & Queso $2 Wells, Frozen ‘Ritas, Domestic Bottles & Cans Daily @ 3pm – 7pm 700 N LBJ (512) 667-6393
Food specials $.99 Margaritas $5 Baby Beer Buckets Mon-Th @ 2pm – 10 pm 802 N. LBJ Dr. (512) 392-4746
Chimys Cerveceria
Gumby’s
$.99 Crispy Tacos Wells & Margarita specials Mon–Fri @ 4pm – 7pm 217 E Hopkins (512) 216-6175
$1.50 Ziegenbock Daily 403 N. Guadalupe St. (512) 754-8629
Cody’s Bistro
3 for $25 Select Sushi Rolls 2 for $10 Appetizers $2 and $3 drink specials Everyday @ 2pm- 6pm 1328 N. I-35 (512) 878-1455
$1 Off Appetizers $1 Off Draft Beer $.50 Off Craft Bottles $4 House Wine Everyday @ 1pm- 6 pm 690 Centerpoint Rd. (512) 393-2867
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Japan Latino
Los Cucos $1.99 Margaritas 99¢ Domestic Pints
Mon-Tues all day Wed-Fri ‘til 7pm 1617 Aquarena Springs Dr. (512) 805-2444
Palmer’s $3 and $5 specials Mon-Fri @ 3pm – 6 pm 218 Moore St. (512) 353-3500
Railyard
Boudain Balls
A little bit of New Orleans flavor finds it’s way into the menu. Big, hot, delicious and definitely filling.
Hot bobcat
A signature drink. A whisky mix topped with a jalapeno. A good kind of heat.
Historic Pics
Home to the largest selection of Texas State photos on display. The legend of TXST’s Sombrero Guy lives on.
$1 Off Drafts & Wells $1.50 Margaritas Everyday @ 3pm – 7 pm 202 E. San Antonio St (512) 392-7310
Tres Hermanas $2 Drafts, $2.50 Wells $7.50 Pitchers Mon-Fri @ 4pm – 7pm 2550 Hunter Rd. (512) 878-2405
$1 Off Appetizers $1 Off Mixed Drinks & House Wine $.50 Off Beer Everyday @ 3pm- 7 pm & during train 116 S. Edward Gary St (512) 392-7555
Vodka St.
Sean Patrick’s
$3 and $5 specials Mon-Fri @ 3pm – 6 pm 218 Moore St. (512) 353-3500
Half Price Appetizers 50¢ Wings
Half Price Appetizers $3 Wells, $1 Off Drafts Mon-Fri @3pm - 7pm 202 N LBJ Dr. (512) 396-4260
Palmer’s
Bars Black Rabbit Saloon
Showdown
$1 Off Everything $2 Off Specialties
Happy Minutes specials
127 E. Hopkins St (512) 667-6313
207 E. Hutchison St. (512) 392-7282
Barfish Lounge
Taxi’s Piano Bar
Mon-Fri @ 5pm – 8pm
$3 Kamikaze Shots $3 Red Snapper Shots All Day, Everyday
141 E. Hopkins (512) 558-7399
Gray Horse Saloon $2–$5 specials All day, Everyday 1904 Rand Road 12 (512) 878-8080
Harper’s Pub $2 Wells & Dom Bottles 3pm – 7pm Daily 139 E. Hopkins St. (512) 878-2448
Jack’s Roadhouse $2 or less specials Mon-Fri til 7pm 1625 Hunter Rd. (512) 392-3340
3pm-3:15 pm, 5pm-5:15 pm Everyday
Various specials Mon-Fri
202 N. LBJ Dr. (512) 392-3031
Treff’s Tavern $1.75–$3 specials Daily @ 1pm – 8pm 804 Chestnut St.
(512) 353-1594
Triple Crown $1.75 Shiner & XX $2.50 Big Bark & Guinness $1.75 Wells Mon-Fri @ 5pm - 8pm 206 N. Edward Gary St (512) 396-2236
Zelicks Various specials Mon-Fri @ 3pm - 7pm 336 W. Hopkins St. (512) 757-8787
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FALL SPACES going fast
S E C U R E Y O U R S P O T T O D AY
速
unique cottage floor plans. designer interior finishes. private backyards. pet friendly.
retreatsanmarcos.com 5 1 2 . 7 5 7. 8 9 8 0 | 5 1 2 C R A D D O C K A V E
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TAPPING THE VOTE Political Science 1972 THE YEAR STUDENTS FIRST FLEXED THEIR VOTING POWER By The Honorable Bill Cunningham
Anyone driving around the Hay County Courthouse Square in the early 1970s would have a hard time recognizing downtown San Marcos’ centerpiece compared to today’s entertainment district. The only people on the streets were those attending the city’s two movie theaters, The Palace on Guadalupe Street and the Holiday on San Antonio Street.
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Folks wanting a beer would have to stop to by a convenience store or one of the few liquor stores for anything stronger. And those changes had only recently appeared when voters in Hays County Justice of the Peace Precinct 1 approved beer and liquor sales for off-premise consumption in 1970. (Under Texas law, wet-dry are conducted along J.P. district lines, not city limits). San Marcos citizens did have access to watering holes through the proximity of surrounding wet counties. A drive down Hunter Road would take you to the venerable Riley’s Tavern, or for the hip crowd, the African-American favored Cuz’ Tavern with a smoking blues selection on the juke. But the most popular location was five miles out the Seguin Highway (SH 123) where one topped a crest and was greeted by a stretch of neon— home to a cowboy honkytonk bar and restaurant, the OST (also noted for its worldclass enchiladas), Be Back Inn, Texan Palace, and several other establishments. Even with the county-line bars and the popularity of private keg parties after 1970, students still yearned for the opportunity to go bar-hopping. A perfect (political) storm occurred in 1972, a confluence of political circumstances at the national, state and local levels that brought their hope to reality. With the Vietnam War on-going, pressure grew on Congress to lower the voting age from 21 to 18, the same age young men were eligible to be selected for service in the lottery system which replaced the draft. The decision to do so created a younger electorate, keenly aware of politics, and the newly bestowed power of their vote. In Texas, that power among college students was hampered by an interpretation of state law that only students living off-campus could vote locally, and those in dorms had to vote in their home communities. Notoriety about that interpretation drew statewide coverage as college students at historically-Black Prairie View A&M College protested that it was being used by Waller County officials to disenfranchise African-Americans voters. Enter Bob Bullock, later the legendary, powerful Lt. Governor. At this time Bullock was Secretary of State, the chief election officer of the state. Bullock ruled against the old interpretation thus allowing not only Prairie View students but all college students to vote where they attended school. This was a turning point for Southwest Texas (as it was known then) students to begin looking at local issues upon which they could have an impact. Early in 1972, this author was approached by a delegation of anti-war organizers to gauge his feelings about fielding a student to run for city council. He agreed that the time was ripe for such an action as a forum. To his shock, he was informed that they wanted him to run for the San Marcos City Council. Himself, a dyed-in-the-wool Democrat, this writer enlisted the services of the President of the Young Republicans, A.D. Mueller, to begin gathering names on a petition. Thus began the first truly bipartisan effort in Hays County, by two
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groups normally on opposing sides of the issues. The final ingredient mix was provided by the longtime liberal mastermind of Hays County politics, the late Bob Barton, who owned the original Colloquium Books at Nelson Center, where Lone Star Music Superfly’s is currently located. As a central player in many local issues and one of few employers who didn’t care about his employees’ hair length, Barton was used to being called a “communist” but even he was surprised when a cross was burned in his yard at about this time. Barton’s primary interest in the early 1970s, was turmoil in San Marcos public schools, where local MexicanAmericans were being treated in a discriminatory fashion by the school superintendent and school board. Barton proposed to this author that if college students could be motivated to vote in the interests of racial harmony, he could use his influence to have Mexican-American leaders support the collegiate issues. Thus began the unlikely coalition that changed the face of San Marcos on three separate elections dates. Sound trucks were kept operating all day on Election Day, April 4, 1972, and the author felt confident about his chance of at least making a run-off against his two opponents. He was surprised when he led his challengers with only two boxes out. Surprise turned to shock when the final two boxes, both on the Mexican-American South Side came in with an overwhelming 90 per cent of the vote for him, providing a victory with 1,682 votes, to a combined 1,511 for his two opponents. This significant moment in San Marcos politics brought the student voices to the “grown-up table,” and gained the first seat on the council dais for a university student. With the school board election coming the following Saturday, the empowered students helped win two of the three seats up, and only losing the third by a narrow margin. This marked the beginning of the end for the superintendent and his controversial policies. Thus the stage was set for the main event with students, Mexican-Americans and probably a goodly share of silent supporters. The measure passed by a 1708-1304 count. The first license to serve on premise went to John Bonz and Burgers (now Grin’s) the popular hamburger restaurant. The first real “beer joint” was Fat Friar’s (located where Alvin Ord’s is now), a popular hangout for students and faculty to converse. Others soon followed although located on streets just off the square, not on the square itself—the Nickel Keg, the Cat’s Meow, the Restless Wind and the TooBitter (where Sean Patrick’s is currently located.) Cheatham Street Warehouse followed soon after. Today, for better or worse, Texas State students are not having to make the trek to the Guadalupe County line, Hunter or even the Devil’s Backbone, unless they choose too. Most importantly, the students have a powerful and strong vote in any local election.
Bill Cunningham was the first Texas State University student elected to the San Marcos City Council on April 4, 1972 – 41 years ago this month. Cunningham was later appointed to the Texas State University System Board of Regents by Governor Ann Richards and served from 1991-1997, serving as chair of the Board of Regents in 19941995. Cunningham now serves as the manager of the LBJ Museum in downtown San Marcos, and stays entertained by keeping a watchful eye on the Square, The Hill and points beyond. bcpublicrelations@ gmail.com
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TEXAS Music History
Dr. Gary Hartman, the director of the Center for Texas Music History at Texas State, tells the story of Texas music history better than anyone. This month the Center for Texas Music History prepares to celebrate its 14th anniversary.
such prestigious organizations as the Smithsonian Institution, PBS, National Public Radio, Bob Bullock Texas State History Museum, and the Texas State Historical Association.
The Center for Texas Music History was founded in 1999, in the History Department at Texas State by two friends and history professors, Gary Hartman and Gregg Andrews. In addition to being historians and professors, Hartman and Andrews are musicians and believed that there was a need for an academic program focusing on Texas music history. The Center for Texas Music History is the first and only comprehensive, universitybased institution to provide a full range of programs devoted to the preservation and study of Texas music history.
Through the History Department at Texas State, the Center for Texas Music History offers graduate and undergraduate courses on Texas music history, which cover country, blues, gospel, jazz, Tejano, conjunto, cajun, zydeco, rock & roll, rap, hip hop, and other musical genres.
Over the past 14 years, the Center has collaborated on a variety of projects with
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The Center hosts a weekly NPR program, This Week in Texas Music History, which looks at the unique and colorful history of Texas music and is broadcast on NPR affiliates throughout the
Southwest to an estimated one million listeners. The Center also publishes The Journal of Texas Music History, the only scholarly journal ever to focus on Texas music history with subscribers throughout the world. The first and only encyclopedia of Texas music history, The Handbook of Texas Music, includes hundreds of articles written by Texas State graduate students and leading historians of Texas music. In 2008, the Smithsonian Institution featured The Handbook of Texas Music in a national exhibit on Texas history and culture.
music throughout the state, including festivals, dances, religious gatherings, etc. Brian T. Atkinson’s Townes Van Zandt biography, I’ll Be Here In The Morning, and my book, The History of Texas Music, and more. We have others in the pipeline but no ETA on those just yet.” He adds that courses and educational outreach are at the core of what the Center does. “We deliver hundreds of presentations a year—to schools, community groups, conferences and panels. We work to organize educational programs and projects.”
Hartman says, “Other books include Alan Govenar’s Everyday Music, which looks at the wide variety of ethnic
| Words Diana Hendricks Photos courtesy Center for Texas Music History |
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BOBCATFANS | Audited | Texas Music q&a
originated in Texas and grew up in OK and the surrounding area. “But,” he adds, “even when you think of Ragtime – when you think of Scott Joplin who grew up near Texarkana and was the ‘Father of Ragtime.’ If there had not been ragtime, maybe there would not have been jazz. Even in established genres of American music, Texas has played a key role over and over in helping to shape those larger genres as well.”
So what’s on your wish list? The big dream. What would that be?
Dr. Gary Hartman believes the “uniqueness” of Texas music is a result of ethnic crosspollination, geographic diversity, the sheer size and population of Texas, its brief history as an independent nation, and the mythology and mystique that have been promoted by a variety of people inside and outside of Texas over the years.
What’s the biggest misconception about the Center for Texas Music History? Hartman nods, “The biggest misconception about the Center is sort of the same misperception about Texas music in general – that Texas music is country music. Of course country music is a very important part of Texas music, but country music is just a part of it. When people ask how our ‘Center for Country Music History’ is doing, I gently explain that our Center for Texas music is going great – and we have classes on blues and gospel and jazz and conjunto-tejano and everything out there – every kind of music that you can imagine. We make people aware of the incredible diversity of Texas music.”
“Endowments,” Hartman replies. “There are different levels of endowments. For $2 million, someone could endow a chair in Texas Music History. That would be a huge help. That would allow us to hire another fulltime faculty member and staff member and have money left over. The big dream? To endow the entire center, and to hire all the faculty and all the staff and fully develop all the programs that we need, we are probably looking at about an $8 million endowment. Yes, for you or me, that’s a ton of money. But there are people out there who have that money and for whom that’s actually very affordable – and that would include naming rights for Texas Music History at Texas State University. It would mean that the center would be here forever, and we could continue to educate people about the importance of our musical heritage here in Texas,” he said with a smile.
So what’s coming up for you and the Center? Hartman says, “We are kicking off the month of April with our 13th annual Unplugged concert on April 2, from 8 to 10 pm, at the Texas Music Theatre. It is a unique opportunity to see some of Texas’ finest artists sit on a stage and trade songs and stories in an acoustic setting. The event is free and open to the public. Doors open to the public at 7:30. This year’s artists will include Gary P. Nunn, Tish Hinojosa, Stoney LaRue, Jimmy LaFave, Joel Guzman, Cindy Cashdollar, and Paul Glasse.” And so the story of Texas music continues.
Why Texas music? What makes it so special? Hartman does not bat an eye as he answers this frequently asked question, “Texas really is a special place—historically, culturally and musically. There are plenty of states that have rich musical histories and even diverse musical histories, but I don’t think there is any place quite like Texas. Texas is so big. It encompasses such a large area and such a diverse population, but it’s also literally at the crossroads of Latin America, the Deep South, The American West and Upper Midwest. So by virtue of the fact that Texas is situated where it is, it’s truly a cultural crossroads.”
So, what makes Texas music differ from other genres - Americana – folk – red dirt, country? Hartman quickly admits, “I would never argue that Texas music is a separate entity in and of itself, but would say that it is very much connected to all other types of music around the world. Rather than a separate genre, I would say it’s an important part of every musical genre. Texas music has roots going deep into virtually every society around the world. Texas has played a phenomenally important role in development of all sorts of genres – there are some genres such as Texas swing that actually
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Gregg Andrews, professor emeritus at Texas State University, and founder of the Center for Texas Music History, speaks to the fluidity of Texas music in his description. “It’s important to remember that what we call ‘Texas music’ is not static. It’s dynamic and constantly being reshaped, redefined, and cross-fertilized across ethnic, class, and generational, as well as geographical lines.”
| Words & Photo Diana Hendricks |
THE LION AND THE GIRAFFE Their sound is reminiscent of 1990’s indie-pop rock like Matthew Sweet mixed with Buffalo Tom but with a modern influence. This might not mean much to you if you were (a) born in the 90’s, and/or (b) a radio station/top-40 listener. So let me try to put it this way: If Cameron Crowe made a movie sequel to the 90’s classic “Singles,” and based it in Central Texas instead of Seattle, he might do well to use The Lion and the Giraffe as his modern day soundtrack go-to band. Their live sound isn’t completely refined or too polished; they are real. The Lion and the Giraffe are a bit of a raw experience, in a good way. The members all admit to never quite playing a song the exact same way twice during live shows, although the differences are minimal. The freedom to do or try different things each time keeps it fresh for the band and allows the musicians to be in the moment. Minor chords support the lyrics of longing for love in the song “Chasing After You,” while a steady beat you can shake your moneymaker to drives the song “How Can I Love You?” Nick Valenzuela (lead vocals/guitars) feels that lyrics are what drive his songwriting, while music and rhythm are usually written after the lyrics are, at least, in a good rough draft form. He then takes what he has to Taylor Wallace who writes some lead guitar and offers feedback. Once they are confident, they bring a song to the backbeat section to complete it. Although they’ve been playing mostly indie-pop rock, they are influenced more and more by classic and psychedelic rock. Even though they are off to a good start, their sound is still evolving. But, whether you’re into lyrics or music, there’s something for the cerebral and something for someone who just likes a good beat.
They played an official showcase at SXSW and typically play Triple Crown in San Marcos. For most of them, the music is a personal therapy. Nick and Taylor write songs all the time; some songs they bring to the band, and some of the songs they keep to themselves. The song writing is ephemeral for Nick. There is no specific source of inspiration. It comes and goes on whims. Sometimes, a good lyric will pop into his head while at work, and by the time his shift is over, the lyric is gone. So the magic comes at random. Nick also has pages and pages of unfinished songs and songs that never made it past the first line. And, sometimes, they just flow. But, Nick trusts that the good ones will stick. Miles Bakenhus, the bass player, has come to terms with the fact that music is all he will do for the rest of his life. It’s an imperative, something he has to do. This is a universal need to express that is found in artists of all genre’s. Scott Lowe (drums) has experienced music as a teacher, a student, and a professional musician. “I do it for me,” he said. He doesn’t play to impress people but is more interested in the internal processes shaped my musical experience. The process is what drives the band. “The puzzle is half the fun, the getting there. That’s where the real exploration is,” said Nick. So, get there, to one of their shows, that is. Experience The Lion and the Giraffe for yourself.
notes | Zoo
Music “Alone Again” (practice session)
Top to bottom Miles Bakenhus, Taylor Wallace, Nick Valenzuela, Scott Lowe
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| Words & Photo Eric Morales |
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“Hearing ‘Go To Work’ play on the radio is my coolest moment so far”
just wasn’t for me; it didn’t connect with my creative side,” says Coop. Nothing wrong with a guy who knows what he wants...that’s just a straight shooter with upper management material. (Office Space)
It was time to get back to making beats. When Coop was a freshman in high school, a friend who rapped gave him sound mixing software. He began to create beats for his friend to rap over. Coop admits it was nothing to get too excited over, and he didn’t think much of it. However, what it did spur was a love for creating melodic sounds. He began to study producers and became influenced by those making the big hit records at the time. “Timbaland was my biggest influence. The Justin Timberlake album that he produced dropped during my freshman year, and it led to me obsessively studying producers.” The summer of 2011 brought about a new beginning for the hungry-to-work artist. He purchased a new computer, software and a keyboard and began blending rhythm and melody. According to Coop, there are four components to making good beats; you have to understand rhythm, melody and have a good ear for music, mixed with a little technological savvy. The rest is believing in yourself, and Coop is not short on that. “I always thought I had the mind to it, and you just get better by doing it.”
NATE COOP Having produced over 300 beats and counting, the young, eager and confident Nate Coop shows no signs of letting up. “I’m motivated by getting better and knowing what is possible. I am surrounded by good people who want the same thing; they are my best source of inspiration.”
This 22 year old is on his way, and he’s not shy about telling you that one day, Kanye will be one of his peers. Last fall Nate A San Antonio native and drummer since Coop hooked up with Ray C (read more the age of four, Nate Coop enrolled at on page 28) and began producing beats TXST specifically for the Sound Recording for the Interscope hip-hop artist. On March and Technology program. Two years later 15 their record, Go To Work, got spin on he changed his major to Public Relations. The Beat 102.3 Austin. “It wasn’t what I thought it would be, sitting in class and listening about waveforms. It
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His confidence should not be mistaken for arrogance. There is a drive in him that is infectious. Give him five minutes, and you’ll not only like his beats but his personality. Watch yourself, Kanye!
notes | beats
Sometimes it’s the quiet ones who you have to watch out for. Nate Coop is a soft spoken guy who makes you laugh, but when it comes to his musical ambitions, he’s ready to “Go To Work!”
Coop preaches there is a new level of love that is reached when making music. He adds, “I love music and a lot of other people love music, but when you make your own music, it takes your passion to a new level.”
Video “Go To WoRK”
| Words Rick Koch Photo Eric Morales |
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San Marcos, TX 78666 04.13 | SMTX | BOBCATFANS 25
FIRE IN THE PINES Without taking away from their originality, one could easily suggest that Fire in the Pines’ music could live comfortably in Neil Young’s song library. The band is led by the tousle-headed, boyishly charming Ben Worley, his voice shifts somewhere between Ray LaMontange and Ryan Adams, not too dirty, not too clean. The songs are good stories told over the rich sounds of acoustic guitars, a mandolin, a stand-up bass, and sometimes a ukulele or a flute. Nicholas Lochman and Dave Sims keep the tempo on bass and drums. Totter Todd fills in the gaps with wind instruments. Chris Nelson adds texture with electric guitar, and Matt Lochman gives the band the twang to top everything off with mandolin, banjo and dobro.
In fact, Ben’s songwriting has remained constant, he said, because Kent Finlay, owner of Cheatham Street, once pulled him aside and told him that there would be many struggles, changes, and distractions in his life, but if there were something he should keep doing, he should keep writing songs. The Lochman brothers were once a part of Crystal Creek Boys. Chris Nelson and Totter Todd have also been mixed up in various musical projects over the last few year, but this incarnation of Fire in the Pines seems to have its stars aligning. The first album, with the working title of Heart of the Machine, is being recorded at Cedar Creek in South Austin. Jimmy LaFave runs the studio. The album is being engineered by John Silva and produced by Kevin Welch.
notes | Fire
Fire in the Pines plays songs written by Ben Worley, but it’s The band’s organic process has allowed them to record the music in everyone’s band. Having a beer with them in the smoky honky-tonk very few takes. The meat of each song was recorded live, in-studio. bar that is Cheatham Street, it felt like I was hanging out with good Chris will go back and add a few textures with additional guitars, ole’ boys. All of them were polite, humble, and Grace Park (of The Blue Hit and Grace Park and the and eager to talk about their passion for Deer) will be going to the studio to lay down some vocals. Video music. Fire in the Pines has existed in its But, beyond that, what you hear on the album is pretty current form for nearly two years. “Something New” much an instance of time, an event that actually occurred. Ben, 26, has been playing music since Songs were played and recorded from start to finish, just he was 14. He was playing bass for his like the old Motown/Phil Spector days. sister, Virginia, at Lucy’s (now Bar 141) at age 17. Born and raised in San Marcos, Fire in the Pines used to play at Tantra (when they had a Ben has been in and out of college partvenue) but now plays locally at Cheatham Street, Farmer’s time at Texas State, while working odd Market Saturdays, Triple Crown, other local events, and jobs and construction. Songwriting is the most notably at TMT, opening for Quiet Company. They only constant in his life. plan to branch out more into Austin as soon as the record is complete. But they’ll always be a San Marcos band.
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| Words Eric Morales Photo McKenna Beal |
ASHLEIGH STONE Ashleigh Stone has been making music since she was a child. After family dinners, she’d get bored and would ask to be excused during adult conversations. Her grandmother would allow her to leave the table only to play the piano.
__In 2011, Stone did a national tour around the country, opening for Blue October who is currently recording a new album at the Firehouse Studios in San Marcos. It was a great opportunity for her, and she’s even been asked to record some vocals for Blue October’s new album.
Her family caught on to her natural abilities early on, and Stone was enrolled in formal piano lessons at age 5. The fact that music is Stone’s language of choice is clear. She plays the piano, the guitar, and even “plays vocals” (voice being as much of an instrument as anything hands can touch).
Stone was once told that you can’t be a hero in your hometown. She used to struggle with how many people would or wouldn’t show up at her local shows, but going on tour allowed her a freedom to perform for strangers and she won many new fans throughout the country, and even across oceans. Touring allowed her to realize that today’s musician has a global reach. Because of this, Stone has become more selective with local shows, allowing her more time and energy to write and record music. But, if you want to catch her without having to travel, Stone will be playing at Music in the Park in San Marcos on April 25.
notes | Stones
The song “Lovely” starts out with sharp, rhythmic keystrokes that will get you snapping your fingers and tapping your foot. The song feels like an infectious Feist track that you’ll be singing all day long. But, as the song progresses, Stone slowly introduces listeners to the dynamic vocal range that exceeds what most pop singers will experiment with. Stone is more Stone is most interested in having a long career working in music. She’s in the realm of Tori Amos, and Regina Spektor, in both not concerned with pop-stardom. She admires those musical and vocal patterns. who can continually produce great work and historically Video Stone humbly admits to never having been the most cites Barbara Streisand’s multiple-decade career. technically perfect singer or player, but she loves what Whether one is a fan of Streisand or not, you have to “Comfort” she feels through music and knows that her audience respect her for her career, and that’s what Stone wants feels it too. “Once you realize the power of that [feeling] for herself. for yourself, you’re like, I want that all the time,” she said. Stone’s music has been evolving, and at previous times in her career, she admits to experimenting solely as Stone’s mom was a rocker, toured around with George rebellion to accepted musical theory. Now, however, she Clinton. She would drill Stone as a child while listening finds herself ever more impressed with the simplicity of old classic rock 70’s music to make sure she was great songs of the past. Music is a constant craft that familiar with artists before her time. she will ever be exploring. We look forward to sharing along that exploration with her.
| Words & Photo Eric Morales |
04.13 | SMTX | BOBCATFANS 27
THE REAL RAY C It is a packed crowd, in a small radio venue during SXSW, on a warm day in the live music capital of the world. Reckless energy permeates the air mixed with curious anticipation of the next set. Ray C confidently takes the stage knowing full well he has no recognizable hits to share with an avid, fervent audience who are present to see a showcase of artists featuring the likes of Big Krit and Macklemore. He asks the audience to hand him random items, whatever they have, the weirder the better.
< Radio Host Zannie K 102.3 The Beat Austin
The Beginning
The year is 2004: two ambitious young MC’s from San Antonio, Ernest Bernard and Ray Cordero, meet up with three other students and form the student organization known as Hip Hop Congress. The talent and drive of its founders only further its popularity. Four years later Texas State University commissions the young organization to create a TXSTCentric album to help aid in recruitment. Texas Statement is born, and Hip Hop Congress makes its first major dent in University history. Co-founder Ray Cordero’s tracks and verses stand apart from the rest.
BET’s 106 & Park
Ray C’s true pursuit in the Hip Hop Scene began in 2009 and led him to the show 106 & Park, BET’s (Black Entertainment Television) version of MTV’s TRL. Every Friday rap artists place their freestyle skills on the line while battling in front of a national audience. Ernest Bernard had just finished an internship with BET and encouraged Ray C to audition. Taking his advice, Ray packed his bags and headed to New York. Four hundred auditioned for 30 spots. Ray C settled into his groove and fed off the other MC’s. His confidence grew stronger with each next stage of events. He eventually slays his way to the final two, ensuring himself a spot to battle live on the network in 2010. Ray C would do so well that he would have to make four more trips back to NYC to compete, each time paying his own way.
The Session
It’s 10 p.m. and Ray C’s starting his late night studio session at his apartment in San Marcos. The focus of his work is a new record that he calls the Hip Hop equivalent to Alanis Morissette’s “Ironic.” In a back room, his studio
equipment is set up in a corner. On the way, I notice trophies on his hallway shelves, awarded for his freestyle rap which he has won over the years. I’m the first guest to arrive. His home studio sessions have the feel of an open door policy; friends are allowed to come and go as they recount their stories from the night. Talk flows about where they were and where they’re headed. Ray C unfolds what he is working on and bounces ideas off his friends. Ray C takes me through some of his latest records. The latest one, “Go To Work,” is a song he says is developed for the club scene, with the hopes of shooting the video in San Marcos. It has a catchy beat that makes your body and head want to bounce. Ray C tells me about the guy who produces the beats. “I kept going to parties and would hear these sick beats and asked who made them, the answer I keep getting was, ‘Oh that’s Nate Coop.’ I thought, I need to meet this guy.” A few minutes later there is a knock on the door and in comes Nate Coop, keyboard in arm and a back pack full of equipment. While he sets up his gear, talk revolves about the ins and outs of the music business. Ray C educates Nate Coop and me on the thriving music scene. He recounts his learnings from his time spent with Blue October, an American Rock Band, whom he has recorded with in their most recent album Any Man in America. Ray C toured with them in 2011. He speaks about radio play and the vital importance of building relationships with DJ’s.
The Record Deal
In October 2012, Ray C signs a deal with A&M/Octone/Interscope. It’s a mouthful but it’s also the exact same label that Maroon
| By Rick Koch Photos Eric Morales |
5 calls home. Not a bad label mate. Most recently Ray C releases a record on this label titled “Got Damn.” Nowadays, artists don’t get record deals like they used to. Due to the changing industry, they work hard to make sure bets. Upcoming artists are given record-byrecord deals. Once the artist has adequately developed, bigger checks follow and more risk is taken. It’s like signing a good baseball prospect to the minors. They’ll pay you a little, and let you wallow in AA or AAA ball. If you can prove yourself, you get the opportunity to move up. So far so good for Ray C! “Got Damn” got in 300 spins a week and played in markets from Spokane, Washington to Albany, New York. Hit records average about 2700-3000 spins a week. For this first turn at bat, the label is very pleased with their up-and-coming artist. In a very calculated manner, he is not rushing back up to plate but instead testing several records, call it batting practice. Ray C explains he doesn’t swing until he’s ready. He wants the right bat in his hand before going back to his label and swinging for the fences again.
Ring, Ring, It’s Blue October
While watching the 2011 Superbowl alone at his apartment in San Marcos, the phone rang. On the other end is Justin Furstenfeld from Blue October. A mutual friend had shown Justin a video of Ray C, and it sparked an invite. After shaking off the initial disbelief, Ray C gathered himself and headed to Justin’s home studio. Blue October was at work on their Any Man in America album. An hour into their visit Justin offered Ray C the opportunity to rap over one of the songs.
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< Nate Coop
Produced beat for Ray C’s “Go To Work”
In August 2011, Blue October opened its nation-wide tour at the House Of Blues in Dallas. Ray C was asked to be an opening act and perform with the band during “Any Man in America”. It’s a big shot but Ray C was nervous to open for a rock audience. Justin gave Ray C a pep talk where he provides an instant example of “not giving a f&#^ what people think of you” and told him go on stage and do this thing.
The Image Box
Ray C, who is Hispanic, was quickly approached after BET’s 106 & Park and asked if he wanted to be known as a Latin Rapper, a category on the rise. Scared to adopt an image that he felt wasn’t him, he politely declined the offer, explaining that he doesn’t desire to be defined by race and never thought about himself that way. Makes sense; however, the rise of Pitbull and Daddy Yankee does make one pause and think about choices and avenues one can go down to help fast track a career. 30 BOBCATFANS | SMTX | 04.13
The image of Ray C is simple and undefined. Ray C himself cannot put his image into words, which drives his label and those around him crazy. Try to put him in a box and he’ll go the opposite direction in the next song he writes. His creative expression always leads Ray C to embody the spirit of being real. He feels image is altered by life experiences or moods. From the club vibe, to the insecure moments we all feel, to the over-the-top posturing of “stacking bills to the ceiling,” all experiences reflect his dreams and desires. Some could argue Ray C is still trying to find himself but that doesn’t seem to fit. Secure and authentic, Ray C is a hardworking, everyday guy with a goal to be himself, which he describes as an ‘Average Joe.’ It’s not sexy, but it’s the real Ray C.
The Entourage
Ray C, rolling with an entourage 8 people deep, heads into Austin’s The Beat 102.3 studios. The station is hosting an artist showcase during SXSW week, and Ray C is one of nine artists invited to perform. Other artists include Macklemore & Ryan Lewis, Big Krit and Jeremih. After a radio interview with DJ Zannie K, we are escorted to what some in the entourage would refer to as a “laced up” green room. There is plenty of good food and a nonstop supply of alcohol. As the crew
relaxes, they swap stories reflecting on the very crazy and busy SXSW week. Members of the entourage are genuinely friendly, but what cascades through is the positive belief they have in Ray C. Team and family are at the core of this gathering. Ray C is not drinking. This is business, and at any moment he’s going to get called on stage. I ask him how he is feeling and if he is nervous. He tells me he’s better at shaking it off than he used to be. He’s got a plan for when he hits the stage, a plan to win over the audience and make a few more fans.
notes | spitting Lyrics
When it came time to record, Ray C was called out to a studio in the hill country. Tim Palmer was producing Blue October’s album, also the producer behind Pearl Jam’s Ten. He arrived as they were working on the last song and the title track to the album. They were impressed when Ray C wrote his “Mama Drama” verse in 20 minutes while standing upright holding this laptop. It’s worth checking out.
“Just a kid with a dream and the money that it brings” - Ray C (Cause & Effect) THE RAY C COLLECTION
Download the New “2 Weeks Notice” Mixtape for Free at TheRealRayC.com
Record “5AM”
The Performance
A loud beat begins to play while in his hands is everything from a water bottle, cell phone, lip gloss, tampon and a condom. The flow from his lips is smooth and natural, as if it were rehearsed. Faces of awe and disbelief begin to spread over the crowd as Ray C launches into a freestyle, carefully rhyming about every item handed to him with a rhythm that is precise and on fire. With each passing item the audience’s approval grows louder. The unknown artist is doing what the audience demanded. He is ENTERTAINING them! The set ends in genuine applause, and he exits the stage with a smile. Impressive? You’re damn right it is!
Video “got damn”
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