THE ART ISSUE

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CONTENTS 12 - fashion feed

MAY - JUNE

16 - Philippine fashion week/report 26 - met gala/ editors picks 29- blanc in the mood 34 - blogger highlight

36 - designer spotlight

ART AND CULTURE 38 - snakes and ladder

entional artist 41- the unconv : tito cuevas retrospective adrian gonzales the comic artist ryan rey merencillo

58 - the chameleon: jessie glova COVERSTORY

70 - cary santiago

EDITORIALS THE HEADPIECE CHALLENGE DISTANCE ITS PURE DREAM THE DARKEST HOUR CIRCUMSTANCE ANG BABAYLAN SA LUPAIN NG ECANTOS DRENCHED TOWN BROKENHEARTED LASCANARIAS MERIENDA THE PROCESSION SAME GROUND lifestyle

184 - KENNETH COBONPUE GALACTIC AFFAIR EVOO STYLISSIMO [FEATURES]

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206 - STYLE FILE 209 - EVENTS

Josei Cuizon Editor-in-Chief

Mike Yapching Associate Editor MATT AESTHETIC Creative Director Vandale Dela Bajan Fashion Editor Little Bvck Beauty Editor Jaynard Basiga Lifestyle Editor Dominique Roa News Editor James Canete

Marketing & Promotions Manager

Yoanna James

Associate Manager

Rockell Dela Merced Senior Stylist Tatz Agustin

Assistant Image Stylist

Yvainne Sanchez

Assistant Image Stylist

Yuno Bastareche Photographer JayPhotographer Sanciangco lady dee dee

Arts and Culture

roni yu

Society Editor

Aia Tupas

Editorial Assistant DISCLAIMER

Blanc Magazine, its staff, the creators and contributors, do not claim the rights of the magazine contents posted. All material received and used on this magazine is considered original and submitted by its original owner.

All materials on this magazine is under copyright to each individual author and may not be republished without permission from that author The views expressed on this magazine are not necessarily those of the publisher.

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FOREWORD Cary Santiago is fashion’s rarest phoenix who has escaped from a mythological world and has landed on the cover of Blanc’s third issue. Every Blanc insider would know that even before the first issue came out, I always had a vision of having an illustrated Cary Santiago as cover for an art issue - I never thought it would happen sooner than expected. Being in the fashion industry for 25 years now, Cary has made his mark as one of the most soughtafter fashion figures in the circle and has become an inspiration to young aspiring designers. It took us months of researching (and lots of facebook-ing) on who’ll illustrate the cover till we came across this ultra awesome blog of artworks (nolovechild.blogspot.com) a site by young Cebuano illustrator Gaston Sevilla who parallels the excellence of Cary in the field of illustration - scrolling down the first page, I knew he’d be the perfect choice to do it. Going in depth behind the name synonymous to Cebuano art and couture is equally talented young designer, Mike Yapching who delved deeper into the humble beginnings and triumphs of Cary. It’s a pleasure to be around during the interview - two personalities sat in front of me - a force of nature who, I believe, has advanced the entire fashion industry humbly shared his story to a young innovator.

In this issue we celebrate all forms of art - one is in interior design where visionary and furniture design legend, Kenneth Cobonpue shares to Blanc his chronicles and future (exciting) plans. We also did an editorial featuring his masterpieces with MAC model, Jam Dumadag, as a cosmic entity obsessed to these outta-this-world structures. Jokingly, I would love to interpret the concept as “stars just love Cobonpue designs”. We also bring back (by request) the chameleon, Jessie Glova as he f lawlessly brings to the pages of Blanc the most iconic personalities of art and pop culture.

Blanc has become the platform for photographer’s aesthetical interpretation of reality. Hannah Bacalla who photographed fashion for us on our first issue, brilliantly brings to life the creations of 7 Cebuano designers. Also, for the first time, Blanc collaborates with 2 of Cebu’s powerhouse photographers - Dan Ong did Blanc’s Tatz Agustin’s beauty editorial - the revival of pin-up Cebuano style where street food becomes sexy.

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Joseph Ong and 5 of the most promising make-up artists in the metro collide for a “holy” editorial. Also 5 young designers were commissioned by fashion editor Vandale Dela Bajan to come-up with a dress made from non-woven fabric for a white-washed editorial by blogger Ryan Reyes. Adrian Gonzales, who lensed Supermodel of the World - Danica Magpantay for Blanc, talks about the fun and enjoyment in fashion imagery. BJ Formento, Eric Alessi and Enzo Mondejar also came in full force for the Art Issue alongside international photographers Isa Silva and Carlos Teixiera. BLANC also pays homage to one of the street’s true artists - the late, Ryan Merencillo, in a feature by his closest confidant, Lora Avendanio along with some of his unpublished works.

When we started thinking of making a good compilation of the best there is in arts in Cebu, I thought of getting out of the usual, expand the horizons and feature the unrealized artists who make our simple everyday living, extraordinary. To acknowledge them and their artistry is my pleasure. I’d love to think that what makes Blanc...Blanc.

I can’t be more proud of the Blanc team who compiles and fills up for my absences. I apologize for the delayed release of the magazine. Priorities had me stay in Manila for a while as well as, for the first time; BLANC gets an invitation to one of the biggest fashion gatherings happening twice a year – Philippine Fashion Week.

Another fashion event one shouldn’t miss is The Male Factor happening this July - The grandest all-male fashion show in Cebu that gets bigger every year.

I had the privilege of being part in casting the 40 models that will be walking down the runway this July and the Blanc team has been very busy styling for the campaigns as well.

Art is where we all can dream and Blanc revisits the magic we all once felt when we were little through the union of artisans we put together for this issue.

Let Blanc whisk you away to faraway lands in our very first ART ISSUE. Enjoy and drift.

Josei Ouano Cuizon editor in chief

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CONTRIBUTORS enzo mondejar, photographer,manila What you did for the issue: I shot a male fashion editorial featuring several stylists from the fashion styling workshop with Eric Poliquit in collaboration with Raff les Design Institute Manila.

How was the experience: Shooting with fresh minds always gives me a fresh perspective in the industry I work in.

Definition of ART: A. Relevant. Thing.

Art weapon of choice: (camera, brush, pencil, make-up etc) Brain and Heart + Eyes and Hands + Nikon DSLR and MacBook Pro + Bodyand Soul

formento-formento, photographer,new york What you did for the issue: Shoot the Editorial “Cicumstance�

How was the experience:Awesome Definition of ART: Pure expression Art weapon of choice: Canon Cameras

isa silva,photographer,portugal What you did for the issue: Distance its pure Dream, brings us to an imaginary warrior lost a timelessly in a desert surrounded by water.

How was the experience: Windy, inspiring ...quiet simultaneously Definition of ART: Materialization of the dream.

Art weapon of choice: (camera, brush, pencil, make-up etc) The three elements, water, earth, air.

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eric alessi, photographer,mnl/argentina What you did for the issue: I shot and directed the the editorial “Broken-heARTed” Definition of ART: Is any projection of the mind and the heart Art weapon of choice: My Camera

Carlos Teixeira, photographer,portugal What you did for the issue: I did an editorial (Las Canarias) result of a trip to the Canary Islands.

How was the experience: Fantastic! I loved it!. the experience was very productive.

Definition of ART: Photography Art weapon of choice: Camera Canon 5D mark II

hannah bacalla,photographer,cebu What you did for the issue: Editorial Shoot “Same Ground” How was the experience: Fun as always Definition of ART: Art is sharing one’s vision and personal reality.

Art weapon of choice: Canon & Nikon cameras (Digital and Film)

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CONTRIBUTORS Dan Douglas Ong,photographer,cebu What you did for the issue: I shoot a beauty editorial “Merienda” defying the pinay pin up How was the experience: It was fun working with the cast ofBlanc Magazine enjoyed the concept Definition of ART: Art is one’s self Art weapon of choice: Canon Cameras

paolo berdin, writer/blogger, cebu What you did for the issue: Reviewed one of Cebu’s newest resto cafes, EVOO How was the experience: Very filling. But kidding aside, working with the BLANC team is always a pleasure!

Definition of ART: Art is expressing one’s self - from music and drawings to, in my case, food and essays. Having the chance and ability to do so is one of the most amazing feelings in the world.

Art weapon of choice: I’d say my current art weapon of choice is the knife as I’m a fresh culinary arts graduate, but I will always look for a pen to write with.

ryan reyes, photographer,cebu What you did for the issue: I shot the editorial “The Darkest Hour” How was the experience: The experience was interesting. It was fun doing the shoot, especially when you’re working with people who are very dedicated with their craft. I really enjoyed working with Josei and Van. Definition of ART: “Art Is What You Can Get Away With” --Andy Warhol Art weapon of choice: Camera. I’d like to believe I tell better stories with my photos than with words.

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joseph Ong,photographer,cebu What you did for the issue: I did the series of iconographic essence of his faith, we smoothly blends this icon with the aesthetics of a modern-day Cebuano creating an iconic subject.

How was the experience: It was an awesome experience to work with Team Blanc! I really enjoyed sharing ideas with you and inspiring each other, and you really understood what I had in mind, I respect thats a lot! It’s very obvious that you are passionate about your art and that will get you far in life Definition of ART: Art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, in a constant search for truth.

Art weapon of choice: Canon 5D and 85mm

issa avendanio, writer, manila What you did for the issue: Wrote an article about Ryan Rey Merencillo How was the experience: Writing was never my forte, the whole experience was a challenge -- both mentally amd emotionally.

Definition of Art: Art is an expression for suppressed emotions. it is an effective medium for ordinary people to creatively convey a message -- may it be of pure happiness or unending despair.

Art weapon of choice: pencil or pen

Princess Gabunales, writer, cebu What you did for the issue: I wrote an article about a pinoy comic artist.

How was the experience: I enjoyed it. It was my first time to write for Blanc and it was exciting. Definitely a real treat for the Cebuanos. Now I can’t wait for the next ish. Hahaha.

Definition of Art: The wicked part about art is being self lessly intended at the same time undeniably twisted. It’s beautiful and it’s crazy. So for me,...art is a representation of life and expression of soul.

Art weapon of choice: Fashion Accessories. There’s just so much you can do with them

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UNDERCOVER A youthful illustrated Cary Santiago makes the cover of BLANC’s art issue.

For the months of May and June, we bring together 5 young artists to reinterpret Cary’s most iconic pieces over the years. We seek to go back to the basics in arts having these artists use pen and ink, pencil, watercolor and digital programs as weapons of choice in bringing to life Cary’s works of art.

It took us 51 revisions before we came up with the perfect cover

the masterpieces

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gaston john sevilla,19, usc-tc,cebu I illustrated the cover photo- my main idea of the illustration was to incorporate Cary’s inspiration about birds. I’m inspired by the idea that is revolving around the ideas of youth, power & rebellion. http://nolovechild.blogspot.com/

gale osorio, usc-tc, cebu I like to dabble into the many forms of art. Illustration, graphic design, painting, crafts, film, etc. After becoming a registered nurse, i went back to school to study advertising and right now i’m shifting to cinema. I’ll be taking up CAFA’s new masters program in cinema.

bon gimarino, 20, usc-tc , cebu

I was tasked to give my own interpretation of a “philippine-eagle-inspired” dress. The direction was to make the artwork more feminine so I gave it a watercolor approach and tried to be gentle on my strokes. It ended up on a somewhat brownish monochromatic scheme as i thought of its connection with nature.

van kevin opura, 19, usc-tc , cebu Fashion illustration for a Cary Santiago gown.

I’m inspired by the graphic lines of the gown.

The gown was inspired by birds, so I tried to incorporate avian elements to the illustration.

Mar jefferson go, 22, usc-tc , cebu I used the design of the dress as the main inspiration for my illustration. I wanted it minimalist so I did not add too much element. I also wanted the illustration to look organically whole so I added some elements that will fit the design of the dress.

Charmaine chua, 19, usc-tc , cebu When in Manila, my roommate – Josei, saw a picture I took from Cary’s metrowear collection. Immediately he asked me to sketch the iconic piece and reinterpret it in the most creative way possible – the dress reminded me of the regal queen from snowhite and through pencil, I was able to bring my vision to life.

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FASHION FEED

Louboutin : to design glass slipper French shoe designer Christian Louboutin has been picked by Disney to design Cinderella’s infamous slipper to celebrate the film’s re-release. The French shoe maverick, who is celebrating 20 years in the industry and is famous for his red-soled designs, has been hired by Walt Disney Studios to create a pair of shoes inspired by the rags-to-riches protagonist from the 1950s animation.

anna dello russo x h&m Watch out world: Anna Dello Russo is bringing her signature over-the-top style to the masses. The Vogue Japan editor has designed a range of accessories for H&M, which will hit stores on October 4th, right smack dab in the middle of Fashion Month.

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First UNIQLO store in PH Casual wear company Fast Retailing announced that the first UNIQLO store in the Philippines will open at the SM Mall of Asia sometime in June this year. The UNIQLO store boasts of 1,550 square meters of f loor space and will offer apparel for men, women, kids, and babies.

The Council of Fashion Designers of Amer and eBay are teaming up for their second of the “You Can’t Fake Fashion” initiative. M 75 CFDA designers — Diane von Fursten Burch, Betsey Johnson, The Row, Ralph La ert Geller, Tommy Hilfiger and more — h exclusive totes to awareness their fight ag

Perhaps inspired by the upcoming MAC and Marilyn collab, Nars has teamed up with the Andy Warhol Foundation to create a limited edition collection. Said to evoke the cool, image-rich, character-laden world of the pop art genius, the collection is set to launch State-side come October, and will showcase innovative packaging, formulas and shades. Marking the beauty brand’s largest strategic collaboration to date we’re surprised this nobrainer, Warhol-themed makeup line has not yet existed!

We’re expecting lots of bold and crazy colors and will be making room in the makeup kits this fall!

rica (CFDA) d installation More than nberg, Tory auren, Robhave created gainst fakes.

gaultier x diet coke Fashion fans will be able to snap up the stylish beverages from Harvey Nichols stores nationally from April 16, but look out for the chic collector’s set - which includes a limited-edition iconic Diet Coke glass featuring a blue and white stripy motif.

A third bottle, entitled ‘Tattoo’ and inspired by Gaultier’s love of body art, will be released later in the year.

black milk x campbell For some, this collaboration comes as no surprise considering Black Milk’s penchant for using Campbell’s shoes in most of the photography for their collections.

Both brands can also credit their quick rise in popularity to street style fashion hubs like Lookbook.nu and Instagram, as they’re both strong presences on both social media outlets.

Agyness Deyn x dr. martens Agyness Deyn, the Lancashire top model recently turned actress, is now adding ‘designer’ to her CV, with a limited-edition collaborative collection for heritage shoe brand Dr. Martens on the way. “The brand is a great fit for me, as it stands for strong character and being able to shape your own BLANC MAGAZINE - THE ART ISSUE - 13 personal identity,”

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B

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goes to

BLANC Editors - Mike Yapching,Van dale dela Bajan and Josei Cuizon report the latest in Philippine fashion straight from the catwalks of PFW.

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TREND REPORT

BLANC’S MIKE YAPCHING JOTS DOWN THE TOP TRENDS STRAIGHT FROM THE RUNWAYS OF PHILIPPINE FASHION WEEK 2012 HOLIDAY COLLECTION

Achromatic colors from Avel Bacudio, Bandoix Flores and Happy Andrada

acHromatic toc on the clock

Flaming belles at Jerome Salaya-Ang, Eric De los Santos,Xernan Orticio, Oz Go, Vania Romoff

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digi agbayani Digital Prints from Ulysses King, Jerome Salaya-Ang, Anthony Ramirez

technicollar Power Collars at Bandoix Flores, Oz Go, Sassa Jimenez, Arnold Galang, Edgar San Diego

FUR BETTER OR FUR WORSE

Winter dressing pinoy style from Jerome Salaya-Ang, Roland Lirio, John Guarnes, Eric De los Santos

panel-lyn reynes

Severe Paneling at Chris Jasler Xernan Orticio, Julius Tarog

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Sheer Perfection from Lyle Ibanez, Philipp Tampus, Roel Rosal and Tina Daniac.

sheeryn regis

.Leather numbers at Julius Tarog, Veejay Floresca, Eric De los Santos and Sassa Jimenez.

Follow the leather

.Filipino fabrics modernized at Pablo Cabahug, Veejay Floresca, Mark Tamayo and Joyce Pilarsky.

Indigenous Minds 20- BLANC MAGAZINE - THE ART ISSUE

Shining, shimmering, splendid pieces from Kermit Tesoro, Ezra Santos, Michael Cinco and Chris Jasler.

Sparkle me, maybe?

Classy takes on disco from Eric De los Santos and Dimple Lim

discoco chanel

Skull Parade at Jerome Salaya Ang Happy Andrada, Chris Jasler

back to skull

when in chrome The season most favorite accent Chrome at Arnold Galang, Avel Bacudio and Odelon Sempao BLANC MAGAZINE - THE ART ISSUE - 21

Hall of Fashion We Heart Ezra Santos

Xernan Orticio

First Look

Most Cohesive

Philipp Tampus Albert Andrada

Gown

Most Theatrical Jeffrey Rogador

Shoes

Herbert Custodio

Most Contemporary

Julius Tarog

Jacket

Nolie Vineza

Skirt

Happy Andrada

Well-Styled

Kermit Tesoro

Finale Avel Bacudio

Most Sleek

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style note: Blanc Magazine’s Fashion Editor, Van dale de la Bajan’s Philippine Fashion Week, Holiday 2012 Street-style

LOVE Statemen t Sleeves

Back r Armo

Swe Surr et ende r

!

Heels !

Heels ! s l Hee

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Editor’s Picks: 2012 Met Gala The Met Gala has long been hailed as “fashion’s prom night,” and as always, the red carpet didn’t dare disappoint. Check out our top picks for best dressed from the 2012 Annual Met Gala.

Who’s your pick for best dressed?

Bianca Brandolini in Dolce&Gabbana

Isabeli Fontana in Emilio Pucci

Lily Collins in Valentino

Carey Mulligan in Prada

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Angela Lindvall in Prada

Camilla Belle in Ralph Lauren

Ginnifer Goodw in in Monique Lhuillier

Karolina Kurkova in Rachel Zoe

vandale‘s pick

M.I.A in Stella McCart ney Giovanna Battaglia in Dolce&Gabbana

rockell‘s pick

Anja Rubik in Anthony Vaccarello

Ivanka Trump in Peter Pilatto China Chow in Jean Paul Gaultier

Cate Blanchett in Alexander McQueen

Rooney Mara in Givenchy

Jessica Stam in Dior Couture

mike‘s pick BLANC MAGAZINE - THE ART ISSUE - 27

http://www.facebook.com/theodoreandfred

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D O O M E H T N I C N BLA buano e c t a e r g e h t s e s a howc s e in z a g a m c n a l nds B e r b t t s e t a l e h t h it ong w l a s g a t it s a s t is t ar

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SUNDAY BREAK:

“Floral Prints mixed with subtle tones gives a f limsy, bashful vibrance to your look”

UP Cebu Backyard by Martino Abellana BLOOMY COMPLIMENTS: ZARA, Floral Wedges, P3,440 JENNIFER ELIZABETH, Antiqued gold f loral treasure ring, P4,225 PRINCESS NALA, Cross over bag, P1,910 IN THE MOOD FOR: MANGO, Floral Blouse, P1,570 FOREVER21, Floral laced top, SM Cebu, P680 FOREVER 21, Canary blouse, SM Cebu, P580

ON THE RUNWAY: ERDEM MATTHEW WILLIAMSON OSCART DELA RENTA PETER SOM

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ROWDY PATTERNS: “Graphic Explosion, be at odds with exotic prints; create a piercing statement”

MODERN Complementary Harmony by Sym Mendoza CLINCH OF TEXTURE:: TOM BINN, Gold cuff with studs, P21,335 BALMAIN, Large black Greta cuff, P41,380

BY MALENE BIRGER, Wristlerin mixed-media cuff, P7,330 IN THE MOOD FOR: VANDALE DELA BAJAN, Floral print tulip skirt, P885 ZARIE, Graphic print dress, Greenhills, P850 TIBI, Raglan sleeve fern print top, P16,295

ON THE RUNWAY: DEREK LAM EMILIO PUCCI MARY KATRANTZOU STELLA MCCARTNEY

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SHAKESPEARE THEOREM: “The era of love and inspiration come alive to your whole look; as it embodies royalty”

Siete de Agosto: Allegory of a Farce by Romulo Galicano VELVET AFFECTION: ALEXANDER MCQUEEN, Britania velvet skull box clutch, P70,905 JEFFREY CAMPBELL, Printed velvet lita, P6,895

IN THE MOOD FOR: MANGO, Scarf print T-shirt, Ayala Center Cebu, P1,570 ROMWE.COM, Scarf printed black chiffon skirt, P1,420 ZARA, Scarf print blazer, P3,865

ON THE RUNWAY: BALMAIN DOLCE AND GABBANA GILES VALENTINO 32- BLANC MAGAZINE - THE ART ISSUE

WATER WAVE: “As fashion finally found it’s Atlantis”

Afternoon Light by Jose Villadolid BRIGHT MODE:: ZARIE, Stripped Top, P350 TOPSHOP, Earth printed mullet skirt, P2,760 PINK HANGERS, Electric pleated Palazzo pants, P650 OFFICE MOLLY, Toe cap natural pink oxford, P3,750 FOREVER 21, Printed mullet dress, P815 ASOS, Pastel belt, P450

ON THE RUNWAY: MARY KATRANTZOU PETER PILOTTO VERSACE HAIDER ACKERMANN

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BLOGGER ’ H I G H L I G H T

EDEN VILLAR One of the first Cebuano fashion bloggers is 25 year-old Eden Villarba or fondly called “Fedz” to her closest friends.

The author of Chic in the Tropics, Eden is a fearless woman who is not afraid to take risks in fashion and also in her life. Being of the pioneering bloggers in Cebu, she, and others like her, spearheaded the Cebu Fashion Bloggers, a group for fellow bloggers like her. A producer and also a director of film, this woman has a lot on her plate at such a young age.

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How did you start blogging?

It started middle of 2009 when I got aware of the international fashion blogging scene and the emergence of social networking sites. I haven’t really seen too many local blogs here of this nature at the time, so I just thought it was a cool idea to create a kind of online style journal that would be based in Cebu, not just with my personal style but the ones I observe in my random trips to the mall, clubbing, or just about whenever I step out-- people were noticeably starting to dress up at the time, so I thought it was high time that someone start a “street style” blog around here.

What is your blog about?

Over the long period of time since I started blogging, CITT (Chic in the Tropics) has evolved to chronicling my style primarily and the hits and misses I’ve had with it. I post chic and cheap finds, my outfit shots, and my DIY tips on creating on-trend articles of clothing and accessories. It also features events I’m lucky to get invited to, as well as my other life interests, such as my ventures in film and styling.

What makes your blog different from other blogs?

I’d like to think that I have my own unique perspective when it comes to my approach on style and how I dress myself, and I try to show this on my blog. I’m not necessarily the most stylish or even one of, but I try to have a “fearless” stance when it comes to the things I am willing to wear and experiment with. I like to keep people guessing with what kind of hair or trend I’m going to be doing next-- not because I believe in blindly following trends, but it’s just the way that I am. “Style” is very

RBA : CHIC iN THE TROPICS much open to interpretation and I like to push it to the limit and have as much fun with it as I possibly can.

Would you like to open a line someday?

I’m open to the possibility. I’m one of those firm believers that true style need not be expensive-- if you can make it yourself or get it for the cheap, and make it look just as good, then great. I’d like to one day be able to share that philosophy to the masses by coming up with diffusion line that plays with seasonal trends and yet remains to be budgetfriendly. I’ve already started making individual pieces and accessories for myself and for my friends, so if the opportunity to expand presents itself, then why not.

Who or what inspires you for your looks when posting outfit posts?

I am heavily inspired by urban, utilitarian street fashion. I’m always on the go so I have to have a non-frilly, no-nonsense way of putting things together that works well with what I do. I also see a lot of style inspiration online, and I try to infuse the small things I like or appreciate into my own daily styling.

Who is your style icon?

I look up to Kate Lanphear and Giovanna Battaglia for their very effortless takes on street style. There are also a multitude of bloggers and online personalities that I look up to for inspiration.

Did you think you’d be getting a lot of followers from the start?

Not at all, especially back in 2009! I didn’t exactly know where the readers started coming from or how they even got around to discovering my blog, but I just kept posting anyway, and it just went on from there I guess.

Are there brands who contact you to give give-aways and what brands are those?

Yeah, I’ve had several tie-ups for giveaways as well as a few personal sponsorships here and there.

Among the remarkable tie-ups I’ve had are with top online shoe retailer Asianvogue, Cebu’s Blind Clothing, Sophistix from Singapore, Anjolee.com, and several others. I’ve received Adidas goodies straight from their headquarters in Germany, which was something I thoroughly enjoyed, and just recently the very stylish nail and face care franchise Beauty and Butter has tapped me to be one of their Cebu Butter Girls along with some top bloggers from Manila. We’re currently working on

http://www.chicinthetropics.com

a spa date session with some of my readers, so that should be really fun.

Other than blogging, what makes you busy?

I have a lot of things in my plate. I currently work as a producer/director for Channelfix.com, where we regularly come up with pilots that hopefully will gain enough leverage and following to be developed into actual online shows. On top of that I get booked every now and then for hosting, voiceover, and fashion styling gigs; and sometimes I delve in indie film and theater acting-- kind of all over the place, really. I sometimes DO NOT have any time at all to unwind even in the weekends, but I allow myself this kind of schedule because I’m always up for learning opportunities in the various fields I’m truly passionate about.

In the future, would you pursue being a Public Speaker or would you continue blogging?

My media background would probably allow me to find bigger opportunities career-wise, but I’d like to continue my personal blog even for myself, in the very least. I’ve been blogging for quite a while and the thought of completely stopping seems disheartening. However, I hope my expertise and experience in my other fields of interest like film production/acting and fashion styling continues to grow and provide better opportunities--however, I can’t really say yet which field I like best or will pursue fully in the future as I am equally in love with doing both.

How does it feel when readers approach you whenever there’s a meet?

It still feels really overwhelming. Some people would approach me in malls, and I’ve had multiple commenters and tweeters saying how much they’re “fans” of the things I wear or my blog or my work, which I will always find surreal and will probably never get used to. I’m always really grateful for the love, and the friendships I’ve acquired with my readers and fellow bloggers is definitely a top reason why I’d choose to stay in the blogging circuit.

Where do you see yourself 5 years from now?

I probably would have already established a smallscale production company with my boyfriend, Thaad. I hope to still be able to delve in various projects in film and fashion, maybe even return to radio as a DJ... nothing is really set in stone yet, but hopefully I’ll still be blogging BLANC MAGAZINE - THE ART ISSUE - 35

DESIGNER ’ S P O T L I G H T

MIKE YAPCHING What do you do when you’re not designing?

Mostly, I’m busy with BLANC. I like working with the team because we’re all friends and whenever we’re on set, it’s like a playground.

Another would be playing online games. I would spend hours and hours sitting in the net shop with some of my friends.

What is your educational and professional background and how do you feel it prepared you for a career in design?

I had a mentoring with Oj Hofer and Edwin Ao. Mostly, Edwin has been helping me prepare for the real world. He’s been giving me tips and guidance that school could not give me. I am currently a 4th year Fashion Design student of the University of San Carlos here in Cebu. I learned the basics of sewing from my aunt who learned hers from my grandmother. School is just refining what I learned from them.

What drew you to fashion and have you always wanted to be a designer?

When I was little, I and my cousin loved the space that’s why I wanted to be an astronaut.

It was until college that I had the drive and the passion for making clothes. It was a joy seeing my grandmother and aunt make clothes that brought smiles to their clients. I wanted to share the same sentiment. But my love for the space didn’t end when I decided to become a designer. I always was conscious to add a a little bit of the cosmic to my designs even in the smallest and subtle of details.

Tell us about your first collection My first collection was for the 8th MEGA YDC. It was inspired by the early cubist works of Vicente Manansala.

What’s your best moment as a designer so far?

The best was going to Singapore and represent36- BLANC MAGAZINE - THE ART ISSUE

ing the Philippines for the Star Creation competition last year. I got to meet new friends and made connections. I also met some international designers and important people like Mario Schwab and Douglas Benjamin of FJ Benjamin What is a normal day for you like ever since you get into designing clothes? .Nothing has changed much, really. I still enjoy hanging out with my friends and I still do the same routine as I was when I was still unrecognized. Of course, there are the clients and other fashion related things but it’s still the same.

Other than the Philippines where would you like to work as a designer?

I’d love to work in Singapore. The government has a really big support in the fashion industry. Singapore has a nice environment that is inspiring for design.

Who would you like to dress up?

In the past, I have dressed Heart Evangelista and Iza Calzado. Heart is a very beautiful actress and it was a pleasure dressing her up and so is Iza. Internationally, it would be an honor to dress up Madonna. She is a goddess and I really love her work as well.

What are you currently working on?

Right now, I am finishing school and after that, maybe open a shop here in Cebu and then branch out into other parts.

What advice would you give a fashion newbie or student, looking to become a designer?

Always believe in yourself. A lot of people might judge you and hate you for what you are doing but equally a lot of people will appreciate you and love you for that. What doesn’t kill you makes you stronger. Do what makes you happy. And it’s a great help to cultivate your taste in fashion.

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Art&Culture

Snakes and Ladders

Llewellyn Don Villegas aka Lady Dee

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Deception is an art and so are other forms of laments;

funny just so happens, given the irony that, my own description of art is something that would increase your endorphines and would make you feel your senses.

People tend to say ‘go with the f low’. I’d rather not. I remember a very good thought I encountered – “Only dead fish go with the f low, I’d rather be a salmon that would die fighting the current.”

Whilst writing this article, I was surfing through woeful things via the internet with heavy metal rock playing loudly. I was alone but did not mean I was lonely. If you thought that this literary piece is out of depression and lack of bliss, you thought wrong. You’ll never know until you’re done with the very last word of this write-up followed by either a very firm period or a hanging ellipsis.

When do people tell you to ‘go with the f low’? When you hate your job most probably? When you are caught between two fighting parties? Or when you are clueless of this certain activity you tend to do without interest?

Being homosexual nowadays is very easy yet expensive; yet is much easier to be deceived and be out of the condition green. . .damaged that is. And, for the sake of correlation, you hear the phrase ‘go with the f low’ when you are in a relationship that Facebook would rather call “It’s Complicated.” Humans are social by nature – but there are those who are abnormally social that some might either think they are f lirting or playing around with their aces on hand. Another possibility? They might be unconscious that they are that affable that they already tend to go beyond the boundaries of friendship. Have you met that certain individual ever that would make you feel awkward or uneasy because their gestures are just way too intimate that other people’s? Please say yes, and continue reading. How would you know that a person is by nature ‘just friendly’ or if that’s just a decoy and the real deal is somehow impaling after which?

Also, how would you know that IT’S NOT JUST YOU GIVING MEANING TO ALL THE GESTURES the person channels?

Tricky right? After all, it’s just a matter of trial and error – and most of the time, only the error registers.

First off! Observe yourself. Try to do a self-check and determine if you were somehow wrong about your instincts before. Have you suspected someone on liking you but turned out you were wrong? If so, count those times and if it goes beyond three instances, be cautious – you might have the fourth.

Then, Observe Him/Her. Is that person sweet or intimate to everyone? Or if that person reserves a different level or romanticism towards you? Just a tip, if the person is very touchy and sweet towards you – good. If that person is very touchy and sweet towards EVERYBODY – investigate and don’t assume.

Rather, it is much of a sign when that person is touchy and sweet towards OTHER PEOPLE but acts weird and aloof with you. Awkwardness and uneasiness ? Take that as a compliment. Watch out for that person would stutter too when initiating a conversation, or worse can’t even look you in the eye. How do I know this? It’s an ancient

Chinese secret – with pun intended – seriously, I just know things.

The best option at the end of the day would be, ASK FOR A SECOND OPINION from a very open-minded person.

Don’t ever ask from someone who watches too much movies like Princess Diaries and the likes; because they would think that you are in some kind of a love story – which is totally not true. Our lives don’t end with the closing credits and sponsor names. It usually ends in disappointment and in tears. Be careful. IF AND ONLY IF, you are sure that the person in question is, let us say, somehow into you. It’s time for you to venture to the much complicated steps of this process which is more like of a Snakes and Ladders game. Bragging rights. A very strong sign that someone treats you special is when that person does the unexpected. Be creative and do some experiment. My friend had this very lame experiment before which I would gladly share: She sent out a general text message to all of our friends about HOW ATTRACTED SHE IS TO GUYS WHO WEAR BLACK. And yes, unexpectedly, that person (whom she thinks likes her) who doesn’t even wear black at all, had black for four straight days. Got the gist?

That Person Strikes Back. There would be instances, and I mean a lot of those, that the person in question would be acting like he/she don’t care about you at all. That is a very good survival mechanism. Yet, there would be loopholes, like, he/she would remember even the slightest detail you say. Try talking a lot when that person is around and surely, he/she would have those details remembered via a very abnormal neuron processing. A good example, try telling your friends (with that person around of course) your plans over the weekend. That person wouldn’t react but that person would be in that same place too on the weekend. What happens next? That person would first and foremost say, “Hey, I didn’t even know you’re here.

What are you doing here?”. This works 70%. The Texting Prowess. Simple. See the trends on how the person reacts to your group messages or to your simple good morning messages. This is a very funny way to know; however, the success rate is 40% that the person would fall in to the bait. After all, that person is not dumb to state the obvious much. That person would usually decline the will and the urge to return your texts which in the first place were addressed to everybody. Deductive reasoning please.

HOWEVER, the things I am talking about are just mere observations and tips though. Not a guarantee. Just be yourself and NEVER GO WITH THE FLOW – go your own way. Don’t take other people’s advice – I could even tell you not to follow my suggestions if that’s the case.

Playing around is very risky, it’s a losing game. If you end up disappointed and down on your knees, I would say that’s fine because you didn’t even have any relationship with that person. That then is a perfect example of your very own trial and error. What the mind tells, the body follows. And to end this write up out of boredom and over-thinking, always remember, a relationship is very different from a commitment; and infatuation never got close to LOVE, not even in Merriam-Webster’s.

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unconventional [uhn-kuhn-ven-shuh-nal]

Blanc deviates on the streets of Cebu where true artistry often takes place.

artist artist

Interview by: Matt Aesthetic Photos by: Yuno Lloyd Bastareche

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SCULPTOR: Loloy Edgalin, 72, Labangon How long have you been “sculpting”?

I’ve been sculpting for 5 years.

Have taken any formal education in Sculpting”? “wala ra, nag kat-on ra ko nganhi sa ako gi trabahoan”, I consider my self as a self taught sculptor.

Why saintly sculptures? “mao lang gyud ni ang ako naandan sa ako gi trabahoan”, I won’t classify myself as a sculptor of saintly figures, I just don’t want to put limitation on my skills as a sculptor. “kamao man sad ko mo kulit or porma og lain nga pigurya”, as much as I would love to do other figures on my own. “Anhi naman ko nag trabaho gud”, It’s about the business I am into and I have to deliver it smoothly with passion.

How did you come about loving the craft?

In confidence, he exclaims “mao ni ako skill, akoang TALENT”. Something I’ve been doing for a long time now, and I learned to love it that much; my minimum salary, is the best consolation to my craft.

What advice(s) can you give to the aspiring sculptors? “ok kaau ni cya nga trabaho”, Only few people venture into this business, and it’s something to look forward to the aspiring sculptors because it’s an easy stage for fame. “kasagaran baya sa mga mukulit run kay kanang tig kulit ra sa mga bangko kanang mga buwak-buwak”, and only a handful can deliver a fine piece of art in sculpting.

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DESIGNER FOR SAINTLY FIGURES: Kris Jajani, Mambaling, Education Graduate, 27 What’s the best thing about designing clothes for Saintly Figures? “kanang dayon na gyung human”, witnessing the end result of the dress/cape; how it appears alluring to the eye of the customers. It’s all about giving what’s best for the customer without feeling any doubt towards the product.

How long have you been producing these divine products? “dugay na sad woi, bata pa meh mao na gyud ni ako na andan buhaton”, more than a decade of pure love and passion for Sr. Sto. Nino.

Where do you usually make these products? “ sa amo ra intawng balay woi”, quite hands-on with the products, as they do it with all effort to give the best for their customers. “kami ray manahi”, the feeling of untainted possession when doing it with your own hands.

What’s your daily routine? “balik-balik ra woi, himo sanina daun tinda nya usahay kay palit materials”, accustomed with my daily routine for a long time makes it lighter. “mas dali naman buhaton namo ang mga sanina kay naa naman mi pattern gud”, developing your yardstick has to exemplify perfection; it has something to do with long-term designs and not dated ones.

What inspires you in making these dresses? “parents nako”, Inspiration--how you see the real world and trying to make it more personal. The business itself is an inspiration; it has something to do with my devotion to towards the saint.

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PHOTOGRAPHER: Rudencio Tardillo, Car-Car, 67 What’s your most treasured encounter as a Photographer? “daghan man kaayog dili malimtan”, every experience has to be etched on your mind. It’s important to make every photo memorable and well cherished. “pero kadtong nag Kodak ko pag centennial dili gyud ko to siya malimtan”, it opened a wider view towards my capability as a photographer. Capturing candid moments was the highlight of my photos, serving everyone the celebration of life at its finest.

When you’re not taking photos, what do you usually do? “didto, relax-relax sa balay”, given when you’re on your 60’s, going home isn’t as good as it was before. “karon wala nakoy pamilya hurot naman og pagka minyo akong mga anak”, together with my wife conquering the world with one hand is easy as tying a knot. We just have to endure the sting of reality in life.

Camera is an easy access nowadays, how do you cope up with your living? “naa ra man gihapon... basta mag kugi lang ang tawo”, It all boils down on how we can call ourselves responsible to our actions as responsibility tags along on how well we’re able to solve our issues in life. “karon gani P50 ra ako kita”, that’s how it works in a modern society, “daghan naman kaau rn, ubos na man gyud amu kita sa pagka maniniyot. Dali na kaau ang pag kuha og picture rn labaw na nga naay cellhone”, Modernity is the biggest challenge of becoming a photographer, be that as it may everyone’s going digital.

Was resignation an option for you?

“NO dili, kani NA LANG kay maausik man”, It implies on how well we’re able to eat what is served for us. Started out when I was 15, I can still remember how I used to work with my Uncle’s studio; it was a beneficial purpose. “naniguwang na intawon ko ug pangudak”, This career that I learned to love is something I would surely persevere with, and giving up this job is not and certainly will not be an option 44- BLANC MAGAZINE - THE ART ISSUE

casket designer: Jude Tupas, Car-Car, 52 What inspires you as a furniture designer? “ang Car-Car gud center of Arts and Culture”, a hotbed of design and talented artists. I have to collaborate with the finest artists in Car-Car for me to develop my creations.

What’s your favourite design from your collections? “kadto akong rocking chair”, as a designer you are as good as your last creation and everyone has a thing about my latest creation. I’ve heard positive feedbacks with regards to the rocking chair casket.

Why design casket furniture?

By all means, this business is not highly acceptable to the public so I decided to make caskets that are more accessible to people most especially to children and I’ve created “user friendly caskets”.

What are your other interests aside from designing caskets?

“I’m into sports like mountain biking at the same time photography”, all my hobbies are inclined to my business and having a number of employees, I have to come about of ways to utilize them; something they would have a thing about.

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The retrospective exhibit in the Casa Gorordo Museum is the first of a series that deals with various aspects of the late master’s life and works. On May 5, “Cuevas: A Retrospective (Personal Memoirs and Inf luences)” will be opened to the public at ACAS in Sacred Heart Parish. On May 23, “Cuevas: A Retrospective (Masterpieces and Rare Works)” will be mounted at the Cebu City Museum. The concluding exhibit of the series, title and content of which will be revealed on a later date, will be housed in SM City Cebu in June.

JV Castro, curator of ACAS and the Cuevas retrospective exhibit series, said that the exhibition in Casa Gorordo Museum traces the development of Cuevas’ art career.

“It focuses attention on different styles that the master employed all throughout his art career from the late 1970s to 2012. This exhibition shows the evolution of his style,” he said.

Tito Cuevas is one of the “Big Three” artists who do abstract expressionist style. The contribution that he gave is a big contribution to art and heritage in Cebu. “We want to celebrate not his death but his heart. We want to celebrate the life he chose to live because it sets a good example to artists who deviate the style that is in season now and the world,” expressed Castro.

According to Dr. Jocelyn Gerra, executive director of RAFI Culture & Heritage, the Cuevas retrospective exhibit series ref lects RAFI’s advocacy to bring attention the artistic and creative aspects of local culture, the reason why the foundation is supporting it. She added that the exhibits are significant in giving tribute to a Cebuano master and for making people aware of the diversity of artistic expressions found in Cebu.

“Let the works now speak for the person who never likes to speaks about himself.

This is a tribute that we’d like to do to Tito Cuevas for the gift of artistry that he has

given to us and we hope that his works will serve as an inspiration for the young and upcoming artists,” shared Gerra.

Culture & Heritage is a focus area of RAFI, believing that a confident community begins with a strong sense of identity. Its other focus areas are Integrated Development, Micro-finance & Entrepreneurship, Leadership & Citizenship, and Education.

For more information on the exhibit, please call 418-7234 local 703 and look for Florencio Moreño II, or VISIT: www.rafi.org.ph or www.facebook.com/ rafi.org.ph

“It focuses attention on different styles that the master employed all throughout his art career from the late 1970s to 2012. This exhibition shows the evolution of his style,” SOURCE: http://rafi.org.ph/news-highlights/rafi-acaslaunch-exhibit-cebuano-abstract-master-painter/ BLANC MAGAZINE - THE ART ISSUE - 47

the art of adrian gonzales Fashion and portrait photohrapher and aspiring filmmaker, 23yearold, Adrian Gonzales is a recent graduate of the University of the Philippines Diliman with a degree in BA Film. Juggling school works and exams from his former course (BC ECE), he viewed photography as a stress reliever simply by taking random photos of his friends.

He then shifted to BS Film after learning he had a thing for the camera. Films with the concept of unrequited love and long distance inspired his early works. And as time passed and gaining enough experience in the craft, he realized he could work with any kind of aesthetic provided that he could relate and bring parts of himself into the material.

When did you officially start to call yourself a photographer?

Like I said earlier, I’ve started taking photos even when I was still an engineering student. However, it was around the year of 2009 when I shifted to film school that I began to feel like I had the right to call myself one.

Still, I eventually gained confidence partly because of the course I was studying at the time which was somehow related to the field I wanted to pursue. It was then when I first experienced getting contacted by agency represented models requesting that they wanted to do shoots with me, etc. My first test shoot was with two PFW American models, both of which then after referred me to designers they know of. That shoot has landed me to my very first campaign and “lookbook” photos for a designer, particularly with fashion house Duerr back in early 2009. Everything else followed since then.

What/who were your subjects when you first started out?

Prior to getting to work with professional models in 2009, I would have to say that my very first subjects were the friends I’ve met and have grown with when I was still an engineering student. They have inspired me a lot, most especially because they taught me various disciplines which I carry on with me until today, even if so many years have passed since then.

I think, if anything, their inf luence on me have carried on towards the photographs I create, even until today – from the aesthetic, the subject, the way I would compose my images – these photographs weren’t made just because of studying the field of film and/or camera technicalities, nor was it just because self effort as I really believe that its always been more than just about that. These photos were made with heart. If anything, I do think that my craft – most evident my earlier works – have chronicled my growth as an artist and as a photographer, but most importantly, as a person: who I am to people I care about and vice versa.

How would you describe your style (in photography)?

Trendhunter.com has described one of my sets as a mixture of “childlike naiveté and sensual eroticism,” and I do think those descriptions sum up the aesthetic present in my works, more noticeable with works made back during the late 2011.

Although more recently, I’ve tried to experiment with vibrant colors as inf luenced by fashion photographers Mert and Marcus. This is in contrast to a lot of my earlier works which has a matte feel.

I could describe my style as emotion filled, gritty and moody as inf luenced by filmmakers like Gus Van Sant and Wong Kar Wai – particularly with composition, lighting and color, as 48- BLANC MAGAZINE - THE ART ISSUE

well as with subject matter and recurring themes. I also get inspiration from time to time from filmmaker Stanley Kubrick.

The inf luence the field of film has brought upon me is inevitable, being that it’s the course of study I have taken, and I’ve utilized much of these inf luences in enhancing the aesthetic and visual element of my photographs.

I get my fashion inspiration from photographers like Annie Leibovitz and Steven Meisel. Their works are very avant garde and beautiful. I think anyone who’s seen their work would be just as inspired too.

What has been your most unforgettable shoot and why?

I have two unforgettable shoots. The first would be the shoot with Asian supermodel Brent Chua back in 2009. After having done some test shoots for PFW models and some designers, I unexpectedly got an invite from a stylist wanting me to do a shoot with Brent Chua. It was so exciting! I think I got invited after three to four test shoots with agency represented models, so to suddenly be invited to shoot a supermodel… it was just “wow!” I have no words for it! It’s even a greater feeling that Brent Chua turned out to be a real role model, aside from being the supermodel that he is. Brent is down to earth, and is great company. He was very creative when we had our shoot.

The other shoot I’d never forget is the one I randomly did with friends Kryon Grant and Enzo Apacible. It was really impromptu. Kryon drove us around Enzo’s village and we took photos that were inspired by highfashion – it was never meant to be anything serious. Two years after that photoshoot, something awesome happened – something like that of a dream! Vogue Italia announced on its website that it is accepting photos from aspiring photographers. That said, I

Self Portrait

Do you have a favorite lens? If so what is it?

None, really. I’m not really a techie person. What I care about are results, and if a common looking lens can achieve my vision, then I’d be satisfied. I’ve been using my camera’s kit lens since my first shoot. That’s not necessarily something I’m proud of since I should probably be investing on new lenses right now, but at the same time, I’m pretty choosy. That said, I haven’t made up my mind yet as to what type of lens to buy. I would buy all kinds of lenses if I had the budget, but I have just only started (in the field) so I try to be wise with my investments. I want to make sure that what I buy would something I would use as often as the lens I use now. I haven’t invested on any new lens yet since I’m not sure what exact model to buy yet. Instead, I am planning to save up for a new camera body, and my own studio.

Which one item of equipment would you say is the most important to you?

It’s not really equipment, but an element in photography that I consider to be very important: lighting. It’s what makes or breaks a picture, and it is f lexible enough to be used to a variety of shoots: whether black and white photography or colored, whether for commercial purpose or highfashion.

Where do you look for inspiration?

I get inspired by “the moment.” If there’s something I see, or feel, or touch and I think I could make a concept out of it, then I go ahead and do it. Secondary inf luences include the artists I look up to, but my primary reference would always be my own experiences. I try to translate what it is that I feel, or envision in my mind. It is my art after all, so I might as well impart original material in it. My art is my own expression. submitted the ones I did with my friends not expecting anything, and the next thing I know, it is published on their webpages! Enzo’s shot was featured on Photovogue’s front page, while Kryon’s shot with his arms twisted upon his back was exhibited in Palazzo Morando, Milan as arranged and organized by Vogue Italia too! It was something we never even dreamed of, but it happened! Still stoked about it, actually.

What’s the picture you’re most proud of?

Basing upon artistic merits, I guess I’m most proud of the photos that got featured on Vogue Italia’s website and exhibit featuring Enzo and Kryon.

However, the kind of photos which I’m really proud of and would really mean a lot to me would be the snapshots I have taken of my friends. Specifically, snapshots I have taken chronicling our friendship that has spanned over six years. Looking at the pictures, I think it says a lot about how we all grew and changed, yet the friendship has remained intact for years. I like how I can personally see how we’ve all learned from each other just by looking at the pictures.

How do you decide on locations & subjects?

It really depends on the concept. I do with what works best for a certain theme. Sometimes, I’m forced to be resourceful if there is a lack of funds, or if outsourcing is difficult.

What is the difference between working on a female and a male subject?

For me, to be honest, there isn’t much difference. I’d book either male or female for as long as it works best with the given theme or concept. I usually get androgynous looking males, and while I like pretty female models, I usually would have them styled in a way that’s boyish looking too.

So for me, there isn’t much difference in terms of looks. I believe that it is the aesthetic of the photograph that defines it, and not the gender of the model used.

Your works, I believe, are classified as artistic fashion photography – would you do something very “commercial”?

Yes, I’m very much open to doing commercial work for as long as it is in line with the core values and ethical beliefs I subscribe to. While the nature of commercial photography is reliant on consumerism, I do believe that one can incorporate artistic vision in it, even though it may be a challenge.

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Talk us through the shoot with Danica, how was it?

It was a concept that has evolved so many times before finally becoming what it is now. If anything, I’d describe my shoot with Danica as an adventure. It was exciting because it’s not every day, I think, that an aspiring photographer gets to work with a Ford Supermodel winner. But, I think, what made it really memorable was how everything was just easy going – from the conceptual process to the shoot proper itself – it was all free f lowing just like how “art” is. We let “art” and our ideas take us to where the collaboration’s meant to become. That being said, I love how a naive, aimless concept can progress and evolve into something that shows much of the artist’s personality who made it, and all this without even trying.

I initially wanted something dark, so we had pictures of Sasha Pivovarova as an initial peg. However my stylist, Ria Casco, reminded me that we aren’t to work with a Caucasian model, so we had to make sure that while our inspiration is westernized, it still had to feel natural and match local aesthetics.

Sometime during conceptualization, I was approached by Threadless.com artist Vaughn Pinpin asking me if I knew of any photographer who wanted to collaborate with him. I immediately volunteered and asked what he had in mind. Vaughn then told me that he was inspired by James Jean’s line art for Prada. That being his peg, we eventually came up with a localized version of it, combining my photography featuring Danica Magpantay with Vaughn’s unique and fantasy-like illustrations. The result is a homage to ancient Filipino folklore. It took us about a month to prepare and finish everything. By the time I have received Vaughn’s version of my photographs with his line art on it, I was amazed as it looked like a work one would see in a hardbound art book. Vaughn, Danica, and everyone else whom I’ve worked with for this project are all amazing.

Early works/ Adrian’s batchmate

Is there someone you’d love to work with or shoot soon?

I’d love to shoot anyone, really. Even non-models and ordinary people. I’m not really choosy when it comes to selecting a subject for my photographs. As a photographer, I believe it’s my job to bring out the best in each and every person I take pictures of.

Will you always be a fashion photographer, or are there other things you want to do?

I’d like to try practicing film, too. Perhaps in the future. But I guess I’d like to do it in the right, proper time – both when I have a producer who can loyally adhere to my vision, and also, when I actually have that story I’d like to tell already. As it is, I don’t feel inspired to make a film yet. I’ve been expressing myself through photos so far, and have yet to feel the need to create a film. I guess it will come in the right time, too.

What do you spend all your time doing now? (What are you currently working on, any major projects you’ love to share? What’s next for you?)

I’m mostly editing sets right now, as well as having shoots from time to time. I have some projects but I’d rather share them when it is finished and done – you never know how unexpected things go about in the industry, so I’d rather be safe and keep things a surprise until it comes out! It’s something for people who follow my work to look forward to, too!

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Danica Magpantay shoot for Blanc

More than being just a photographer, you are an artist – any advice you’d love to share to young revolutionary artist of this generation?

I think if there’s an advice I could share to anyone who’s to enter the field, it is that they should enter it for the right reasons. Keep one’s core values intact and act and abide by them. Do not be persuaded or be inf luenced by people whom you feel you have to compromise for in order to please. Truth is, the industry is pretty small and people come in and go as they would want, and it’s not really that hard to gain connections if you do things with integrity.

The technique is to simply do what you love doing, and people who genuinely love your work will come and appreciate it. Do art because it is your passion and the love of your life. In the end, achievement and success come to those who do not actively seek for it. It comes at the right time when one most deserves it.

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Sigmund Torre: Comic Artist

by Princess Kathleene Gabunales

If you are an avid comic reader or just so happens

to be f lipping through its pages lately then you must have come across some of his works. Although it doesn’t take long enough for you to figure out the talent behind those strokes it will surely give you an “awe” and quite simply sense of pride knowing that well, he is a pinoy.

Sigmund Torre is a comic book artist whose line up of credited works include Transformers, GI Joe, Ninja Turtles, and Star Wars to name a few. He was born in Manila and raised in Canada where he finished his degree in Bachelor of Fine Arts in York University.

His diverse exposure to the western culture while growing up watching cartoons and superheroes got him on board to where he is now. While giving value and depth to his works more than the materials he used it is also about conveying to the society through the characters he created in those graphic novels that imprinted in the minds of many people.

Living in Tokyo and traveling all over Asia to share his art and discover more of what there is, the celebrated pinoy artist came to Cebu recently for a public art exhibit held last April 21-27, 2012 at 856 G Gallery, AS Fortuna Banilad.

clearly seen in art. There are no wasted lines or strokes creating a perfect design! Also ninjas...I draw a lot of ninjas.

Japan also opened my eyes to Live Painting. I love painting live. Music, Booze, People! It creates an incredible vibe that really gets me painitng!

It’s fun for me and the viewers!! I’m trying to so some here in Cebu and will be painting at the San Mig Light Party All Night with LifeDance 2012 on Saturday, May 26! Hopefully this catches on and there will be more venues and events open to it.

2. As a kid growing up watching cartoons and superheroes did you always see yourself to be doing comics?

I remember drawing comics characters as a kid but it wasnt till my later years in high school that decided to do it as a job.

3. Do you still remember the first drawing you made as a kid? What was it?

Nope sorry...haha

1. While based in Tokyo how much inf luence did you get from their culture when doing your art?

4. What’s your most memorable drawing so far?

Thats hard to say...every piece is memorable and unique and I have memories of them all. I f I had to answer...I’ll just say the last one i did...haha However, I can say that the painting Dreamgirl, I painted with my girlfriend and talented artist, Takako Sono stands out. We started it as a live painting show at my exhibit in Manila then finished it here in Cebu. It was a lot of fun working with her and seeing how our styles totally complemented each other.

I was heavily inf luenced by my time in Japan! I really got into both the traditional and modern styles.

Art in Japan is amazing!

5. Any favorite art pieces?

Ya a lot...again, anything by Inoue Takehiko, especiallyhis Vagabond work!

You can find so many different styles. I really enjoy drawing these days with the traditional Japanese calligraphy brushes and ink.

6. The one element that would always be present in your work would be?

Do I have to say just one? I usually draw or paint girls, swirls, or ninjas haha...I think the most distinct element found in my work is in the composition itself...Comics trained me to properly move the viewer’s eye...and follow the story...now with a single painting, there may not be a story, but I make sure that your eye takes a trip all around the piece, while along the way stopping and noticing the details.

Blanc Magazine got the chance to catch up with him and here’s what we found out.

My favorite artist is also from Japan, a comic book creator, Inoue Takehiko..he created Slam Dunk!...his art is simply amazing!

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7. What inspires your work?

The creating does. I never really start out with a plan when i paint...I start with a simple shape or a single color and just throw it onto the canvas, or in my case lately, the banig, then I paint more shapes, more colors until the painting eventually “shows” itself...however I always try to keep an eye on the piece’s movement, color combination, and balance...it eventually ends up becoming a lot of problem solving but its a lot of fun!

8. What’s your own version of past time?

Hanging out...or playing Street fighter haha 9. If not sketching, you are...?

Hanging out or playing Street Fighter 10. Your greatest achievement would be..?

Well, I hope I havent achieved it yet!haha ...one thing I am proud of is the toy I created...I designed a cute bunny character and with the help of Buhawi Studios in Manila, we created an adorable, customizable toy!!! They are usually blank but I do take orders for custom colors or designs! I was even able to get some really good artists to design on some the figures, creating some really cool pieces!!

11. Thoughts to share to young Filipino artists who dream to make it big someday?

Since I’m still in the same boat as these guys, I can just say..just keep doing what you love! It’s a very hard and at times disappointing road but it’s an amazing feeling seeing someone enjoy something that didn’t exist till you created it.

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RYAN REY MERENCILLO

BY LORA ISABEL AVENDANIO

There are things that we dont want to happen but we learn to accept. There will also be things we dont want to know but we are left at nothing and take it in. and sometimes, there are people we cant live without but we have to let go. it has been the toughest time and goodbye was yet the most difficult word to utter. He left this world too soon, without warning; leaving family and friends in deep and immense pain. but despite the rage and fear that we felt, we all chose to hang on to the happy and beautiful memories he created with us.

THAT KEEN EYE. Ryan was called ‘master’ for a reason. and what better word could have described him and his artworks? he was very meticulous with his works, leaving no room for mediocrity. he was always particular to the smallest of details that even a simple stroke can mean multiple layers of lines and complex alterations. that was his trademark. but as much as he wanted to meet deadlines, Ryan would end up in panic and delays. his works take twice as much time to finish because he has already set his standards. for him, quality weighed more than quantity. he always wanted to satisfy, if not exceed, his client’s expectations. more importantly, it is through the reaction of his audience does he get the drive and determination to improve. he was clearly an artist who does not want to settle at second best.

Ryan would typically be on his computer ticking and clicking links after links that feature threads, reviews and references. he never stopped exploring. he was always ready to learn, making himself a blank canvas ready to be painted on. his passion for learning has always been one of the things that inspire people to strive to become better at what they do. his inf luence made him a true artist.

THE GLUE It was during his viewing in cebu did i realize that Ryan had an overwhelming number of friends, who showed their support and extended their 54- BLANC MAGAZINE - THE ART ISSUE

prayers. Ryan had once told me that he always wanted to gather all his friends so that they can all meet everybody and become friends, turning different set of friends into a big and diversed group. on that night, he was able to make it possible. it is during times like these that people rely on one another for strength and courage to face the nightmare that we have been put through.

Ryan was the glue that kept everybody bonded. he shared his friends and introduced them to others and he helped create connections and relationships that are bound to last a lifetime. His friends were an extension of his family and ryan felt secure that he belonged and he was accepted. in the darkest hours of grief, our friends make the pain bearable.

MARSHMALLOW I know i’ll miss him more than anything. I got so used to the idea of being loved and cared by him that his absence feels like a lifetime’s worth of heartbreaks and pains. Before we had our first hellos as grown-ups three years ago, we already knew each other since we were kids because we lived in the same neighborhood. We grew up in two separate worlds but after a few months of getting-to-knowyous, we soon found ourselves sharing a world we knew was ours. our relationship was never about f lowers nor dinner dates. What we had were midnight snacks and movie marathons and light conversations. He introduced me to motherboards and hard drives while i, on the the other hand, to nail polish, sticky notes and cupcakes.

He tried to impress but he didnt have to be fancy; Ryan already had a genuine soul with a big heart.

Ryan was a man on the outside but he was definitely a kid with the softest heart on the inside. He tried to put up a very strong image but he was as soft as a marshmallow! He was never afraid to show his emotions. He cried when he was down and he’d dance when he hears a good tune. I never had to think twice when i wanted to laugh my heart out or just burst into tears. I didn’t have to explain myself because i knew he understood me. Ryan was my confidant. He was my bestfriend and he’ll forever be my chubby guardian angel.

Ryan’s love for his parents was unconditional.

Although he was a little less expressive, Ryan always wanted to make them proud. He wanted to give back. a day before his second operation, He asked us to tell his friends to pay him a visit the next day. It was the first chance we had to be alone. We prayed and all held Ryan’s hands. He pressed mine and told me he was never been that happy when he saw his parents together in a room.

There will always be a deep pain felt at the death of a friendly soul. Ryan left our hearts crying but as we mourn for the loss of a very dear friend and a loving son, others are rejoicing to meet him on the other side.

I know we’ll all see you someday, I hope we’d still be together in another lifetime.

You are loved and missed.

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JThe ESSIE GLOVA: chameleon BECAUSE YOU ASKED FOR MORE...

Photography by: 1uptodown Photography Dexter Maneja Archell Vergara Lord Sid Valera Shanida Myra Javier- Maneja http://www.1up2downphoto.com/

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:

Marilyn Monroe - Sex Symbol BLANC MAGAZINE - THE ART ISSUE - 59

Diana Ross - The ultimate Diva

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When asked of how he started “Before pa

gyud, cause I don’t really dress up as a girl when I’m in school, there’s a different personality that I carry… another figure that I share.

It’s an alter ego that you practice to channel artistry.” Jessie has been popular not only for his make-up artistry but also for his laud passion; Cebu’s Drag Queen.

“Being Drag or dressed as girls… it conveys a message, through make-up or dressing up or being in character, you will tell the people you can carry a different person and create entertainment not for mockery but to uplift your artistry…” Jessie believed that Drag is a showcase of artistry, a moving art that entertains and exhibits an array of characters.

“Drag doesn’t mean to be gay” he says. Drag is a transfer of character open to both genders.

“Another stage that is also associated to drag is cost-play (costume plays inspired by animated characters)”.

Being a make-up artist Jessie understands the importance of being responsible in creating a look and embracing a character. His limitless imagination that goes from beauty to the most exaggerated looks, he magically transforms a blonde damsel Marilyn Monroe to a vivacious diva Beyonce Knowles. His passion for makeup has been helpful in creating such characters.

Foundation, liners, false lashes and his custom-made wigs are all taken care of in expert fashion before it’s time to put an outfit on. I ask him how recreates a personality as drag. “The initial stage if the most crucial” Jessie shares.

Preparation is needed; Jessie studies a peg and composes a look but it’s not just the work that makes the look perfect but the experience and the whole lot of fun when he does everything. “It brings you another world…” he said.

“You cannot just be a drag queen if you cannot compose a good idea…” he explains. Being in character Jessie shared that one should

embrace creativity, a passion to keep and motivates you to go further and simply have fun. It’s conveying a message, through make-up or dressing up. Jessie shares “In character, you will tell the people you can carry a person and create entertainment, not for mockery but to uplift your artistry.”

Jessie is famous for his superb Drag masterpieces brought about the beautiful looks he created, also his outstanding make-up artistry; a visible orb of undeniable passion for his craft.

“

Being Drag or dressed as girls… it conveys a message, through makeup or dressing up or being in character, you will tell the people you can carry a different person and create entertainment not for mockery but to uplift your artistry…

”

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Barbra Streisand - The Icon BLANC MAGAZINE - THE ART ISSUE - 63

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Michael Jackson - The King of Pop BLANC MAGAZINE - THE ART ISSUE - 65

Cher - The Soulful Diva

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o g a i t n a S y Car Words by: Mike Yapching

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I

t was 5 in the afternoon when we arrived at Cary Santiago’s shop. A beautiful black lace gown was displayed on his shop’s window. He was standing inside, talking to some friends, wearing a simple white shirt and a black pair of pants. He saw us coming and he warmly welcomed us. I was obviously nervous as Cary is one of the few designers I look up to. I sat next to him like a little schoolboy in front of the principal, that was Cary’s effect on me.

Destined for a life in design, Cary’s family was artistically inclined. His mother’s side were designers, especially her mom, and musicians while his father’s side were painters. His mother was the “kusturera (female cutter) and the designer of the community” and at a very young age, his mom already taught him the basics in pattern making. “While the other kids my age would play outside, I was always asked to help my mom,” he recalls. He would sit down beside his mother’s sewing machine in his small table and was dictated to draw meticulous lines on the pattern. “All the basics, I learned from her.”

Growing up, being a fashion designer was a neccesity. “It was hard at that time.”

Cary did not undergo training in a lavish fashion design school. All he knows now, he learned from his mother. He worked hard to cultivate the knowledge his mother taught him. “Fashion Designing should always be about taste.” And true to his statement, Cary was apllauded at every show he joined. He instilled in his mind that he has to be perfect in what he does.

At 19, he was independent and forward, he worked for Nicky Crodua and there, it opened a lot of doors for him. He met

prominent “madames” that later trusted him and became loyal to him even when he opened his own shop at age 24 in Ramos. Just a year after he opened his shop, he f lew to Dubai.

His passion for winged creatures developed when he visited Davao while waiting for his Visa to be renewed after staying 3 years in Dubai. “I saw the Philippine eagle, I was in such awe!” Looking at Pag-asa perched on a branch, he thought to himself that “the most beautiful creature the Lord has created was the Philippine eagle.” The eagle’s sturdy stance and it’s huge beak fascinated Cary and when the bird spread it’s wings, he couldn’t help but clap his hands! “Hambugera kaayu na nga langgam! (That bird is so proud)” While in the Philippines, he joined a competition and named his entry “Pag-asa: The Philippine dream.”

He candidly narrates to us how patience is vital in making a garment. He wants every minute detail to be precise and perfect. He meticulously created feathers out of quill, jusi and pina, and dyed them in “kapeng barako.” “I think I had 20 girls just to precisely cut the feathers.

And one by one they were attached in a degrade manner.” Out of a hundred contestants from all around the Philippines, Cary won the competition.

“

the most beautiful creature the Lord has created was the Philippine eagle.

”

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Illustrated by: Bon Gimarino

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Cary’s “madames” like Charo Santos-Concio, Marguerite Lhuillier, Kris Aquino, Bea Zobel Jr, and Katrina Ponce Enrile, to name a few, love the mysticism and luxury he offers. The kind that only a few can wear a “Cary Santiago” because you have to order it from Cebu. These prominent personalities trust Cary in such a way that they don’t need designs. They would know that each and every single garment they receive from him is perfect from the design to the tiniest of stitches. Cary has established this reputation from all the hardwork and dedication he has put up with his clothes. With his growing clientele, Cary states that “it is important to maintain your craftsmanship and quality to have your clients coming back.”

Cary never settles for second-best. If he finds his clothes are not well-done or not beautiful enough, he would not send it out, even for a client. “Some clients would get angry but some of them would love me for that.” Cary tells me that the challenge of a designer would be “to earn and maintain quality.”

For Cary, the biggest accomplishment of a designer would be the everyday experience with clients. “When you make a dress and you are given a hug and a ‘thank you’ for a job well done, that is the trophy everyday.” For Cary, being a good designer is not measured by how many awards you’ve won. “Being a good designer is not about winning something, and that’s it. No! The appreciation from your clients would drive you to stay longer and be more creative.”

Cary is not into trends. He rather makes evening wear and couture because that’s what his clients love about him.

“I cannot see myself doing RTW.” He wants to maintain the luxury that his clothes are not readily available just like Azzedine Alaia, the only designer he looks up to. “Azzedine has gained respect because his clothes are not readily available.”

From the humble begginings of Cary Santiago to what he is now: an established, renowned and well-respected designer, he considers himself successful. “Yes. From where I started, how I started and what I am now. I can see how I was before and the things that I enjoy now, yes.” Even though Cary is successful, he still has the same passion for fashion as he had during his early days. He remebered the time he wrote on the wall under his mother’s sewing machine, “I will be the next Pitoy Moreno.” And now, little designers, like I am, are dreaming to become the next “Cary Santiago.” For Cary, passion is everything. With the talent, resources and time and backed up with a lot of passion, one would reach heights you never dreamed of reaching. “When there is passion, there is patience. And when there is patience, there is creativity. It’s a cycle.”

“

Being a good designer is not about winning something, and that’s it.

No! The appreciation from your clients would drive you to stay longer and be more creative.

”

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Illustrated by: Gale Osorio

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Illustrated by: Van Opura

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Illustrated by: Charmaine Chua

“

When there is passion, there is patience. And when there is patience, there is creativity. It’s a cycle.

”

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Illustrated by: Mar Jefferson Go

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the headpiece challenge From the fashion styling workshop with eric poliquit in collaboration with raff les design institute manila styled by batch 1: bessie vitasa big barks darren apolonio donn espiritu kerstie ladd see luvi joquico migz manzanero phillip perucho zeffirelli alfeche ivy aseniero-ramos featuring the men of yeoh models hair and gromming: krista silva jeanne lu erika castro celine ner photos: enzo mondejar assisted by: apple villalobos

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DISTANCE ITS PURE DREAM Photography: Isa Silva www.isasilvaphotography.info Styling: Sara Soares HairStyle: Paulo Varela by Schwarzkopf Osis professional MakeUp: Melissa Araujo Model: Victor Clear Elite Lisbon

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THE DARKEST HOUR Young Cebuano designers redefy the uncommon as they exclusively take on non-wooven fabric for BLANC.

Photographed by: Ryan Reyes HMUA: George Villamor Styling & Art Directed by: Vandale DelaBajan Model: Nicole Young of Stacy’s Exclusive

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Dress by: Vandale DelaBajan 102- BLANC MAGAZINE - THE ART ISSUE

Dress by: Jerrick Macasocol

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Dress: Exur Lopena: White Botton Down Zara 106- BLANC MAGAZINE - THE ART ISSUE

Dress: ISAAC BLANC MAGAZINE - THE ART ISSUE - 107

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CIRCUM STANCE Photographer : BJ Formento Creative Director : Richeille Formento Hair and Make up by : Eric J Allen Styling: eyecandy vintage production Models : Laurene and Allie our website links: www.formento2.com

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DRESS BY RAM SILVA BLANC MAGAZINE - THE ART ISSUE - 111

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White lace bra, gold necklace, gold f loral ring, stylist’s own. White kimono coverup, Olivia and Fifth at The Ramp Crosings.

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Faded denim jacket, 11th of October. Gray velvet top, Proud Race at Myth. Aqua skirt, Michelle Sison. Gold chain-link necklace, sylist’s own

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Silver sequined dress (used as top), Michelle Sison.

Long black sheer skirt, Proud Race at Myth.

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Nude lace gown, Vania Romoff. Gold rings, stylist’s own.

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White knit dress, Michelle Sison.

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drenched

town

BLANC magazine goes beyond restrictions and limits in the art of styling.

PHOTOGRAPHED BY: MATT AESTHETIC

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OVERKILLED FELONY by: Vandale DelaBajan

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muted catastrophe

by: Rockel Dela Merced

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global trotter

by: Asia’s Black Comet

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denim ressurection by: Matt Aesthetic

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broken hearted PHOTOGRAPHY AND ART DIRECTION BY: ERIC ALESSII DESIGNER: VEEJAY FLORESCA MAKE UP AND HAIR BY: PONG NUI by MAC

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Las Canária Photos:Carlos Teixeira (www.brownansel.com) Hair: Jéssica Garibaldi Makeup: Vir Makeup Styling: Garibaldi Cia Model:Cintia Lund ( Garibaldi Models Agency )

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as

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Dress: Jean Claude Betancor (jeanclaudecourt.tumblr.com)

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Necklace: Primark

Swimsuit : Tissage Soleil Necklace: Garibaldi

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Dress: ZM Woman

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BLANC MAGAZINE THE ART ISSUE Primark - 155 Top: Roberto Verino Vintage Skirt: -Sisley Glasses:

Green tule dress by: fatima guerrero shoes: yellow armandillo by joco comendador

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Black structural gazar dress: noelle llave

Top / Skirt : Jorge Gali単ares Vintage

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Merienda bebot is the pinay pin-up

Photography: Dan Douglas Ong HMUA: Tatz Agustin Models: Joanne Amonpon of Mac Dannieth Zapanta of Wafer Models Zenybelle de los Santos of Stacy’s Exclusive

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Imperfection is beauty, “madness is genius and it’s better to be absolutely ridiculous than absolutely boring.

”

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“

A wise girl kisses but doesn’t love, listens but doesn’t believe, and leaves before she is left

”

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“ If you can make a girl laugh, you can make her do anything ”

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The

Procession

Five of the most promising young Cebuanos make-up artists, unravels the revelry of Saints.

Photography: Joseph Ong Art Direction: Matt Aesthetic Styling: K Miranda Produced by: Little Bvck

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Santa Salida eksina mamare by Little Bvck Model: Kim Ecarma of Stacy’s Exclusive

”

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MUA : Justine Camacho

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MUA : Victor Reed

Biyuda Santa Femina by Hannah Lim Model: Angel Gomez of AD Models

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Reyna Santa Lambotista Valli by Victor Reed Model: Jonna Alesna of Figura

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Imaculada Santa Gracia by Justine Camacho Model: Gazini of Wafer

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Santa Suryalik de Padua by Tatz Agustin Model: Kathleen of Wafer

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SAME GROUND FEATURING THE CEBU FASHION DESIGN GROUP, AS THEY TAKE TO MEAN ROMANTIC IN THE CITY OF LOVE AND HERITAGE -- CAR-CAR.

Photography: Hannah Bacalla Art Direction: Matt Aesthetic MUA: Little Bvck Hair: Dominique Roa Model: Jonii Alburo of MAC Editorial Assistant: Aia Tupas Produced by: Mike Yapching

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Black dress, Rey Humberto Villegas

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Gold and purple one-shoulder top, Fan skirt, Hadji Godinez 176- BLANC MAGAZINE - THE ART ISSUE

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Gold sequined dress, Harvey Cenit

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White mullet gown with shoulder detail, Lord Maturan BLANC MAGAZINE - THE ART ISSUE - 181

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This page: Beige and purple sequined gown, Lory Mer Villareal.

Opposite page: Ivory bustier dress, Edwin Alba BLANC MAGAZINE - THE ART ISSUE - 183

LIFESTYLE

Words by: Jaynard Basiga

“

”

YOU JUST HAVE TO GO ON...

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T

he true mark of success does not solely depend on the amount of recognition and awards being granted upon or on the extent of popularity and fame. Rather, it is based on the transformation of one’s innocent dream into reality accompanied by compassion, talent and humility. It relies on the pragmatic exertion of skills and capabilities resulting to a well-defined craft which eventually begets fulfillment and pride. It is qualified through the beneficial product of a person’s hardwork, without sacrificing art’s worth, which would later channel out towards social responsibility and economic growth.

As what Gandhi said and here it is quoted “A man is but the product of his thoughts; what he thinks, he becomes”, success is but the unconscious desire, the ultimate goal to which everyone yearns but only few captures. These and the rest of what can be said about success is encapsulated within the depths of a figure known to anyone- Kenneth Cobonpue, a globally-acclaimed furniture designer, a true-blooded Cebuano and simply a Filipino we can truly be proud of.

The Makings of a Cebuano Pride Mr. Cobonpue’s dream as a child was to become a designer because designing became a passion even at a young age. This is evident from his childhood hobby of building small structures using wood and rattan with his hands, instead of playing toys compared to other children his generation used to do. His mother is an interior designer by profession and with that he may have inherited his designing skills from her. His family used to have a reputable furniture design and manufacturing business found at back of their house.

He studied a business-related course at University of the Philippines-Diliman before pursuing a degree in fine arts (industrial program), realizing that the business course was not meant for him. He failed the entrance examination for the fine arts course but this does not hinder from persevering his dreams.

He studied Industrial Design in Pratt Institute in New York. He also went to Germany to study Furniture Marketing Production and return to Cebu with mastery in Technical Design and managed the Interior Craft of the Islands, Inc., a furniture design and manufacturing company founded by his mother.

Upon his return in Cebu while thinking of something what is new to offer, he began to explore his native country’s landscape as vigorously as he had explored the European and American continents and then discovered that modern design could have a new aspect using natural fibers and materials

as a new trend and then slowly creating amazing furniture with innovative hand-made production techniques that offered an unusual description of modern design.

Reaping what-was-sowed Mr. Cobonpue uses variety of natural materials, such as bamboo, abaca and rattan, in his work. His first famous creation was the 1998 Yin & Yang chair which was, according to him, a fusion of Western and Asian form. Since then, his name marked not just locally but also internationally. He won a lot of recognitions including 12 Mugna and 4 Katha Awards for design excellence at the annual Philippine International Furniture Exhibition. He also won a Golden Shell Award in 2002, a citation given by Philippine President Gloria Macapagal Arroyo, for embodying the ideals of Asian design. In 2003, he was chosen as one of the Ten Outstanding Young Men of the Philippines for his achievement in the field of Arts & Design. He also received the Design Excellence Award for Lolah Collection and Dimple Outdoor for the 9th Annual IIDA/Hospitality Design Product Competition in USA. In 2003 and 2004 he won the Good Design Award in Tokyo, Japan for his uncomparable designs like Voyage Bed, Yin and Yang Easy Arm Chair, Pigalle Easy Arm Chair, Kabuki Cabinet, One Night Stand Sofa. In 2005 Cobonpue won the Design for Asia Award Hong Kong, Asia’s highest award, for the Lolah Chair. He also won first prize in Singapore for his Croissant Collection and among others.

Rebranding and the Rise to Fame Mr. Cobonpue vividly remembers that furniture companies here in Cebu lacked the brand and trademark even if the industry is booming. Manufacturers of same industry outside the Philippines outsourced furniture here but unfortunately when it reached other countries, the “made in the Philippines” reputation was lost and instead these importers claimed our own furniture products their own.

When they were chosen by the government to represent Philippines abroad to showcase their design, along with an international designer of furniture and interiors Mr. Budji Layug, he made it a point to show to the world his designs and that it is Filipino made.

He could still remember when Brad Pitt walked into the exhibit area and bought one of his designs when the actor saw it. What is more interesting was that Brad Pitt bought his designs not for his name but for the design itself, and for him it was the fulfilment of being a designer.

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He chooses not to care about negative criticisms.

“I don’t care; basically, you have just to go on and believe on what you’re doing” he quoted. With his faith and his creativity, his designs conquered every corner of the world. Mr. Cobonpue’s designs have appeared in full-length feature films and television such as Oceans 13, CSI: Miami, Chuck, Dirty Sexy Money, Couple’s Retreat, Made of Honor and Ashton Kutcher’s Spread movie, and who would’ve forget the Maroon 5’s Never Gonna Leave this Bed. His fame as a furniture designer has largely contributed to world, with left and right contracts and projects like Blue Monkey Restaurant in Amirandes, Fontana Park in Lisbon, Forty 1 North in Newport, Hotel Taiwana in St. Barth, Mainalon Resort in Tripolli, Mondrian Soho Hotel in New York, Mandarin Oriental in Riviera Maya, Nobu in The Palm Jumeirah, Theros Wave Bar in Santorini, Tapelia in Marbella, The Groove in Houston, The Vine in Madeira, Wynn in Las Vegas, W Hotel in Maldives, Kempinski Hotel in Bangkok and our very own Z bar.

On to the Next Phase Mr. Cobonpue reveals new work each year such as the first biodegradable car called the Phoenix.

It was created in just 10 days along with the product designer Albrecht Birkner using woven skins from organic fibers mated to composite materials and powered by green technology. They are still on the process of finding ways on how this car will run. For this year, the duo’s team unveiled the Kenneth Cobonpue Trike, a modern-chic tricycle to give old-fashioned tricycles a new image.

He, along with furniture and Interior Designer Mr. Budji Layug and Architect Royal Pineda, was tasked by several cabinet secretaries to help the country’s plan of rehabilitating structures. This is another endeavour of Mr. Cobonpue and a new challenge to his expertise. The team decided to start their work at the Ninoy Aquino International Airport 1 which was reported as one of the worst airports of the world. They believed that no matter how beautiful and clean the country is, with all its natural resources and breathtaking spots, an untamed airport can affect the first impression of the tourists. The work they did for the entire time was pro-bono. The dream team’s design was approved by the Manila International Airport Authority and former Department of Transportation and Communications (DOTC) Secretary Jose “Ping” de Jesus, but when Senator Mar Roxas took place, they were surprised when the Senator handed the project to Leandro Locsin. He was disappointed and quoted 188- BLANC MAGAZINE - THE ART ISSUE

“but that’s how it is.” It could have been an icon and it could have been the perfect facelift of NAIA 1.

Banking on Fashion “Fashion is important. Fashion comes first, always first, and then the interior design, furniture design and architecture will follow”. This is what Mr. Cobonpue believes in, as quoted. He even took inspirations from fashion but it is really about the silhouettes and materials. “Just like Cary (Cary Santiago), he has a simple silhouette, but it’s the techniques and material that made it remarkable”. His point of view brought him to the top, bringing the f lagship of the Philippines elsewhere. When asked if there could be a small possibility venturing into fashion, he answered yes. “We are working on it, but we are starting on bags because is the closest thing on what we do” he added.

Even at top for all these years, he still remains humble. Mr. Cobonpue is an icon, a remarkable designer who created an image not just here in Southeast Asia but to the rest of the world. Mold by his roots and our unique culture, he is a designer with an edge and a mark, and a successful artist too. He shares the importance of natural beauty and that in order to have something new and fresh, “we have to see people and places always with new eyes every day”.

He adds how important to know the market very well.

Travelling and reading books is a very important essential as well.

Visit: www.kennethcobonpue.com

to “seewe have people and places always with new eyes every day

”

care; basically, you have “ I don’t just to go on and believe on what you’re doing ”

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yoda chair

Dress: Rockel Dela Merced 190- BLANC MAGAZINE - THE ART ISSUE

GALACTIC AFFAIR Photography: Jay Sanciangco Art Direction: Jaynard Basiga Hmua: Little Bvck

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Croissant Armchair Dress: Ronald Enrico 192- BLANC MAGAZINE - THE ART ISSUE

Pigalle Dining Table square Top and skirt: Mike Yapching

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Dragnet

Make-up by Jaynard Basiga

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Rapunzel

Dress: Edwin Alba 196- BLANC MAGAZINE - THE ART ISSUE

bloom armchair Dress: Hanz Coquilla

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BLANC names 3 of the best places every Artisan should be when in Cebu.

Emerald Isle In Ireland, public houses—or generally known as pubs—are establishments that are licensed to serve alcoholic beverages for consumption within premises. These pubs are not limited to Ireland;they are also found in othercountries around the globe.

Here in Cebu, natives and visitors alike have a new haunt in the form of an Irish pub located at the Piazza Elysia in Talamban.

Emerald Isle Irish Bar, acclaimed to be the first and only Irish pub-style establishment here in Cebu is big on its “Irish pub culture”, where everyone can enjoy their favorite cerveza while chilling within its cozy traditional Irish interiors.

Emerald Isle doesn’t just serve your favorite alcoholic beverages; they also offer a variety of signature dishes with names that are just as mouthwatering.

One can select from the popular Emerald Classics that includes curries, pastas, salads, sandwiches, appetizers, and desserts. They even serve Filipino dishes such as my personal favorite, pork adobo. Early birds are in for a treat for they are also served breakfast daily.

Finally, Emerald Isle’s evenings are filled with live bands, trivia nights, and fun and relaxation. Armed with superbly-done interiorstrue to its origin, great selection of food, and entertaining service, Emerald Isle Irish Bar deserves to be the talk of the town and a haven for pub lovers.

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gilt Like how time has revolutionized our lifestyle, Cebu’s drinking bars and pubs of today aren’t exactly your typical profound locales of youre used solely for “drinking” and “getting drunk”.

GILT, a cocktail lounge and artisan space located just above VUDU in Crossroads Mall on Gov. M. Cuenco Avenue, Banilad, Cebu City has become one of the places that you would want to add to your bucket list.

GILT is owned by Mr. Jay Chiongbian. He intended to put out a usual, nightlife destination to experience the difference of GILT, away from the accustomed strident drinking spaces. It features exquisite cocktails and food to boot, and a haven that serves an array of baroque luxe and eclecticism realness.

The interior designer behind this fresh takes juxtaposed classic furniture pieces, trinkets, gildings, and hues, but still mirror the modern feel of a drinkinglounge. However, don’t be fooled by the interior space’s expensive feel and look.The pieces inside are family heirlooms, recycled knickknacks, and from creations from artisans of Cebu.

Every material, pattern, texture, hue, and shape inside the space went well together, from prominent gilded mouldings to tufted seats, and to classical chaise lounges. Cove lighting and wall washers are also visible throughout the space. And from huge curtains, wooden chairs and tables, furry luminaires to random trinkets such as the barber chair, a freestanding body-form, gilded family photo frames, pop art and paintings—all these gave life to the interior space.

“Its not about spending and finding the nicest things; it’s just looking at things and utilizing it for what it’s worth.” – Mr. Jay Chiongbian Everything inside GILT is an evolution. The space wasn’t perfectly planned out; inspirations were drawn as days passed. They simply allowed the free-f low of ideas and creativity, and embraced it. GILT is the place where you can drink and interact with people and with the space seamlessly.

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kukuk’s nest

BY NIEL OMOLON

Pastiche, as you call it. If you’re the sort of traveler who is saddled with the humdrum of uptown Cebu City and yet is still on the go for the metropolitan life though on a laidback track, Kuku’s Nest is the place to be.

Since 1989, this guest house in Gorordo has continued to serve both local and foreign tourists with a 24-hour restaurant and bar that will surely jazz through your guts its smorgasbord of Eastern and Western cuisine. Not only that, it is also home to Turtle’s Nest Book Café and Gallery, an alltime favorite hub of local artists and creative writers who perform poetry readings, recitals, and the all-and-sundry performances for the truly artsy.

Living up to its prestige, Kukuk’s Nest has branched along Talamban Road, a half an hour drive from the metropolis. This “Bed, Breakfast and Restaurant” features a 1970s ambiance. It also boasts of its Diwata Galeri, an in-house art exhibit gallery that showcases the different cultural idioms of Filipino life. Suffice it to say that its fabulous dining area, mini bar, and beer garden are sheer complement to the lush green and placid feel of Talamban. You will surely drink to the stars! No wonder this place is haven for cheerful people and creative souls, notwithstanding performance arts, BLANC MAGAZINE - THE ART ISSUE - 201 creative workshops, and residency programs are also held here.

AN INTERNATIONAL FOOD TRIP

Words by Paolo Berdin

In recent years, a lot of, say, “”atypical” words have been added to the dictionary. The term “bootylicious” is one of those words, added due to the popularity of that Destiny’s Child song. “Bromance”, a strong nonsexual friendship between two men, has also found its way into the dictionary, and so have the words “tweet” (ahhh, the power of social media) and “EVOO”, an acronym that stands for “extra virgin olive oil”, whose creation is credited mainly to chef & TV host Rachael Ray. EVOO also happens to be the name of one of Cebu’s newer restaurants, one that has garnered the Cebuanos’ attention because of its, well, name.

This summer has been the hottest one that I can remember by far, so it was great to stay inside the resto café, whose mint green walls have a cooling and calming effect, when I and the BLANC team met with owners Donna Matnos, Lyndon Geraldizo, and John Flores one exceptionally scorching afternoon.

They explained that they decided to call the place as such because as much as possible, they try to incorporate extra virgin olive oil into their dishes. As for their offerings, EVOO’s menu is composed of different cuisines, an international melting pot of Korean, European, American, and Asian cuisine.

Taking us to the northern parts of Africa was one of their bestsellers, Shrimp Chermoula, a dish of skewered shrimps marinated in different herbs and spices sure to satisfy any seafood lover. Their Beef Bulgogi, bringing us all the way to Korea, is also a standout. With f lavorful & tender thinly sliced pieces of beef and a generous amount of onions, this was definitely one of my favorites.

We visited the land of Italia with their Seafood Arrabbiata, a spicy pasta dish with shrimps, fish, scallops, squid and mussels, with a tomato sauce that has just the right amount of heat. Their Braised Pork Belly, on the other hand… well, let’s just say that it was so good that BLANC’s Society Editor Roni Yu almost finished the whole serving on his own.

The beverages are not to be forgotten, too, as their milkshakes are the perfect drinks to beat the heat. I fell in love with the strawberry-f lavored one, and cannot wait to try it again… I can’t wait to visit EVOO again, for that matter, as a food trip that takes you to many different places in one sitting is too difficult to resist.

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EVOO Resto CafĂŠ is located along Gov. M. Cuenco Ave., Banilad, Cebu City (right in front of Holiday Gym & Spa).

They are open from 10 am to 12 midnight, Mon-Sun, and are also available for privateBLANC functions.

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FEATURES

stylissimo

Every summer young aspirants go to only one workshop to home talents they already know and for some,will still be discovered. This years stylissimo workshop series. Invited us to mentor young aspiring models the basic essentials on how is it to model for a magazine.The one day session covered an introduction on what the magazine’s all about through BLANC’s EIC Josei Cuizon and Associate editor Mike Yapching,followed by lectures on Make-up by our Beauty Editor Little Bvck and Image stylist/assistant beauty editor Tats Agustin. Styling tips from our senior stylist Rockell Dela Merced, and ‘one-on-one” posing coach from our Fashion editor Vandale dela Bajan. The session also had framing tips with regards angling to the camera by our resident photographers Yuno Bastereche and Jay Sanciangco headed by BLANC’S Creative director Matt Aesthetic.

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2 1 0 2 p o h s k r o w g n li e d mo

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STYLING BY: YOANNA JAMES

HYPED!!

AR Dueñas/ model A.R. Duenas is no stranger to fashion. She models professionally - modelled for designers like Cary Santiago and Jun Escario to name a few. Aside from working a day job for a real estate company, this stylista also has a passion for photography and owns an online shop(VESTIS). But that just aint it, She definitely breaks the stereotype of well-put together models and dainty dressing.

She kinda immulates the right type of angst which then turns into a certain kind of sexy.

When we got the chance to raid her closet we were like “can we just put this in our bags?.” her closet has a domination of black studded leather jackets, over-sized blazers, graphic varsity tees, denim cut-offs,booties and everything aztec (which she defines as one of her obsessions lately) like her favorite purchase of the moment,her white aztec printed dropped waisted dress. What also caught our attention is her leather FENDI vest which she thrifted downtown.

There is no question to how diverse her way of dressing can turn heads, adding a new affilation to her credentials, a model, photographer and a STYLEPHILE.

Personal Style 206- BLANC MAGAZINE - THE ART ISSUE

STYLING BY: MATT AESTHETIC

Words by: Rockelangelo Dela Merced

STYLING BY: VANDALE DELABAJAN STYLING BY: ROCKEL ANGELO DELA MERCED

D.I.Y

’s u b e C f o t e s lo c e th e In sid Lady Grunge, . .. s a ñ e u D .R A l e d o M M AC BLANC MAGAZINE - THE ART ISSUE - 207

Spice Rack ONLINE

SHOP

https://www.facebook.com/spicerackonlineshop

COMING SOON...

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events

It was kind of a blur to me what it’s like to sweat on lollapalooza or to even yell my heart out with friends at Coachella. The enormous lines just to get in and the thought of a 3-day party makes the rest of me ecstatic. These music festivals aren’t just a celebration of youth, music and artistry it’s also a time were most people dress up distinctly fashionable. Luckily, all that wishful thinking came to an end when LIFEDANCE came to our doorsteps. LIFEDANCE, the Philippines’ biggest outdoor party of2012 (yet), came to the queen city of the south and ask us to be a part of the revolutionary momentum.

As soon as the clock turned 2:00pm,on the 26th of May gates opened to head-turning stylistas and young music indies. I felt really overwhelmed that with the right kind of party such as this, fashionphiles within the metro can certainly deliver. It is indeed the time to embrace a different kind of ecstasy where an outdoor music fiasco isn’t defined just by the tired beach party. It’s just the exact time to bring 90’s rave back in the tables again.

Upon sunset and on with the night visions, the venue filled with simultaneous fireworks gazing the gloomy skies randomly suprise the attendees with every blow and sparkle in the air making the more hyped crowd crave even more and thanks to the LIFEDANCE rainbow glow sticks, the whole area looked like moving light beams. Can it get any better? Well it did, even twice as much. Not to mention two of the highlights of the evening. Brit DJ Chicane responsible for the UK number one hit “Don’t Give Up” feat. vocals of Bryan Adams. And the 17 year old Swedish DJ Adam Bjornberg groomed by the likes of Calvin Harries and DJ Tiesto to name a few. Both rocked the night even more. Their takes on sexy chill out house beats and upbeat trance defined LIFEDANCE. We definitely can’t get enough of LIFEDANCE, the evolution certainly did begin…and it will surely continue… Cebuanos just can’t wait for the next.

Words by: Rockellangelo Dela Merced BLANC MAGAZINE - THE ART ISSUE - 209

STYLEFILE: LIFEDANCE X BLANC

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Stylista’s came in full force in the biggest dance party that ever hit Cebu. An event defined by distinct Cebuano art & fashion, music and lots of partying.

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RITZ BELTRAN

KEN N NATIVIDAD

AT LLE DA P GEORCE

Y BICO DONIIQU E S

N EZ AYANA JIM E

ISABELLI SELM A

KIKO KINTANAR

SLATER YOUNG

M R. CUTIE

LOVE

STYLE FILE

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H A BOOT AM AN D

Blanc Magazine is available on MagCloud Powered by HP Download the Digital includes iPad and PDF versions for free Print Purchase! is available http://www.magcloud.com/browse/issue/329129 214- BLANC MAGAZINE - THE ART ISSUE

atlantis THE DEXTER ALAZAS CRUISE COUTURE COLLECTION

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I

t was indeed a night where pure talent was bared. I have been planning this day, perhaps, publicity is never forbidden to anyone. Yet, this glamorous dusk has opened myself for a priceless appreciation and immeasurable happiness as the event was said to be fulfilling. The fashion show entitled Aftershock was the third heaviest traumatic experience the viewers can share. I felt that I was f loating on air as gravity specifically exhibited its existence as people applaud in amazement. My creation was infinitely defined to the archipelago’s undeniable and unforgiving incident where tectonic plates move undoubtedly. Landslides, Earthquakes and Tsunamis were one my basis for the whole concept I have predicted to happen. Moreover, the fashion industry has demanded me timeless effort that this time, I should pay it forward. I have made my decision and that is to throw all my creativity into the runway. I have produced my very own textile print as engineered thru silkscreen printing. Prints, patterns and solid structures were highlighted in every scheme the garments can portray. Like every Tim Burton’s idealistic films, I see to it that every single details being planned is met and done. Like every wildcard, I make sure that everything: from start to finish- is done with Apostles Creed in it. Not all may have treasured the moment, but some have gone for a traumatic experience that night that they will always remember.

Words by: James Canete Photos by: Mark Lennin Casio Degamo

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VIEW TRUE BEAUTY AS SONY LAUNCHES NEW BRAVIA® TVS

New Models – from Entry-Level to Top-of-The-Line – Keep Consumers Connected and Entertained In life as in art, clarity is needed in order to appreciate an object’s true beauty—to notice its subtle details, observe its different hues and behold its full figure. It is with this philosophy in mind that Sony Philippines launches the new BRAVIA® television line-up at the stunning Shangri-La’s Mactan Resort and Spa in Cebu City. With the theme White Summer, a nod to the season and the tasteful designs of the BRAVIA® series, the event introduces four new models—HX855, HX750, EX650, BX350/450—the first two of which is equipped with Sony’s X-Reality PRO technology that provides lifelike images by highlighting texture, outline and color. – only HX855 has x-reality pro.

Hx750 & ex650 has x-reality, BX has Bravia Engine 3 “Television consumers have told us the mix of formats and features often creates confusion,” said Mr. Takao Kuroda, President and Managing Director, Sony Philippines.

“But, we know that the best part of the TV has always been – and will always be – the picture quality. Sony is cutting through that noise to make TV buying easier with model lines that have very clear differences, each designed to deliver the most premium, best-in-class picture ever.”

Innovations in Picture Quality The new BRAVIA® models offer many of the unique-to-Sony technologies and features that consumers have come to expect from a Sony TV, complemented by new enhancements and additional innovations.

Foremost among these are the X-Reality PRO and X-Reality digital video processors which enhance picture quality. The dual-chip X-Reality PRO picture engine optimizes video sources by utilizing a vast database of signal patterns and comparing incoming signals with ideal scenes to display unprecedented detail and astonishing color. The single-chip X-Reality engine, on the other hand, separates incoming video 218- BLANC MAGAZINE - THE ART ISSUE

into its constituent parts of outline, texture and color/contrast, and then applies image enhancements to deliver its outstanding picture. he Lineup As the BRAVIA®’s f lagship model, Sony’s HX855 provides vivid, life-like pictures no matter the format—from Full HD Blu-ray to low-resolution web videos. With its increasing number of customs apps built just for it, viewers can explore an abundance of entertainment while maximizing power saving potential through its new eco-friendly features. Design-wise, HX855 carries forward Sony’s distinctive Monolithic design incorporating Gorilla® Glass by Corning®, allowing for thinner, lighter and stronger screen material.

Meanwhile, those hankering for a superb introduction to the 3D experience should turn to the HX750. Aside from its premium picture quality, it also delivers simple connectivity that opens a variety of entertainment options. Stunningly slender, the HX750 combines contrasting materials including a chrome-polished edge that adds to its high-class appeal.

Consumers wishing to step into Internet-connectivity and Edge LED backlighting need not sacrifice picture quality with Sony’s out-of-thebox Wi-Fi-ready EX650. Featuring specially designed dot patterns over its curved surface that protects the bezel from fingerprints, it is the television that responds to a modern family’s growing needs.

On the hand, The BX350/450 is the perfect fit for those looking for their first high-definition television. A compact entry-level LCD model, it is equipped with Clear Resolution Enhancer that takes viewing to a new level of clarity. The BX450-Series HDTV also comes with a USB playback that enables instant sharing of photos, music and videos.

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