people in. Some of those pieces are as small as 2” x 2” and had to be completed with a single haired round brush. With more physical works, such as those from
“The Boy In The Box,” it is necessary to work on a scale that allows a full range of motion for my strokes. My largest piece from this series, Astranomelly, is 78” x
38
120.” I put a significant emphasis on scale in order to achieve maximum impact and best convey my concepts. On a similar note, I apply the same rigorous scrutiny