April/May 2015 Issue of Auxiliary Magazine

the music issue

roniit the pop sorceress vnv nation

laibach

ashton nyte mind.in.a.box nightmare fortress

hannah ghore

bella mitchell gothfox designs brook alviano

summer festival fever

travel for smiths fans vintage for weddings honeymoon lingerie APRIL / MAY 2015

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DEAR AUXILIARY

CONTRIBUTORS

your opinions on the Feb/Mar 2015 Issue

Editor in Chief Jennifer Link Fashion Editor Tasha Farrington

[The Shelly d’Inferno PinUp feature is] a freaking mazing.

- Nevet E. via Facebook

Music Editor Mike Kieffer

Double thumbs up for [the Shelly d’Inferno PinUp feature].

Love Luci Alice’s photo. - Kriestina M. via Facebook

Copy Editor Dylan Madeley Logo Design Melanie Beitel

[The lead in page for Starlight,] most gorgeous alien EVER! - Kaitlyn M. via Facebook

Layout Design Jennifer Link

The cold blue metallic cheek glowed, revealing that she was... otherworldly... renments from the great comet of 30,000,000 light years gone by. [Inspired by the Starlight editorial.] - Cynthia L. via Facebook

Contributors Aaron Andrews Erika Diehl Tasha Farrington Steven Gullotta Hangedman Reem Jazar Mike Kieffer Adrian Kowalski Arden Leigh Jennifer Link Lisa Lunney Dylan Madeley Natasha Scharf Vanity Kills Liz Walker

Wow! GREAT job, team [of the Starlight editorial]!

- Guy W. via Facebook Love the styling on the Adorned editorial, the looks are so natural yet creative at the same time. - Casey L. via email

share your thoughts on the issue, news and events, whatever is on your mind!

Email editorial@auxiliarymagazine.com, comment on our website, tweet at @auxiliarymag, or comment on our Facebook page.

Photographers Adina Doria www.adinadoria.com Saryn Christina www.sarynchristina.com Bailey Northcott www.throughtheglassphotos.com Le Mew Photography www.lemewphoto.com Ian Compton www.iancompton.4ormat.com Todd Davis www.tdavisphoto.com

ABOUT AUXILIARY Auxiliary = alternative, supplementary, to provide what is missing, to give support.

Auxiliary Magazine is an alternative fashion, music, and lifestyle magazine covering goth, industrial, EBM, electronic, punk, indie, pinup, retro, rockabilly, gothabilly, deathrock, witch house, grave wave, cybergoth, cyberpunk, steampunk, and many more subcultures, genres, and styles that all combine to create one Auxiliary.

Photographs / Illustrations photographs on 5 / Jennifer Link www.jennifer-link.com Stargazer photos courtesy of Stargazer. photographs on 26 and 27 / Luka Kase www.lukakase.com

www.auxiliarymagazine.com email : info@auxiliarymagazine.com

photograph on 32 / Franz Schepers

advertising inquiries email : advertise@auxiliarymagazine.com

photograph on 35 / Vernon Trenet photograph on 39 / Paul Dugdale

issue 39 : april/may 2015 / ISSN 1948-9676

photographs on 48 and 49 / Titus Eisenmenger, courtesy of M’era Luna.

No part of this publication may be reproduced in any form or by any means, electronic or mechanical, without the permission in writing from the publisher, except small excerpts for review purposes. Submitted work, reviews, ads, and photographs are copyrighted by their respective owners and fall under previous declaration.

Copyright Auxiliary Magazine 2015.

photograph on 51 / Isabel Dresler 3

april/may 2015 AUXILIARY

contents

roniit . vnv nation : 23 . 32 laibach . ashton nyte . mind.in.a.box . nightmare fortress : 26 . 36 . 28 . 30 hannah ghore . bella mitchell . gothfox design : 41 . 62 . 62 vintage for weddings . honeymoon lingerie . brook alviano : 52 . 62 . 41 summer festival fever . travel for smiths fans : 48 . 46 Photographer : Adina Doria Retoucher : Robert Baek . Lighting : Everett Lee-Sung Makeup : Kelly Eden Model : Roniit

beauty

Ronan Harris on their new orchestral album Resonance, crafting it, and releasing it to fans 36 Ashton Nyte the South African goth music icon on his new album Some Kind of Satellite, The Awakening, and the importance of Bowie 39 music reviews The Prodigy, Purity Ring, iVardensphere, Modest Mouse, Venal Flesh, and more

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rave to the grave neon and UV beauty picks 6 midsummer’s night smoldering and bewitching looks 16 runway to vanity a purple passion look inspired by Vera Wang and more

media

lifestyle

17 media reviews Hole’s Live Through This (33 1/3), The Haunting of Sunshine Girl, and The World of Ice & Fire

41 the PinUp Hannah Ghore 46 travel Manchester Music Tours 48 festival fever your guide to summer’s festivals 51 ask arden advice on relationship strategies

music

23 Roniit the pop sorceress on DIY, her new track “Runaway”, and Goths Doing Things 26 Laibach the iconic band in the modern age on satire, art, and touring North America 28 mind.in.a.box Stefan Poiss on the new album Memories, the Dreamweb story arc, and playing live 30 Nightmare Fortress Colin Roper and Blair Field on their album The Wanting, their past, and their future 32 VNV Nation AUXILIARY april/may 2015

fashion

52 wedding season adding a touch of vintage to your wedding attire adds a touch of style 62 honeymoon lingerie that reveals you’re playful with a bit of bite 72 must fascinator 73 where to buy 4

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photographer Saryn Christina fashion stylist Nonna Klein makeup artist Necee Wilson hair stylist Necee Wilson models Sabina Adeline Falchi

Midsummer’s Night Smoldering looks to bewitch and enchant.

AUXILIARY april/may 2015

ISSUE MU S IC PREVIEW

interview by Reem Jazar photographer Adina Doria creative director Roniit & Everett Lee-Sung fashion stylist Roniit makeup artist Kelly Eden photo retoucher Robert Baek & Adina Doria lighting Everett Lee-Sung

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RONIIT

Roniit has a lot to say about doing it all yourself, from self-promotion, to songwriting to performance, to production. As Roniit kicks off a year long journey releasing her R&B-infused electronic goth pop tracks one at a time with the release of “Runaway� the first of many tracks to come, Auxiliary discusses with Roniit the importance of getting credit for what you do, and also the surreal experience of the YouTube series, Goths Doing Things.

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Laibach

Poised to launch a rare North American tour, Laibach has a rich history of looking at the world through their own unique lens. Using art and music as their backdrop, the band (or art project) has survived everything from outright exile to misplaced criticism of their modus operandi. Harnessing their innate power of raw musical talent, they have adapted for our modern age, continuing to reflect on the state of the planet and the human political roadmap with a clever blend of satire, music, and lyrical narratives.

Laibach seems to be a band that takes time to craft an album. Can you talk a little about the last album and what inspired it?

Laibach : Spectre deals with politics and with the formation of political consciousness. There is a strong appraisal of political consciousness going on in Europe and in the world lately, people are fed up with the existing establishment and want to be more concretely involved in political decisions. While creating the album we were directly influenced by these and other events that happened during the past few years of economic collapse and social/political unrest, as well as with the disastrous mental state of the music industry and pop culture in general. Beside that, we had an old wish to create an international political “party”, so all these elements together somehow led us to make Spectre. The album was actually done quite fast; we worked on it between April and August 2013 with the final mix in September.

Unfortunately the release date was postponed twice, for reasons that are difficult to explain, so the album was officially released much later, in March 2014.

nation of both is what we are looking for.

The world is a vastly different place than in the early to mid eighties. Politically your own home has seen many changes. Your music has always carried subtle and sometimes not so subtle political messages. What in the modern world today drives the artistic messages of Laibach?

L : We always let ourselves be inspired by anything that surrounds us, including history and the future. But in the present time we certainly cannot ignore the omnipresent dictate of the cynical mind, established by the prevailing ideology of neo-liberal consumerist capitalism. The entertainment industry should, of course, first of all entertain, but it should also take its own part of responsibility for the general social and political situation in the world. The majority of the popular culture and entertainment industry instead is today completely lost and useless in all respects, especially when it comes to the basic questions of social justice and politics. Banality is the only statement that these rock and pop artists are able to produce clear enough. That is why pop culture is losing its relevance, losing sense and sensibility.

On the album Spectre there are some beautiful melodies set against some amazing musical beats and scores. As with all Laibach releases there’s a drama to it but I find that there’s more experimentation with the overall sound of this album than previously. Do you agree? Is this intentional?

L : It is; we love classic drama, but we also enjoy experimental films. The combiAUXILIARY april/may 2015

Throughout the history of the band/art project, you have managed to retain a consistency in your overall brand, or message. Some bands are always trying 26

ISSUE MU S IC PREVIEW

interview by Steven Gullotta

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mind.in.a.box

After some time away working on THYX, Stefan Poiss returned with renewed focus to work on the next mind.in.a.box album, the recently released Memories. Auxiliary’s Steven Gullotta had a chat with Stefan Poiss about the Dreamweb story arc, thematic inspirations, and planned changes to the mind.in.a.box live show.

Welcome back to Auxiliary! I do recall reading that the last time you were interviewed for Auxiliary was in 2012, and at the time you started up a brand new label called Dreamweb Music. Has your label been successful thus far?

Stefan Poiss : Yeah I think it was in any case the right decision to launch it. I’m only releasing mind.in.a.box stuff through Dreamweb Music. First, when we started it, I thought we could maybe release other artists too, but I’m not so sure anymore because it’s simply too much work, and you are not really getting paid for that. So doing this for my own stuff is okay, but if I would do the same for other bands I would simply lose too much time.

worked on quite a lot of songs in my life, in fact Memories is my tenth album and I did quite a lot songs before mind.in.a.box. So when I listen to a song or a whole album I see it from a different, mostly technical perspective. A big part of myself is an engineer, a technician. While working on Memories, I realized that I miss more and more analog sounds. Digital plugins that I really liked before started to annoy me, so I used more analog devices in Memories than before, and I will continue to go into that direction. I also want to go back into more sampling. I miss that. In songs like “No Hope” and “Pedro”, I sampled quite a lot. That’s the way to go for me at the moment. More analog, more sampling.

With the label installed and already having a loving fanbase, I can only imagine that your 2012 album, Revelations, went off quite well. Would you agree?

SP : I agree. We could make things a bit better, but for the first release I think it was a pretty awesome job what we did without making big mistakes. So special thanks to my live band Roman Stift, Adam Wehsely-Swiczinsky, and Gerhard Höffler, and of course Jochen Arlt from our European distributor Al!ve for all the help.

Also to Metropolis Records who stayed with us for the US release. That was also very important because even if we would have made a lot mistakes in Europe, Metropolis Records would have still handled everything like usual for the US part.

So in short, the risk was cut in half.

Cyberpunk seems to be the name of the game when it comes to Memories.

What fictional works, or even real life events, really influenced you to get this album off its feet?

SP : That’s easy. Our meetings with The Friend. When he tells us stories about his experiments and how he figured out the Dreamweb! I just like to dive into this world. In general, it’s movies or parts from movies that I find inspiring, and books… but to be honest I haven’t read many books in the last year. When I think about mind.in.a.box, a whole world opens up for me, and that’s enough inspiration. It’s a special kind of mood, a mix between sadness, hope, and future. I’m very quickly lost in this. I think that’s a gift that I have which helps in making music, but when I remember back in my school days I couldn’t follow the teachers for two sentences long. I always got lost in something in my mind and then I was asking my nearest neighbor, “What did he say?”

However, enough with history, let’s fast forward to this year. Back in March, your latest album, Memories, was released. You have a decorated musical past, so tell me: what sounds have you explored with this album that are different from your previous outings?

SP : With every release you get more experience but you still learn small things. I AUXILIARY april/may 2015

The album has multi-layered themes and ideas. Are there any political influences behind the album or is it more or less personal, or just a concept album 28

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Nightmare Fortress Nightmare Fortress have opened for Austra, Crystal Castles, TR/ST, A Place to Bury Strangers, and Cold Cave, to name a few, but after the release of their debut LP, The Wanting, you’re likely to be hearing their name a lot more.

Auxiliary’s Steven Gullotta interviews band members Colin Roper and Blair Field about how it began, where it’s going, and the nuanced crafting of dark music with pop sensibilities.

Let’s get started by getting familiar with the band. Who are the members, and what do each of you do?

Colin Roper : Colin, that’s me. I do the synths, work with the drum machine, and I do a little bit of backing vocals. Blair Field also does synths, drum machine, rhythms, everything. Cassidy Gonzales, he does guitar and Alicia Amiri is the vocalist.

we also have the older goths, like KMFDM, Skinny Puppy fans. And then we got the new grave rave scene also going in there, and the minimal wave, younger generation. So, we’re riding the line on a lot of fences.

And where do your influences lie? Do you have any artists that you really look up to?

BF : I think when we started we all wanted to do something that was dark but kind of poppy. Some of the influences we brought were late 70s, early 80s horror film soundtracks that we were all kind of musically into. And then dance/electronic stuff. But, not really any artists. We like Depeche Mode a lot.

CR : There’s some Giorgio Moroder influence on occasion just for soundtrack work. But, we also try to keep it in pop format so when the live shows happen we could really try and get people drawn into the music. Instead of going off the deep end into something more experimental, we just try to latch onto some of the bigger pop band ideals when writing songs.

Nightmare Fortress is one of the more interesting names I’ve heard a band use. Is there a deeper meaning behind the name? Or is it just for sheer aesthetic?

Blair Field : It doesn’t really have a meaning or anything. When we were starting out we were looking for names and we came up with a working title name just so we had something to call it. We were going to practice for this band to write songs and we called it the Nightmares... like horses. [laughs] Just as a joke. And then one of our friends came up with the word fortress as a name and we kind of just combined them.

CR : I think it’s become the band’s name over time. Like people coming to a live show would come into the Nightmare Fortress.

You formed in 2011 and released your debut EP, Until the Air Runs Out via Sweating Tapes on vinyl in 2012. You received many accolades for your work, making it on many best of 2012 lists. Were you expecting such positive reception?

BF : I don’t know if we were expecting it, but we were on time in that wave, when that kind of music was on the rise and sort of peaking at that point. We have a lot of friends in the same or similar genre. I don’t think we really expected it but we worked on it pretty hard.

You’re part of the nu goth/grave wave scene, which is pretty much a crossover genre. What types of fans do you attract to your shows?

CR : It’s definitely a mix depending on where we play, what day of the week we play, what the venue already has sort of built in, or just fans of ours. We seem to have a pretty decent sized sort of gay dance club thing going on a little bit. Then AUXILIARY april/may 2015

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VNV Nation

interview by Steven Gullotta

Auxiliary catches up with Ronan Harris of VNV Nation, as he gets ready of the release of their latest album Resonance.

Years in the planning, Resonance features many of the best-known VNV Nation songs, performed purely with orchestra and voice. Sure to be one of the most prestigious moments so far in VNV Nation’s career, Resonance is the album that VNV Nation have always wanted to make.

Ronan Harris has been known for including orchestral works in VNV Nation’s music for quite some time. It should be no shock to the world that he would announce Resonance, an album that reworks many VNV songs into orchestral movements powered by the perfection of the Babelsberg Film Orchestra, since Ronan has listened to and been a fan of classical and Baroque pieces since he was a child.

Speaking with Harris, he went into huge detail, praise, and love for both the album and working with the orchestra.

who was pretty happy that I wanted to work with an orchestra. It started there. We did a show, but the recording of the show didn’t happen. The promoter brought in a company to record the show and due to some technical issues it didn’t happen. And it pushed me even more to do this. I had already planned to do this. I wanted to do this; it’s kind of got a logical point for me. It feels incredibly right to be doing this. Since I was a kid I’ve been wanting to do something like this.

When did the album actually start taking form? When did you start working on it?

RH : The arranger, a guy called Conrad, and I started working on this before this festival back in 2012. I was asked to do it at the beginning of 2011 when I just finished Automatic. I absolutely loved the idea. Through 2012, he wrote a lot of the arrangements and he was sending me the demos. I was sending back comments saying, “No, this segment of this song needs to have a different phrasing,” because of the lyrical content or the mood that I wanted to convey. We opted from the go that this should be orchestra and voice. At the time I thought, maybe this is the only time this will ever happen. Mark and I talked about going this route because so much of VNV Nation’s music has lent itself to orchestral format, and so much orchestral music has had a huge influence on VNV’s music. To have the chance to play solo with an orchestra and have it arranged and scored that way was too much to resist. We worked it so there were eight arrangements for this festival. Following on from that, nothing happened. There was no recording from the show. In any case, I probably would have insisted that we do this again. We continued to amend the arrangements, and made a commitment at the time. We were having so much fun and really enjoying this that we would commit to making this a fully-fledged

Today’s keyword is going to be Resonance, as that is the next album that shall be released by yourself. I understand that this release has been years in the planning; when did you first get the idea for the album?

Ronan Harris : I’ve been wanting to do it as long as I’ve been making music.

That’s not a joke. I’ve been talking about this a lot recently, so I’ve been digging up old thoughts about it. Since childhood I’ve loved orchestral music or formal music. I had some relations who were very patient with me, spent time playing a lot to me, and explained the pieces. It was all a part of the music I was listening to; I’ve always had a very wide listening range. Even as a teenager, when I was listening to the kind of music that the teens were listening to, I also had a place for music from the Baroque, classical, or different eras and that’s just stayed with me. Since starting VNV Nation there has always been a very big influence [from classical music]. It’s probably one of the biggest influences in the music; I’m no stranger to doing orchestral inspired pieces. I got the chance a couple of years ago to participate in a festival where we would have eight pieces scored for orchestra. Somebody asked me if I would like to do this, and I think my answer took about ten seconds. The luck I had was that I was working with an arranger AUXILIARY april/may 2015

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ASHTON NYTE

Auxiliary chats with South African goth music icon Ashton Nyte and frontman of The Awakening about his new album Some Kind of Satellite, the inspirations behind the music, and the importance of Bowie. try sounds, and then Afrikaans language lyrics, while Some Kind of Satellite could be described as a return to your dark musical sounds more recognizable to long term fans. Do you feel there is any aspect of the song writing or lyric writing process that stayed with you, from the experimental albums?

Ashton Nyte : I think that my music has always been lyric driven, ultimately. I think that through the years, I have experimented and will continue to experiment with different forms and formats, but ultimately it’s about what I’m trying to say.

So, I guess it’s a continual process of evolution, really. I wouldn’t say that the last albums necessarily influenced this album. I just think it’s a continual cycle of growth, really, and Some Kind of Satellite for me feels like, I don’t want to use

Ashton Nyte earned a following as a frontman of South African gothic rock band The Awakening, and his body of work extends to a solo album collection which has earned respect in its own right. While every album involves an experiment in sound, his recent release Some Kind of Satellite circles back a bit toward many of the 80s musicians we know and love; Joy Division, The Cure, Psychedelic Furs, to name a few. The album is stirring up lots of attention as Nyte looks forward to upcoming shows in his homeland where he’ll share the stage with Wayne Hussey of The Mission, of whom Nyte reveals he is definitely a fan.

Your two previous albums experimented with dark folk and alternative counAUXILIARY april/may 2015

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LIFESTY LE

APR/MAY 2015

Auxiliary’s playful take on the sexy centerfold pin up.

Flip the page, cut out, and tac on your wall!

the PinUp

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photographer Le Mew Photography makeup artist Griselda Esquivel hair stylist Hannah Ghore nail stylist Paloma Montemayor model Hannah Ghore

Hannah Ghore Hannah Ghore is a model, hairstylist, makeup artist, designer, and fashion stylist, all in one. She has appeared in a long list of different publications, and having accomplished so much in a just a few years of modeling, that list is likely to just keep on growing.

THIS PAGE Pink antlers by Gothfox Designs and crinoline cage by Atelier Sylphe.

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LIF E S T Y LE

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by Natasha Scharf APR/MAY 2015 purchase the print or digital edition at auxiliarymagazine.com

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Festival Fever

Get out your sunblock and parasols; it’s festival season! Auxiliary checks out some of the best dark alternative events in 2015.

Spring is here and that means one thing: this year’s batch of music festivals are on their way. Whether you want a big trip overseas or prefer to keep things a little more local, there really is something for all musical tastes. This list is by no means exhaustive but it provides a flavor of some of the amazing entertainment on offer for goths, deathrockers, and fans of electro-industrial music around the globe. All events and lineups were correct when we went to print but make sure you do a double-check before you travel!

locals are used to goths invading twice a year, and many dress up especially for the occasion. There’s a second WGW on October 30th and 31st with another amazing lineup being scheduled right now, and we hear rumors that there will be official club nights running at either side on November 29th and 1st.

The nearest airport is Durham Tees Valley and there’s a direct train from nearby Middlesborough, but if you’re travelling from anywhere else, prepare to use local bus services, taxis, or, better still, hire a car.

The Highlights . . .

Convergence

Convergence XXI: Dead Stars / Hollywood, California, US May 1-3 / www.altgothic.com/c21hol

Whitby Goth Weekend Whitby Goth Weekend / Whitby, North Yorkshire, UK April 23-26 / www.whitbygothweekend.co.uk

Convergence’s traveling goth extravaganza lands in Hollywood this year, also its 21st year. The annual event started as a meet-up for members of the alt.gothic newsgroup, and has expanded and adapted with the growing age of social media without losing sight of its modest roots.

It’s the UK’s best-known goth festival, and this year, WGW celebrates its 21st birthday with a massive four days of dark alternative music held in a local arts complex. In the evening, there are live performances from 16 bands including The Birthday Massacre, Abney Park, Andi Sex Gang, and punk icons The Damned.

During the day, you can shop ‘til you drop in the ever-expanding Bizarre Bazaar which runs across several indoor venues. There are even club nights, such as the official Restoration, and a number of unofficial “fringe” events.

On the music side, there are eight bands, including legendary deathrockers 45 Grave and William Faith’s latest project The Bellwether Syndicate, and a plethora of DJs playing just about every dark alternative style imaginable, from electro/ industrial to darkwave and postpunk. Other attractions include a fashion show, a masquerade ball, and a gothic picnic at Hollywood Forever Cemetery, where Christian Death’s Rozz Williams is buried alongside two members of The Ramones. What’s more, you won’t be too far away from the famous Melrose Avenue, the macabre Museum Of Death, and the stunning art nouveau Rosenheim Man-

Whitby itself is a cute little fishing town that’s as famous for its seafood as it is for Dracula (it was here the fictional count first landed his ship on British soil) so the AUXILIARY april/may 2015

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Wedding Season

From traditional to unique, adding a touch of vintage adds style to your wedding attire. photographer Saryn Christina makeup artist Marie Tran of Luna Bella Beauty hair stylist Marie Tran of Luna Bella Beauty models Ashy Ignis, Amy Loubris & Plastic Martyr

AUXILIARY april/may 2015

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photographer Bailey Northcott of Through The Glass fashion stylist Pretty Deadly Stylz aka Tasha Farrington makeup artist Larissa Palaszczuk of Blonde Moxie Makeup hair stylist Larissa Palaszczuk of Blonde Moxie Makeup nail stylist Pretty Deadly Stylz aka Tasha Farrington model Bella Mitchell

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honeymoon Time in bed with you reveals you’re soft, feminine, and playful with a little bite.

AUXILIARY april/may 2015

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