Little Village Magazine - Issue 90 - March 2010

Page 1

www.LittleVillageMa

g.com

March 10

INSIDE

turns 5 Mission Creek Festival

4 From North

to South

5 Irish

Luck

12 Shining

Knight

K MISSION CREE E ID GU L A IV FEST

INSIDE!

2

March 2010 | Little Village

READ IT 4 5

UR Here

Letting the river decide

St. Paddy’s Going green (the Irish edition)

6

8

Prairie Pop

UI and Mission Creek’s aural matrimony

Mixtape Mastery

Where it’s at: one man’s hip hop history PLUS download a local fulllength mixtape for free.

CONTENTS | ISSUE 90

10 On the Tube Tack to the future

11 On the Air

Democracy lives, online as well as on air.

12 At the Bar

A Knight bearing tapes. Sweet, precious tapes.

14 Talking Movies

ON THE COVER Clockwise from top left: Sarah Cram, the Diplomettes; Dustin Busch; Andre Perry, Mission Creek co-producer; Connor Wyrick, Beast Wars; Sam Locke Ward; Chris Wiersema, Lwa; Josh Carrollhach, Liberty Leg.

15 Literature

Mission Creek continues its literary leanings.

16 Album Reviews

You send ‘em, we review ‘em.

22 News Quirks

The giggles will get ya.

23 Astrology

Remember, keep looking up!

An Amoldòvar for us all

No, they didn’t actually form an all-star band. But, these local musicians, and others, have been gathered by Mission Creek founder Andre Perry—along with his fellow organizers, Craig Eley, Tanner Illingworth and Todd Olmstead—to perform at the 2010 Mission Creek Festival.

For a comprehensive list of events and venues (as of March 1), consult the Mission Creek Festival program—inserted within these pages. For other news and updates, including potential additions or schedule changes, visit MissionFreak.com.

Volume 9 | Issue 90| March 2010

PUBLISHER | Andrew Sherburne Publisher@LittleVillageMag.com MANAGING EDITOR | Melody Dworak Editor@LittleVillageMag.com FEATURES EDITOR | Paul Sorenson Features@LittleVillageMag.com ARTS EDITOR | Kent Williams Arts@LittleVillageMag.com WEB EDITOR | Matt Steele Matt@LittleVillageMag.com LAYOUT & DESIGN | Andrew Sherburne EDITORIAL INTERN | Kelly Ostrem ADVERTISING | Kelsey Fritz Ads@LittleVillageMag.com CONTRIBUTORS | Cecil Adams, Matt Butler, Stephanie Catlett, Yale Cohn, Thomas Dean, Clarence Johnson, Kembrew McLeod, Scott Samuelson, John Schlotfelt, Paul Sorenson, Dr. Star, Roland Sweet, Joe Tiefenthaler, Kent Williams PHOTOS | Andrew Sherburne, Tim Tack CONTACT | P.O. Box 736 Iowa City | Iowa | 52244 www.LittleVillageMag.com Advertising and Calendar deadline is the 19th of every month. For a list of ad rates, email ads@littlevillagemag.com.

March 2010 | Little Village

3

U R Here

THOMAS DEAN

Boundary Waters

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astern Iowans are nervously watching the snow pile up in their yards DQG ÂżHOGV WKLV ZLQWHU :KLOH ZH have not threatened any records, the memory of 2008 lingers like the shadow SDLQ RI D EURNHQ ERQH UHFHQWO\ KHDOHG ,QGHHG the news outlets are running stories that tell XV IRUHFDVWHUV DUH ZRUULHG DERXW Ă€RRGLQJ² DJDLQ²WKLV FRPLQJ VSULQJ No one would have ever asked for the devDVWDWLRQ RI %XW LI WKHUH ZHUH DQ\ PLcrobe of a silver lining in that monstrous storm FORXG WKDW ZDV WKH Ă€RRG LW ZDV WKDW SHRSOH LQ our community started paying more attention WR KRZ ZH VKRXOG OLYH ZLWK WKH ULYHU²DQG QRW just by building ramparts against it, but by EXLOGLQJ KXPDQ OLIH LQ FRQFHUW ZLWK LW One thing that still has not resulted from greater river awareness is a reorientation of RXU PLQGV WR QDWXUDO²DQG DV D UHVXOW FXOWXUDO²ERXQGDULHV DQG UHODWLRQVKLSV 'XULQJ -XQH RI , KHDUG LQQXPHUDEOH SHRSOH²LQ WKH media (both national and local) and in private FRQYHUVDWLRQ²ORRN WR WKH XQIROGLQJ LQXQGDtion in Cedar Rapids and claim that that’s what ZDV KHDGLQJ WRZDUG ,RZD &LW\ ,Q WKH YDJXHVW PRVW JHQHUDO VHQVH WKLV ZDV WUXH )ORRGZDWHUV from the north were heading to the south toZDUG ,RZD &LW\ %XW WKH\ ZHUH QRW WKH Ă€RRGZDWHUV IURP &HGDU 5DSLGV ,W VHHPV ULGLFXORXV to have to say it, but many people seem not to understand that the Cedar River runs through Cedar Rapids, and the Iowa River runs through ,RZD &LW\ ,Q IDFW PDQ\ VWLOO KDYHQÂśW ÂżJXUHG WKLV RXW A recent local newspaper article about local Ă€RRGLQJ FRQFHUQV VDLG Âł$ORQJ ZLWK WKH VQRZ including as much as 12 to 16 inches already RQ WKH JURXQG LQ WKH :DWHUORR DUHD RI WKH ,RZD River, river levels are higher than normal for WKLV \HDU LQ PDQ\ SDUWV RI WKH VWDWH ´ :DWHUORR LV WKH QRUWKHUQPRVW VDWHOOLWH RQ , ²DQG RI course is nowhere near the Iowa River, which LV PLOHV WR LWV ZHVW LQ ,RZD )DOOV <HV LWÂśV the Cedar 5LYHU WKDW Ă€RZV WKURXJK :DWHUORR :KDW WKLV FRQIXVLRQ EHOLHV , EHOLHYH LV DQ imbalance between cultural and natural relaWLRQVKLSV ,WÂśV QRW VXUSULVLQJ WKDW ,RZD &LW\ and Cedar Rapids have societal relationships, as they are large cities (for Iowa) not far from

4

March 2010 | Little Village

HDFK RWKHU &HGDU 5DSLGV LV QRUWK ,RZD &LW\ LV VRXWK 6R , VXSSRVH WKDWÂśV ZK\ SHRSOH VRPHtimes think that everything that travels south IURP WKH QRUWK²OLNH ULYHU ZDWHU²Ă€RZV EHWZHHQ WKH &LW\ RI )LYH 6HDVRQV DQG WKH $WKHQV

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imposing capricious designs on the landscape, RIWHQ DW FURVV SXUSRVHV ZLWK QDWXUH One of our most potent geographic tropes ÂľURXQG WKHVH SDUWV LV ÂłWKH &RUULGRU ´ ,ÂśP QRW denying that it’s great that culture and comPHUFH Ă€RZ EHWZHHQ &HGDU 5DSLGV DQG ,RZD &LW\ DV ZHOO WKH\ VKRXOG %XW LWÂśV KHDOWK\ WR look at the negative aspects of our concepWLRQV WRR 7KH FRUH RI WKH Âł&RUULGRU´ LV DQ LQWHUVWDWH KLJKZD\ $VLGH IURP WKH HQWLUHO\ depressing idea of identifying one’s home by a ribbon of concrete, we cannot ignore the problems that interstates bring along with their advantages, pollution and sprawl at the top of WKH OLVW $QRWKHU OLWWOH GLVFXVVHG SUREOHP LV WKDW WKH ÂłFRUULGRU´ SKHQRPHQRQ²ZKLFK KDSSHQV HOVHZKHUH²LV DFWXDOO\ D IDFWRU LQ UXUDO HFRQRPLF GHFOLQH $V JHRJUDSKHUV OLNH 'DYLG +DUYH\ DQG 'RUHHQ 0DVVH\ VD\ FRPPXQLWLHV WRGD\ FRPSHWH IRU ÂżQLWH JOREDO FDSLWDO which tends to come to rest in areas like the Âł&RUULGRU ´ 7KH GDUN VLGH LV WKDW RWKHU SODFHV like small towns and rural areas, are left with OLWWOH WR QRWKLQJ H[FHSW GHFOLQH Even though admirable initiatives like the Iowa Cultural Corridor Alliance hitch their ZDJRQV WR WKH FRQFHSW WKH Âł&RUULGRU´ LGHD LQ its origin is squarely about placing our faith, our social structure, our destiny, our conception of self and society in commerce and techQRORJ\ 7KH Âł&RUULGRU´ FHUWDLQO\ KDV DEVRlutely nothing to do with our relationship with the natural world and environmental stewardVKLS²ZKLFK DFFRUGLQJ WR PRVW GHÂżQLWLRQV RI ÂłSODFH´ WKHVH GD\V LV LQ IDFW WKH IRXQGDWLRQ RI RXU OLIH LQ SODFH 2QH RI WKH PRVW FRPPRQ ÂłERXQGDU\´ SULQFLSOHV LQ ELRUHJLRQDOLVP LV WKH ZDWHUVKHG 7KH (3$ RQ WKHLU ZHEVLWH GHÂżQHV D ZDWHUVKHG DV ÂłWKH DUHD RI ODQG ZKHUH DOO RI WKH ZDWHU WKDW LV under it or drains off of it goes into the same SODFH ´ (YHQ WKH (3$ XQGHUVWDQGV WKH cultural importance of the watershed, though, as they also quote the 19th-century geologist and H[SORUHU -RKQ :HVOH\ 3RZHOO ZKR VDLG WKDW D ZDWHUVKHG LV ÂłWKDW DUHD RI ODQG D ERXQGHG K\drologic system, within which all living things are inextricably linked by their common water course and where, as humans settled, simple logic demanded that they become part of a FRPPXQLW\ ´ RIVERS CONTINUED ON PAGE 7 >>

YALE COHN

www.LittleVillageMag.com

Drinkin’

WHEN IRISH EYES ARE SMILING

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don’t have a lot of good memories of celHEUDWLQJ 6W 3DWULFNœV 'D\ I don’t have a lot of bad ones either, I just don’t have too many memories of it at all as the handful of times I’ve actually made an effort to go out and celebrate it it’s almost always involved entirely too much GULQNLQJ Even if I weren’t wearing green like a lot of other celebrants were I usually had a green FRORU DERXW PH E\ WKH HQG RI WKH GD\ How a holiday celebrating the remembrance a pious former slave who became a missionary and returned to the land he was once held captive has metamorphosized into an all-day bac-

URZ VRPH Ă€RXU IRU P\ PRWKHU LI VKH ZHUH EDNLQJ DQG KDG UXQ RXW All of these folks had razor-sharp wits, were great storytellers and were always quick with D MRNH DQG D KHDUW\ KHOOR RQ WKH VWUHHW 7KH\ were always happy to offer you help if you needed and unafraid to ask for help when they GLG I couldn’t have possibly had better neighbors growing up and I don’t remember any of them being KHDY\ GULQNHUV If drinking to excess were truly an inherHQWO\ Âł,ULVK´ WUDLW

If drinking to excess were truly an inherently “Irishâ€? trait than one might think that Iowa City—not Ireland—was the true ancestral homeland of the Irish. FKDQDO LV D P\VWHU\ WR PH , JUHZ XS DPRQJ WKH ,ULVK²DQG WKDWÂśV QRW MXVW D ÂżJXUH RI VSHHFK²DQG JHWWLQJ GUXQN ZDV QHYHU D ELJ SDUW RI WKHLU OLYHV 7RELQ &XOOHQ 0XUSK\ )LW]JHUDOG %R\G 0F.HQQD .HOO\ &RQQROO\ 'RQQHOO\ 2Âś0DOOH\ 2Âś6KDXJKQHVV\ 2Âś7RROH²WKRVH were just some of the Irish families on my EORFN ZKHQ , ZDV JURZLQJ XS It was into these families’ homes I went to IRU ZHGGLQJV IXQHUDOV JUDGXDWLRQV FRQÂżUPDtions, anniversaries or sometimes just to bor-

than one might think that Iowa &LW\²QRW ,UHODQG² was the true ancestral KRPHODQG RI WKH ,ULVK SHRSOH 'RQœW JHW PH ZURQJ²,œP QRW E\ any stretch of the imagination an opponent of GUXQNHQ GHEDXFKHU\²EXW OHWœV MXVW FDOO KRZ we celebrate the holiday what it is: tailgating LQ DQWLFLSDWLRQ RI VSULQJœV ELJ GHEXW 6W 3DWULFNœV 'D\²ZKHQ WKHUHœV D SDUDGH DQ\ZD\²LV QRUPDOO\ WKH ¿UVW WLPH SHRSOH

will gather outside in large numbers in dubious weather without there needing to be a sport occurring somewhere in the vicinity to MXVWLI\ LW $QG QRERG\ ZLOO JLYH \RX D IXQQ\ look for drinking in public at 10 in the mornLQJ DW D 6W 3DWULFNÂśV 'D\ SDUDGH 7U\ GRLQJ this at a Christmas day parade sometime and you’ll end up in the drunk tank being a stockLQJ VWXIIHU IRU VRPHERG\ ELJJHU WKDQ \RX DUH +RZ WKHQ LV KRZ ZH FHOHEUDWH 6W 3DWULFNÂśV 'D\ UHDOO\ DQ\ GLIIHUHQW IURP WDLOJDWLQJ" ,WÂśV QRW -XVW DV OHJHQG KROGV WKDW 6W 3DWULFN LV believed to have driven the snakes RXW RI ,UHODQG 6W 3DWULFNÂśV 'D\ LV when we all gathHU²,ULVK RU QRW² and lift green beers to drive winter out RI RXU OLYHV 7KDW ZHÂśUH GRLQJ it under the guise of a holiday that celebrates WKH OLIH RI D VDLQW²DQG ,ULVK FXOWXUH LQ JHQHUDO² LV MXVW ÂżQH E\ PH 7KH ,ULVK are a wonderful people who more than deserve a day of recognition for all they’ve brought to this country, but getting wasted-drunk in the process doesn’t make RQH DQ\ PRUH Âł,ULVK´ WKDQ HDWLQJ D IHZ FDQV RI ST. PADDY CONTINUED ON PAGE 21 >>

March 2010 | Little Village

5

Prairie Pop

KEMBREW MCLEOD

www.LittleVillageMag.com

Musical Brew

:

ith some musicians and bands, I form a kind of matrimonial bond (though because I like so many artists, that makes me a bit of a poO\JDPLVW /RQJ WHUP IDQGRP is like entering into a marital FRQWUDFW²ZKHUH \RXÂśUH ZLWK them until the bitter end, even if they get a little ugly or anQR\LQJ (YHQ ZKHQ WKDW DUWLVW releases yet another mediocre album, a true fan can at least ÂżQG D FRXSOH VRQJV WR ORYH RU DW OHDVW OLNH 5 ( 0 IRU PH LV WKH DUFKHW\SDO H[DPSOH RI WKLV 7KH ÂżUVW OLYH FRQFHUW , HYHU ZHQW to was the group’s Life’s Rich Pageant tour in the mid-1980s, and I never stopped buying their albums, even when , NQHZ EHWWHU /DVW \HDU LW didn’t go so well when I awkwardly explained my musical PDUULDJH WKHRU\ WR 5 ( 0 Meat Puppets bassist Mike Mills during an HYHQW ZH ZHUH ERWK D SDUW RI He looked at me with a pained smile while I more or less said being awed by guitarRarely do WR KLP Âł<HDK HYHQ ZKHQ \RX bands emerge ist Curt Kirkwood and kind of started sucking, I was bassist Cris Kirkwood’s from the WKHUH IRU \RX ´ improvisatory playfulother end of Rarely do bands emerge ness and technical skillz a string of from the other end of a string (and this is coming from lackluster of lackluster albums with VRPHRQH ZKR ÂżQGV YLUVRPHWKLQJ ZRUWK KHDULQJ 7KH albums with tuosity-for-virtuosity’s something Meat Puppets, another alum VDNH WLUHVRPH worth of the ‘80s pop underground, Even though the hearing. managed that coup last year Meat Puppets began in on their twelfth album, Sewn the early 1980s playTogether %HWWHU \HW WKH\ VXUIDFHG IURP D ing fast, short punk songs, the group rapidly ORQJ DEVHQFH IURP WKH PXVLF VFHQH²DQG LQ evolved into something quite different, and the case of one member, an extended drug XQLTXH 7KHLU LQVWUXPHQWDO SURZHVV VHW WKHP DGGLFWLRQ²DV D EDQG UHVXUUHFWHG :KHQ , VDZ apart from others in the American post-punk the Meat Puppets in the 1980s, I remember scene, and their off-kilter, dissonant harmoQLHV WUXO\ PDGH WKHP RQH RI D NLQG ,PDJLQH == 7RSÂśV VRXWKZHVWHUQ VWRPS ÂľQÂś URPS FRPbined with the interlocking spider-webbed 6 March 2010 | Little Village OHDG JXLWDU OHDGV RI -HUU\ *DUFLD WKH URXJK

Mission CreekUniversity of Iowa Partnerships PUBLIC ENEMY PANEL Thursday April 1, Englert Theater, 7pm Public Enemy panel celebrating the 20th anniversary of the hip hop group’s groundbreaking album, Fear of a Black Planet—featuring Public Enemy frontman Chuck D, Hip-Hop Activist & Media Assassin Harry Allen, and PE co-founders Hank Shocklee and Keith Shocklee (members of the group’s original production unit, the Bomb Squad). Moderated by Kembrew McLeod. Free and open to the public.

BOMB SQUAD Thursday April 1 Yacht Club, 9pm Bomb Squad, The Hood Internet, Database, School of Flyentology perform. Part of the Mission Creek Festival.

DUB REGGAE TALK Friday, April 2, International Commons, University Capitol Center, room 1117, 4pm Yale Ethnomusicologist Michael Veal will give a talk on dub reggae, titled “The Acoustics of Diaspora,� as part of the International Programs lecture series “Taping the World.�

Two Turntables and a Microphone March 27-June 27, Iowa Memorial Union, Black Box Theater

UI Museum of Art exhibit on hip hop: “Two Turntables and a Microphone—Hiphop Contexts featuring Harry Allen’s Part of the Permanent Record: Photos from the Previous Century.� Deborah Whaley and Kembrew McLeod, co-curators. Free and open to the public.

RIVERS

MISSION CREEK KHZQ FRXQWU\ YRFDOV RI WKH /RXYLQ %URWKHUV WKH VWRS RQ D GLPH G\QDPLFV RI WKHLU 667 ODbelmates the Minutemen, and the punk irrevHUHQFH HDUO\ %ODFN )ODJ DOVR VLJQHG WR 667 5HFRUGV +RZHYHU LQ WKH V DIWHU D Ă€XNH 079 KLW Âł%DFNZDWHU ´ WKH 0HDW 3XSSHWVÂś DUHQD DPbitions muted the elements that made them so XQLTXH /DVW \HDU DW WKH 0LOO WKH\ UHGHHPHG themselves by playing one of the most shithot-tastic shows I’ve seen in many moons , VKRXOG DOVR JLYH SURSV WR 6DPXHO /RFNH :DUGÂśV RSHQLQJ SHUIRUPDQFH ZKLFK SHUIHFWO\

VHW WKH WRQH 2Q )ULGD\ $SULO WKH\ UHWXUQ WR WKH 0LOO ZLWK :DUG DV WKH RSHQHU DV SDUW RI WKH 0LVVLRQ &UHHN )HVWLYDO 8QOLNH PRVW EDQGV WKDW ,ÂśYH VWD\HG PDUULHG WR²WKURXJK \HDUV RI GLPLQLVKLQJ UHWXUQV²WKLV LV RQH PXVLFDO UHODWLRQVKLS WKDW ÂżQDOO\ SDLG RII LQ WKH HQG Kembrew McLeod lives and teaches in Iowa City. He is spending the winter days learning all the various different “assâ€? dances described throughout the decades in popular song. After that, he can truly say that he is putting the ass back into his job title, associate professor.

Kembrew’s TOP Mission Creek picks Acid Mothers Temple: With single songs that often break the one-hour mark, this ridiculously prolific Japanese experimental psych-rock band bridges the gap between drone-y minimalism—they’ve covered Terry Riley’s composition In C, for instance—and sludgy rock madness. Not to be missed, on or off drugs. Bomb Squad: In their first incarnation the Bomb Squad was Public Enemy’s legendary production unit, responsible for such masterpieces as It Takes a Nation of Millions to Hold Us Back and Fear of a Black Planet. In the late 2000s, brothers Hank Shocklee and Keith Shocklee returned as a live musical unit cranking out dubby, skittering electronica that is all high and low frequencies. Camera Obscura: Kickin’ it wispy style, this Scottish group takes twee-ness to the next level with beautifully catchy songs that continue to ring long after the pause button is pushed. Cave Singers: Bare-boned and tuneful acoustic songs that descend from a folk music tradition that critic Greil Marcus dubbed “old weird America.â€? Grant Hart: The drummer and co-songwriter in HĂźsker DĂź, yet another great trio signed to SST in the 1980s, Grant Hart recently returned with Hot Wax, his first solo album in a decade. Overshadowed by his former bandmate Bob Mould, Hart’s talents are criminally underrated. Pocahaunted: Expansive and—yes—haunting psychedelia for the lo-fi crowd, last year’s Island Diamonds was a below-the-radar classic.

>> RIVERS FROM PAGE 4 6R ZKHUH DUH ZH LQ ,RZD &LW\ LQ WHUPV RI ÂłZDWHUVKHG"´ 2I FRXUVH RQ D JUDQG VFDOH we are part of the Mississippi watershed, as is the Cedar River valley (and the Cedar and ,RZD ULYHUV PHHW DW &ROXPEXV -XQFWLRQ EHIRUH Ă€RZLQJ LQWR WKH 0LVVLVVLSSL %XW LI ÂłFRPPXQLW\´ EHJLQV RQ D VPDOOHU VFDOH ZKLFK , WKLQN it does, we have to look up and downstream RI WKH ,RZD 5LYHU 2Q WKH VPDOOHVW OHYHO ,RZD City/Coralville is located basically where the Âł0LGGOH ,RZD´ DQG Âł/RZHU ,RZD´ ZDWHUVKHGV DV GHÂżQHG E\ WKH (3$ PHHW 6R LI ZH ZHUH to reorient our lives more along bioregional lines, we would need to turn our attention and relationship-building more toward Columbus -XQFWLRQ /RQH 7UHH 5LYHUVLGH WKH $PDQDV %HOOH 3ODLQH 0DUHQJR 7DPD 0DUVKDOOWRZQ ,ÂśP QRW VD\LQJ WKDW ZH VKRXOG²RU HYHQ FDQ²WXUQ RXU EDFNV RQ RXU UHODWLRQVKLS ZLWK Cedar Rapids or that we have no relationship QRZ ZLWK WKHVH ,RZD 5LYHU FRPPXQLWLHV %XW what would happen if we took the bioregionDOLVWVÂś DGYLFH DQG VWDUWHG GHÂżQLQJ RXUVHOYHV at least as much in terms of our connections ZLWK WKRVH ZKR VKDUH RXU QDWXUDO OLIHĂ€RZ" :KDW ZRXOG KDSSHQ LI ZH SXW WKH 6WUHDP the Current, the Valley on the same footing RU KLJKHU DV WKH &RUULGRU" :KDW QHZ VWRries would we tell about ourselves and each RWKHU" :KDW QHZ FXOWXUDO UHODWLRQVKLSV ZRXOG ZH EXLOG ZLWK RXU ÂłQDWXUDO´ QHLJKERUV" :KDW new economic vibrancies might be sparked IURP WKLV FRQFRXUVH" :KDW UHLPDJLQLQJV RI who and what we are might renew our lives in this place? ,ÂśG FHUWDLQO\ OLNH WR ÂżQG RXW Thomas Dean is actually afraid of rivers in a lot of ways, and he’s writing an essay about it.

Check the Mission Creek Festival program for times and a full listing of shows.

March 2010 | Little Village

7

Hip Hop

CLARENCE JOHNSON

:

here they were from was just as important as what they were saying, almost from the beginQLQJ 7R EH GRZQ ZDV WR EH in the house. /RFDWLRQ LQ ,RZD &LW\ ZDV DQG LV WKH VDPH²ZKLOH UDSSHUV FDQ DQG ZLOO UDS DQ\where, and come and go, it is the places that get Master-locked into memory, chain-linking ,RZD &LW\ DQG KLS KRS LQH[WULFDEO\ 7LPH DQG SODFH ELQG XS WRJHWKHU 3HRSOH DUH DWWDFKHG WR where they were when others heard them play, heard them rap, not to where they disappeared WR +HUH¶V D OLWWOH VWRU\ WKDW PXVW EH WROG ,W LV DQG WKH 7DOOER\ DQG , DUH QXWV DERXW KLS KRS :H OHDUQ TXLFNO\ WKDW UDSSHUV ZLOO UDS DQ\ZKHUH 7KHVH NLGV 6FRWW 'DOWRQ 5RQHOO DQG 'DYH ZRXOG JHW ORRVH LQ WKH EDFN RI WKH 7DOOER\¶V 7R\RWD PLQLYDQ D KLODULRXVO\ ugly shitbox on wheels that we called the 7RDVWHUYDQ :H ZHUH RU and we’d run from party to party, with two or three kids in bubblegooses in the far back, trading rhymes and long exhilations of hot smoke, one beatboxing when the RWKHU ZDV VSLWWLQJ ,W ZDV WKH ¿UVW time I’d ever heard cats rhyme up FORVH DQG SHUVRQDO ¿UVW WLPH , KHDUG ³<HDK P\ Q JD 'DYH RQ WKH EHDW %- DQG &ODQFH LQ WKH IURQW VHDW ´ , JRW chills, knowing instinctively what off the top of the dome PHDQW 0H DQG WKH 7DOOER\ ZRXOG WUDGH D stunned look when we got out of the van, half-ripped and half-amazed: people could really make up verses as they went along?!?! :H OLVWHQHG WR D ORW RI UDS LQ WKH 7RDVWHU )XQNPDVWHU )OH[ PL[WDSHV 1DV DOEXPV VRPH * IXQN XQUHOHDVHG 'RJJ 3RXQG DOEXPV ZH FRSSHG RII 'D]¶V JLUOIULHQG¶V EURWKHU %XW QRQH RI LW PDWFKHG WKH intensity of freestyle sessions on wheels, felODV WUDGLQJ MDEV OLYH DQG GLUHFW <RX FRXOGQ¶W KHOS EXW EH DGGLFWHG DIWHU WKDW ,Q WKDW VDPH YDQ ZH ¿UVW KHDUG 7DFN )X¶V GHEXW WDSH The Supplement. Ronell rapped on it under the QDPH 3DQLF 7KH YDQ GURYH XV WR VKRZV GURYH XV WR DSDUWPHQWV 7KH 7DOOER\ GURYH PH WR WKH ROG .58, VWXGLR IRU P\ ¿UVW FKDQFH WR SOD\ EHDWV RQ WKH UDGLR 7KH ROG VWXGLR ZDV DFURVV IURP ZKHUH WKH ODZ VFKRRO LV QRZ , ZHQW WR DSSHDU RQ D UDS VKRZ KRVWHG E\ WKLV JRRI\ NLG ZH NQHZ +LV knowledge about hip hop seemed encyclopeGLF +LV RQ DLU QDPH ZDV 7KH %LJ 2 , SOD\HG some beats, and for the part where I was supposed to talk, I made it about two sentences in 8

March 2010 | Little Village

SURGXFWLRQ VXSHU JURXS², KDG D WUDFN RQ WKDW DOEXP P\ ¿UVW UHDO UHOHDVH 1RZ UDSSHUV GURS DOEXPV SUHWW\ UHJXODUO\ KHUH 1RZ 7DFN PDNHV D 3$79 VKRZ ODFHV VRPHERG\ ZLWK D EHDW VRPHWLPHV 1RZ PHPEHUV RI %DG )DWKHUV DUH VRPHZKHUH LQ /$ DQG VRPHZKHUH LQ ,RZD DIter changing their names, getting a live band, GURSSLQJ D IHZ UHOHDVHV Plenty of rappers from the %DG )DWKHUV G% 0RQN renaissance are still in WRZQ WKRXJK WKH %LJ O went on to spit in the JURXS 3V\FKRVRPDWLF Animosity bounced from solo act to collaborations with lots of different groups, eventually landing a plum spot holding down mic duties for funk-hipSLHV WKH 8QLSKRQLFV µ0RV XVHG to rap with this group I made beats for, which had about seven names in sequence, the longest-lasting being +HOOHQLVWLF ,W ZDV 'DYLG WKH 6DLQW (now solo as well as performing with $ 9 &ROOHFWLYH MRKQGRSH IRUPHUO\ LQ 'RSHVLFF ZLWK -RKQQ\ 6L[ DQG WKLV NLG 7LP 7KHLU OLQHXS URWDWHG now and then, drama being what it always is with UDSSHUV 2QH GD\ WKH\ showed up to my home, drunk, in the middle of the afternoon, unAL ON A PERS announced, while I NARRATIVE OF was in the middle of dios around town, we HIP HOP & PLACE VRPHWKLQJ LPSRUWDQW I answered the door in found hipIN IOWA CITY. an unbuttoned dress hop in the VKLUW DQG ER[HUV 7KH\ VWDUHG DW tiny apartm e n t s that seem PH WKH VPHOO RI )LYH 6WDU ZDIWLQJ DFURVV WKH to come at m e r c e n a r y doorjamb, and Animosity blurted out the quesprices in this WRZQ 7KH ¿UVW WLRQ RQ HYHU\RQH¶V PLQG ³2K DUH \RX FUXVKWLPH , PHW -XDQ and Auto of the LQJ LW"´ /RFDWLRQ EHFDPH D OHVVRQ QHYHU OHW %DG )DWKHUV WKH\ ZHUH VWLOO WKH &RPPLWWHH D UDSSHU NQRZ ZKHUH \RX OLYH²HVSHFLDOO\ LI still had a crew strewn between Iowa City \RX ZHUH WU\LQJ WR KDYH VH[ LQ SHDFH It was okay to let producers know where DQG 'HV 0RLQHV VWLOO URFNHG D OLWWOH SODFH RQ %URDGZD\ 7KH\ SOD\HG PH D 5LFKLH +HOOHU EHDW WKDW VDPSOHG WKH '\QDVW\ Hip hop in Iowa City is not just WKHPH , KDG SURGXFHU¶V HQY\ , KDG LW now, but has been all along. ZRUVH ZKHQ , ¿UVW VDZ 7DFN )X¶V VHWXS RYHU RQ 0RUPRQ 7UHN +H KDG WKLV ELJ EHDVW RI \RX OLYH²WKH\ ZHUH JHQHUDOO\ D OLWWOH PRUH D ERDUG WRQV RI UHFRUGV VWDFNV RI &'V 7DFN¶V ORZ NH\ :H XVHG WR KDYH UHJXODU SURGXFWLRQ PXVLFDO ¿[DWLRQ WRRN RYHU PRVW RI KLV OLYLQJ meetings, hosted by Helen in her Hawkeye URRP :H VRXJKW KLP RXW DIWHU KHDULQJ The &RXUW KRWER[ 6KH MXVW ORYHG WKH PXVLF Supplement. 7DFN EHFDPH LQIDPRXV LQ WKLV ZDQWHG WR VHH LW JURZ LQ ,RZD &LW\ ,W ZDV PH WRZQ +H UHOHDVHG Yen and Slang, featuring 9LQFH ZKR VWLOO GRHV 1RLVH 5DGLR RQ .58, UDSSHUV OLNH . 6PRRWK DQG ' 1 $ DQG WKHQ 7DFN &KDLUFUXVKHU '- (DUO H KLV IUHTXHQWO\ raised the bar higher with Chained Reaction, FROODERUDWRU 3URVH ,W HYHQWXDOO\ PRYHG WR WKHQ ZHQW OHIW ¿HOG ZLWK WKH G% 0RQNV KLV 9LQFH¶V KRXVH QHDU 6RXWKHDVW -XQLRU +LJK before he cut my mic-–I had jokingly referred to the little studio with two dorky kids in it WDONLQJ UDS DV ³7KH &UDFNHU %DUUHO ´ DQG DIWHU that it was a while before I’d be talking about LW RQ WKH UDGLR DJDLQ 7KH %LJ 2 ZDV D IRUJLYLQJ PHQVFK WKRXJK 7KH QLJKW Aquemini GURSSHG KH KDG WKH 7DOOER\ DQG PH XS WR WKH %- 5HFRUGV EDFNURRP WR OLVWHQ WR WKH DOEXP again after the midnight sale, talking beats and regionalism, marveling at ³6SRWWLHRWWLHGRSHDOLFLRXV´ WKURXJK D FORXG RI *DUFLD \ 9HJD %- Records was a second-story JROGPLQH LQ LWV ¿QDO LQFDUQDWLRQ ULJKW DERYH WKH 'HDGZRRG +DVQ¶W EHHQ WKHUH IRU \HDUV :KHQ ZH ZHUHQ¶W LQ WKH YDQ or the record store or stu-

www.LittleVillageMag.com

319

Mixtape

Clarence Johnson and Tallboy, of Radio Iowa City (see page 11) and Little Village put together a 24-track Iowa City mixtape with cuts from over two dozen Iowa City and Cedar Rapids artists. 319: We Get It How We Live It showcases fresh track from only local beatsmiths and lyricists, proving that the local hip hop scene is still alive and well. Download the full 319: We Get It How We Live It mixtape online at www.littlevillagemag.com/mixtape

DQG ZH PHW IRONV OLNH '- 1DWH 8QLTXH +DUWOHVV VRPH NLGV WKDW DUHQ¶W DURXQG 7KH PHHWLQJV ZHUH LQFUHGLEOH²WUDGLQJ WLSV DQG WDFWLFV 3OD\LQJ EHDWV IRU HDFK RWKHU 9LQFH OHW PH KDYH P\ ¿UVW JR HYHU RQ D SDLU RI V 6RRQHU RU ODWHU UDSSHUV VPHOOHG RXU SURGXFWLYLW\ DQG VWDUWHG FRORQL]LQJ WKH PHHWLQJV 7KH gatherings got louder, cats who were already eager to say their part jockeying for beats and D VSRW LQ WKH FLSKHU , PHW -RH WKH -XJJOD DND -XJJOD 9HLQ D NLOOHU RQ WKH PLF DQG WKH PHHWLQJV VWRSSHG VRRQ DIWHU 7RR PXFK WDON QRW HQRXJK DFWLRQ $ IHZ \HDUV ODWHU -RH DQG , JRW LQWR D KHDWHG DUJXPHQW LQ WKH /LWWOH 3LQN +RXVH RQ *RYHUQRU 6WUHHW OLJKWLQJ XS WKH OLYLQJ URRP RQH GD\ RYHU ZKDW LV DQG ZKDW LVQ¶W KLS KRS², IHOO LQWR D PRUH RSHQ OLEHUDO FDPS -RH ZDV D SUHVFULSWLYLVW D IXQGDPHQWDOLVW , PLJKW KDYH HYHQ FDOOHG KLP WKH -RH DWROODK DIWHU WKDW -RV was learning to make beats above us, and we heard his sampler stumbling and stuttering WKURXJK WKH FHLOLQJ <HDUV ODWHU ,¶G VHH KLP DFcompanied by a live drummer and upright bass DW D SDUW\ EHKLQG WKDW VDPH /LWWOH 3LQN +RXVH VSLWWLQJ RXW ULEERQV RI ÀRZ D VKRZHU RI SKR-

BEATS, RHYMES AND LIFE QHPHV +H ZDV LQ WRZQ IRU \HDUV EHIRUH , HYHU PDGH EHDWV IRU KLP DQG KH¶V JRQH ZHVW QRZ 7KH 3LQN +RXVH KDG PH DQG DQRWKHU GHHMD\ living in the basement, a rapper and a producer in the second-story apartment, and it took forever for any of us to work together, a symptom RI D VFHQH ZLWKRXW D VHWWLQJ +RSHIXOO\ WKDW FRQGLWLRQ LV FKDQJLQJ LQ 2Q -DQXDU\ 3XEOLF 6SDFH 21( ORRNHG OLNH a scene happening in a place ,W ZDV D OLYH KLS KRS VKRZ LQ ,RZD &LW\ DQG IRU WKH ¿UVW WLPH LQ a long time I didn’t know any of the rappers, hadn’t even heard RI DQ\ RI WKHP 7KH\ ZHUH young kids, and I knew they were serious because the release they were celebrating was on tape ,Q ,W ZDV @@@@@@@@ ZKR ZDQW \RX WR SURQRXQFH LW 6WDSOHV (DUWKTXDNH %DE\ <DZ 1HH] DQG 'DGDFRP ZKR JRW VKRXWHG RXW DV the best producer in Iowa City. I tried not to WDNH LW SHUVRQDOO\ , UHPHPEHUHG WKH ¿UVW WLPH I saw johndope rap over a beat I’d made, at D VKRZ DW *DEH¶V DQG KRZ , ZKRRSHG DQG bought extra drinks when he shouted me out WKH VDPH 7KHVH \RXQJ EXFNV DUH HQWKXVLDVWLF DQG FROODERUDWLYH 3XULVW MXVW GURSSHG DQ DOEXP DW WKH %OXH 0RRVH DQG @@@@@@@@ DQG 0LNH 9¶V KDUGFRUH UDS EDQG ,OOWK RSHQHG :RUG DERXW D QHZ PL[WDSH WUDYHOHG IDVW all local cats. Real spit only. I was putting it together for Little Village DQG :).8 D SRGFDVW WKDW 7DOOER\ DQG , UHFRUG HYHU\ ZHHN ¿JKWing through Pabst and mutual antagonism to PDNH D VKRZ DERXW UDS 5DSSHUV FDPH RXW RI the woodwork, cats I didn’t even know like :L]DUG DQG .LG 3KLORVRSK\ *DPH VKRZ LPSUHVDULR DQG SHGPDOO UHJXODU 7\UHOO 6SLWW YROXQWHHUHG &HGDU 5DSLGV JRW GUDZQ LQ ZLWK &5 all-stars like Imperfekt and Colorless, as well DV 9R DQG 6WRRNLG VWHSSLQJ XS WR UHSUHVHQW IRU WKHLU WRZQ 7KH VSDFH IRU FUHDWLRQ WR KDSSHQ LV LPSRUtant–it’s been too long since Iowa City had the UHJXODU GRSH VSRW IRU LW WR KDSSHQ 7KH :).8 recording sessions have been crucial, bringing seasoned vets and new jacks together to trade ÀRZV DQG OLYH VKRZV DQG DOEXPV DUH GURSSLQJ UHJXODUO\ QRZ %XW MXVW DV LPSRUWDQW DV the physical space is the knowledge that it can happen, that hip hop in Iowa City is not just now, but has been all along, with a real base of experience and history that pin it all down WR WKLV DUHD FRGH 7KH UDSSHUV FRPH DQG JR producers surface and then dive back into their dusty obscurity again, but it’s been happening here the whole time, waiting to be discovered, shared and sampled, re-upped and reloaded, DQG UHOHDVHG LQWR WKH ZLOG Clarence Johnson has been making beats, hosting radio shows, deejaying parties and going ‘whoooooo’ during hot sixteens in this town for 15 years.

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March 2010 | Little Village

9

Media

PAUL SORENSON

www.LittleVillageMag.com

the way of tack 7 here’s a disconnect between meetLQJ 7LP 7DFN²DQ ,RZD &LW\ KLS KRS SURGXFHU DQG 3$79¶V $VVLVWDQW &RPPXQLW\ 3URJUDPPHU²DQG VHHLQJ 7DFN )X KLV DOWHU HJR KRVW RI FKDQQHO ¶V ³ G% 79 ´ %XW QRW ZKDW \RX¶G DVVXPH 7KH IRUPHU EULPV RYHU ZLWK outsized energy for his professions, which he takes very VHULRXVO\ $QG SHUKDSV LW¶V WKLV VHULRXVQHVV WKDW LQIHFWV 7DFN )X WKH KRVW DV PXFK RI WKH time he introduces video clips DQG ³XQGHUJURXQG´ WUDFNV LQ sincere, calming deadpan (if GDVKHG ZLWK D ELW RI VLOO\QHVV 8VXDOO\ KRVWV RI YDULHW\ VKRZV even on public access, fake the HQWKXVLDVP %XW 7DFN GRHVQ¶W IURQW²KH¶V FRQ¿GHQW LQ KLV skills, both producing and seOHFWLQJ ³MD]]\ ERXQF\´ EHDWV WKLQN $ 7ULEH &DOOHG 4XHVW and his newfound forte into YLGHR HGLWLQJ²VR KH OHWV KLV WDOHQW WDON ³,W¶V PRUH WKDQ MXVW VKRRWLQJ DQG HGLWLQJ² ZKLFK 7DFN LV UHDOO\ JRRG DW +H KDV WKH HQergy and enthusiasm for video that’s hard for

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7DQJ &ODQ ZKLFK ZRXOG SXW KLP RYHU $V SURGXFHU 7DFN )X KH KHOSHG KROG PXFK of whatever hip hop scene the town had for much of the aughts, assembling 2005’s 85 decibel Monks, a production team ZKLFK LQFOXGHG 7KH &KDLUFUXVKHU "In , it's like: 16 bars GUXPN DQG 7KH %HDW )DUPHU DQG UK\PHV IURP &RXVLQ RI %DG )DWKHUV of lyrics to hook then back to \PM°aW] SVW_ <PMZM¼[ I ÆW_ I DPRQJ RWKHUV ,Q WKH ¿YH \HDUV WKDW KDYH SDVVHG KRZHYHU 7DFN PRYHG pattern. And , it has away from wishing for another such DOEXP UHOHDVH \PM [IUM [WZ\ WN ÆW_

³$V 7DFN KDV EHHQ OHVV DFWLYH WU\ing to make things happen in Iowa PH WR PDLQWDLQ WKHVH GD\V ´ VDLG -RVK *RGLQJ &LW\ OHVV VWXII KDV EHHQ KDSSHQLQJ ´ VDLG .HQW H[HFXWLYH GLUHFWRU RI 3$79 ³+H¶V PDGH KLP- :LOOLDPV D N D SURGXFHU 7KH &KDLUFUXVKHU VHOI LUUHSODFHDEOH , FDQ¶W UHDOO\ VHH D IXWXUH D N D Little Village’s arts editor (this town is ZLWKRXW 7DFN ´ VPDOO ³7DFN ZDV WKH JX\ ZKR NQHZ HYHU\0RVW ,& IRON ZRXOG OLNHO\ UHPHPEHU 7DFN one, who tried to work with everyone, so he ZLWK WKH ³)X´ DGGHQGXP ³)X´ PHDQV ³WKH ZDV D FDWDO\VW $W WKLV SRLQW , GRQ¶W VHH DQ\RQH ZD\ RI´²LQ WKLV FDVH ³7KH :D\ RI 7DFN ´ VWHSSLQJ XS WR GR WKDW ´ ³3HRSOH VD\ µ\RX VRXQG OLNH \RX¶UH RQH 6RPH RI 7DFN¶V ODFN RI ORFDO DFWLYLW\ FDQ RI WKH ORVW :X 7DQJ PHPEHUV ¶´ 7DFN VDLG be ascribed to the fact that he’s been licensing ³:HOO WKRVH :X 7DQJ PHPEHUV DUH MXVW DV ROG more of his music to television, mostly to realDV PH DQG , JUHZ XS RQ WKH VDPH VWXII 7KDW LW\ 79 VKRZV OLNH 079¶V ³0\ 6XSHU 6ZHHW ´ DQG 9+ ¶V ³%HVW :HHN (YHU ´ $ GHFOLQH in hitting the music scene here, however, led to

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10

March 2010 | Little Village

MORE Tack Fu For more info on Tack Fu, visit his website: www.tackfu.com

More PATV For more info on PATV, watch channel 18 or visit: www.patv.tv. They are always looking for interns.

FKDQQHOV DFURVV WKH FRXQWU\ *RGLQJ H[SODLQHG As budgets tighten and states gain the ability to syndicate public access channels from one state center, rather than spending the money on more locally oriented stations, pressure is SXW RQ WKH OLNHV RI 3$79 WR SURYH WKHLU VHUYLFH

MATT BUTLER LV FULWLFDO WR WKH FRPPXQLW\ 3$79 UHFHLYHV 85 percent of its funding from the City of Iowa &LW\ /XFNLO\ IRU *RGLQJ 7DFN DQG ,RZD &LW\ RXU WRZQ KDV PXFK WR FDSWXUH 7DFN¶V VXPPHU WDVNV LQFOXGHG FDSWXULQJ DQG HGLWLQJ -D]] )HVW $UWV )HVW DQG 5LYHUVLGH¶V 7UHN )HVW²DQG FXUUHQW ZLQWHU MREV LQFOXGH 7KH (QJOHUW¶V ³7KH 1XWFUDFNHU ´ ORFDO DUWV IDLU ³:KDW D /RDG RI &UDIW ´ DV ZHOO DV YDULRXV 3UDLULH /LJKWV HYHQWV 0XVLF KDV QHYHU DEDQGRQHG 7DFN KRZHYHU QRU YLFH YHUVD /DVW VXPPHU KH DOVR VWDUWHG ³ G% 79 ´ KLV RZQ KLS KRS YDULHW\ VKRZ DLULQJ )ULGD\ QLJKWV DW S P DQG DJDLQ DW D P 6DWXUGD\ PRUQLQJ :DWFKLQJ LW \RX QRWLFH WKDW 7DFN LV VWDUWLQJ WR VKRZ KLV DJH EXW UHIXVHV WR GUHVV OLNH LW²KH¶V DOO DERXW WKH SRS culture t-shirts, baggy cargo pants and skateboard shoes, wearing a silver chain throughout LW DOO $QG ZKHWKHU RU QRW \RX ¿QG KLV GHOLYery odd, it’s hard to deny that the tracks he VHOHFWV DUH SUHWW\ GDPQ JRRG ,W¶V D IRUPXOD WKDW VHHPV WR ZRUN ZHOO²7DFN XSORDGV KLV VKRZ WR 3HJ0HGLD RUJ D VLWH WKDW DOORZV RWKHU public access channels to syndicate across the country (from Portland, Oregon, to Portland, Maine, and all in-between) and even, someKRZ ZRUOGZLGH ³>7KH VKRZ@ LV UHDO SRSXODU LQ 6RXWK .RUHD WRR ´ VDLG *RGLQJ ³:H KDYH DQ LQWHUQDWLRQDO intern starting in the spring from Korea, and one of the things he said to me in the interview ZDV WKDW KH ZDV UHDOO\ LPSUHVVHG ZLWK µ G% 79¶ DQG ZDQWHG WR GR KLV RZQ VKRZ OLNH 7DFN )X ´ $V IRU PXVLF SURGXFLQJ 7DFN UHFHQWO\ ³FDXJKW WKH EXJ DJDLQ ´ DQG KRSHV WR FROODERUDWH ZLWK ,RZD &LW\ 6\PSKRQ\ &RPPXQLW\ 2UFKHVWUD GLUHFWRU &DUH\ %RVWLDQ WR FUHDWH custom sample tracks that he and his producers can recut over their beats to spawn tracks IUHH RI VDPSOH OLFHQVLQJ ZRUU\ ,I DOO JRHV DFFRUGLQJ WR SODQ UHFRUGLQJ ZLOO VWDUW LQ -XQH :LWK 3$79 KH OLNHV WR NHHS KLV GDLO\ DPELWLRQV PRVWO\ VPDOO ³,¶P ZLOOLQJ WR JR WKDW H[WUD PLOH IRU D EHWWHU PDUULDJH EHWZHHQ DXGLR DQG YLGHR ´ 7DFN VDLG ³, KDYH QR LQWHQWLRQV RI PRYLQJ RQ IURP ,RZD &LW\ ,¶P DOZD\V MXVW WU\LQJ WR LPSURYH WR PDNH EHWWHU SURJUDPPLQJ ´ 7DFN ODXJKV WKHQ DGGV ³, ZDQW WR UXOH WKH ZRUOG RQH GD\ RI FRXUVH 0\ JRDO LV WR UXOH WKH ZRUOG DQG make billions of dollars…but one step at a WLPH ´ Paul Sorenson is Little Village’s features editor, host of KRUI’s Little Village Live, and a voracious music eater—even if he’s tragically unable to produce any himself. Contact him at features@littlevillagemag.com for any Little Village related pitches.

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87.9 FM

March 2010 | Little Village

11

Music

STEPHANIE CATLETT

6

ure, an open mic is like a box of chocolates, but Monday night at the Mill is my favorite lime cream-centered, caramel pecan toffee of a weekly free PXVLF QLJKW LQ ,RZD &LW\ 6LQFH Open Mic with J. Knight has been an Iowa City institution, a place where up-and-coming talent shares the stage with long-established local musicians, where dorm room crooners become seasoned stage performers, and self-conscious songwriters beFRPH O\ULF SRHWV RI WKH QLJKW 7KH PDQ EHKLQG WKH PXVLF LV - .QLJKW D QDWLYH RI 'D\WRQ 2KLR ZKR SODQQHG WR VWD\ KHUH IRU ³MXVW D FRXSOH RI \HDUV´ ZKLOH KLV wife, Marilyn, atWHQGHG WKH :ULWHUV¶ :RUNVKRS ,Q they decided to stay IRU JRRG DQG - NHSW what was quickly becoming the Midwest’s best-known open mic QLJKW JRLQJ ³WR JLYH people the chance to get onstage and play a real set, and to really get comfortable up WKHUH ´ 6R ZKDW FRPSHOV a man to host the same gig on the same night for more than 20 years? He’s not in it for the money, and he’s not in LW IRU WKH QRWRULHW\²RQO\ WKH PDGQHVV RI WUXH ORYH FRXOG GULYH D PDQ RXW RI GRRUV DW S P RQ D ERQH FKLOOLQJ GHJUHH 6XQGD\ QLJKW LQ February WR KDQJ ÀLHUV RQ WKH SHG PDOO RQ WKH 1RUWK 6LGH DOO WKURXJKRXW WKH GRZQWRZQ DUHD ³7KLV WKLQJ¶V RYHU ´ KH QRWHV ULSSLQJ GRZQ D SRVWHU IRU DQ HYHQW WZR GD\V SDVW - LV QRW RQH to cover another venue’s advertisement, and in the battle for kiosk space in the ped mall’s never-ending poster wars, he is a valiant and courteous, eh-hem, Knight 3OD\LQJ WKH UROH of Excalibur is his staple gun, which smacks a dull echo into the cold air as he walks along, 12

March 2010 | Little Village

VKDULQJ PHPRULHV RI RSHQ PLFV SDVW ³7KH VW\OH RI SOD\LQJ KDV UHDOO\ FKDQJHG RYHU WKH \HDUV ´ - H[SODLQV ³,W¶V JRQH IURP a lot of rockers strumming rock chords on acoustic guitars to now, when we have so many good players playing really great instruPHQWV ´ )RU PDQ\ \HDUV - KDQGHG HYHU\ SOD\HU DW his Open Mic a cassette tape of their recordLQJ ³,W JRW WR WKH SRLQW ZKHUH , KDG WR DVN VRPH of the younger ones, ‘do you know what this LV"¶´ KH ODXJKV 7KHUH¶V KDUGO\ DQ ,RZD &LW\ PXVLFLDQ ZKR

6KH DOZD\V EURXJKW D ELJ FURZG RI KHU IULHQGV and would pass out the lyrics for everyone to VLQJ DORQJ %XW VKH ZDV RQH RI WKHVH SHRSOH whose guitar was always out of tune and who wasn’t quite on key…I thought the tape might KHOS KHU KHDU VRPH RI WKRVH WKLQJV %XW ODWHU when I asked her how she liked the tape, she MXVW VDLG µ2K , ORYHG LW LW ZDV JUHDW ¶ 6RPH people just aren’t going to hear those mistakes QR PDWWHU ZKDW ´ $DURQ 6FKDHIHU KDV EHHQ SOD\LQJ - ¶V Open Mic RQFH D PRQWK IRU DW OHDVW \HDUV ³)RU PH LW LV D JUHDW ZD\ WR XQZLQG , MRNH WKDW VRPH SHRSOH SOD\ JROI , SOD\ DW WKH 0LOO ´ Aaron has collected over 100 Open Mic tapes over the years, and when - ¶V WDSH GHFN ZDV UHFHQWO\ RQ WKH IULW] 6FKDHIHU ZDV ULJKW WKHUH WR RIIHU another he had squirreled away in his JDUDJH

He’s not in it for the money, and he’s not in it for the notoriety —only the madness of true love.

doesn’t have an Open Mic tape stashed in VRPH GUDZHU RU WXFNHG DZD\ RQ D VKHOI ³- LV WKH PDQ ´ QRWHV JXLWDULVW DQG VRQJZULWHU 7LP .UHLQ ³(YHU\ERG\ ZKR SOD\V JHWV to walk out with this tape, with their name calligraphied RQ WKH VSLQH ,W¶V XQEHOLHYDEOH DQG it’s an important thing that he is doing, encourDJLQJ SHRSOH DQG PDNLQJ WKHP FRPIRUWDEOH He’s even put up with a lot of the crap that ,¶YH WULHG WR SOD\ KHUH ´ In addition to being simple, cool badges of Open Mic honor, the tapes give novice players an opportunity to hear where they need imSURYHPHQW DQG ZRUN RQ WKHLU VRXQG 7KRXJK sometimes, this learning opportunity doesn’t KDYH H[DFWO\ WKH GHVLUHG HIIHFW ³:H KDG RQH JLUO EDFN LQ WKH µ V ZKR ZRXOG FRPH LQ DQG SOD\ WKHVH FDPS¿UH VRQJV

:KHWKHU KH¶V JRW KLV WDSH UHFRUGHU UROOLQJ RU QRW - LV FRQWHQW MXVW WR REVHUYH WKH DFWLRQ ³,W¶V IXQ WR ZDWFK SHRSOH GHYHORS ´ KH VD\V ³\RX FDQ WHOO ZKHQ WKH\ ZRUN DW LW <RX JHW EHWWHU LI \RX JHW XS DQG SOD\²\RX get better at using the mic and playing to the FURZG ´ Knowing how to please the crowd is key to D VXFFHVVIXO RSHQ PLF²DQG MXVW EHLQJ WKH EHVW singer or guitarist isn’t necessarily the way WR ZLQ DQ DXGLHQFH¶V KHDUW ³:H KDG RQH JX\ FRPH LQ ZKR SOD\HG DOO +DQN :LOOLDPV FRYHUV He had to use a book, he had an out-of-tune guitar, and he was not a great singer, but he believed LQ +DQN :LOOLDPV +H ZDV VR KRQHVW WKH FURZG MXVW ORYHG KLP ´ :KHWKHU LW¶V DQ RULJLQDO RU D FRYHU SOD\LQJ VRQJV WKDW \RX EHOLHYH LQ²DQG WKDW \RX UHDOO\ NQRZ²LV DQRWKHU ZD\ WR EH DQ RSHQ PLF VXFFHVV ³, RSHQ DOPRVW HYHU\ VKRZ ZLWK Big River by

www.LittleVillageMag.com

J.’s Tips

for Open Mic Success First time? Don’t sweat it, virgins of the stage, J. Knight is here with the guidance you need to get through your 30 minutes with dignity and practically nobody noticing all of those bad mistakes you made. Relax. Just do it. Do what you’re comfortable with. Make your first song a song that you can play cold, one that you’ve done so many times you don’t have to think. Tip #1

Adjust things. After you’ve played a couple of open mics, the songs become second nature. Then you can work on the presentation. Maybe you are one of those people who should talk between every song. Maybe you are one of those people who shouldn’t! Tip #2

Don’t apologize! It’s your gig; it’s your time. You’re going to make mistakes, so just laugh and go on. Tip #3

Play to the audience. Once you’ve played Open Mic a couple of times, you’ll start to notice the audience more. Sometime’s they’re with you, sometimes they’re not. After awhile, when you get comfortable, you might adjust your set to keep them more interested. Tip #4

Watch the drinking—it doesn’t work for everybody! Tip #5

-RKQQ\ &DVK ,ÂśP FRPIRUWDEOH SOD\LQJ LW DQG LW KHOSV JHW PH ZDUPHG XS ´ VD\V - Attending the Mill’s Open Mic, one feels a part of an inclusive community of musicians, where all ages and abilities are welcomed into the fold by this twinkly blue-eyed, soft-spoken PDQ 3HUIRUPLQJ RQ WKH VDPH VWDJH ZLWK WKH same Oriental rug backdrop, in the same spotlight as the local and touring bands you pay to see at the Mill, adds to the sense that it’s a ÂłUHDO´ VKRZ DQG JLYHV WKH SOD\HUV D IHHOLQJ RI OHJLWLPDF\ 7KLV IDPLOLDU DWPRVSKHUH ZKHUH VR many legendary shows have gone down over the years, connects the amateur with the professional in spirit, and for at least one night, ZHÂśUH DOO SDUW RI \RXU URFN Q UROO IDQWDV\ 1LN 6WUDLW D IUHTXHQW EXVNHU RQ WKH SHG PDOO and a 15-year veteran of Open Mic night, credLWV - ZLWK HQFRXUDJLQJ KLP WR FRQWLQXH SOD\LQJ PXVLF Âł- ZDV WKH RQO\ SHUVRQ WKDW ZRXOG VXSSRUW PH FRQVWDQWO\ ´ KH VDLG ÂłOpen Mic offers a

J. KNIGHT

real sense of community, and it’s a great way WR GH VWUHVV ´ At no time was this sense of community PRUH DSSDUHQW WKDQ DW WKH 0LOOÂśV ³¿QDO´ Open Mic QLJKW EDFN LQ :LWK D OLQH XS RI QRWDEOHV VXFK DV $DURQ 6FKDHIHU /DXUD .LWWUHOO DQG WKH EDQG +DOI )DVW WKLV IDUHZHOO EDVK ZDV sad and fun and, well, obviously not the fareZHOO LW ZDV H[SHFWHG WR EH Âł, JRW ZRUG KDOIZD\ WKURXJK WKH VKRZ WKDW ZH ZHUH JRLQJ WR EH DEOH WR VWD\ RSHQ ´ - UHPHPEHUV ÂłEXW , GLGQÂśW VD\ DQ\WKLQJ DW WKDW point, because I didn’t want to interrupt a great VKRZ ´ Many an Iowa City legend has swayed upon a lone stool on the Open Mic VWDJH IURP *UHJ %URZQ WR 'DYH 0RRUH WR .HOO\ 3DUGHNRRSHU %XW - GRHVQÂśW OLNH WR GURS QDPHV Âł7KHUH DUH just so many great players in Iowa City, and I ZRXOGQÂśW ZDQW DQ\RQH WR IHHO OHIW RXW ´ A formidable musician in his own right, ZLWK PDG SLFNLQJ VNLOOV WKDW FRXOG Ă€DWWHQ D WKUHH FKRUG ZDQQDEH LQ VHFRQGV - RIWHQ VWHSV onstage himself throughout the night, joining LQ RQ KDUPRQLFD RU JXLWDU ,I \RX UHDOO\ ZDQQD JHW KLV IHHW WR WDSSLQÂś" Âł6LQJ KDUPRQLHV ´ KH says, especially gospel harmonies, like the ones he heard his older sister sing on the radio EDFN LQ 'D\WRQ²EXW WKDWÂśV DQRWKHU VWRU\ Every thriving music scene has its unsung KHURHV²EH LW WKH ERRNLQJ DJHQW WKH VRXQG JX\ WKH SURPRWHU WKH OLJKWLQJ WHFKQLFLDQ 2U be it the man who does all of these things, scheduling 30-minute sets for eight performers a week, running sound and lights, distributing promotional material, and reminding us DOO WR ÂłWLS RXU ZDLWUHVVHV WKH\ÂśUH ZRUNLQJ KDUG RXW WKHUH ´ HYHU\ 0RQGD\ QLJKW IRU PRUH WKDQ \HDUV 2XU JUDWHIXO FLW\ VDOXWHV WKH PDQ ZKR ÂłDOZD\V OLNHV WR SOD\ D OLWWOH VRPHWKLQJ ÂżUVW DQG make a couple of mistakes so everyone feels FRPIRUWDEOH ´ :KR KDV PDGH LW KLV EXVLQHVV WR champion the beginner, the new-in-town, and WKH MXVW SDVVLQJ WKURXJK 0XVLFLDQV ZKRVH voices may break, whose chords may not always ring true, but who’ve practiced real hard and need to voice their break-ups, their drunken one-night stands, and their renditions of allWLPH IDYRULWH VRQJV EHIRUH D OLYH DXGLHQFH I tip my hat to the man who’s made that happen every Monday since 1981, Iowa City’s beloved master of ceremonies and welcoming PLQVWUHO 7KDQNV IRU QHYHU ODXJKLQJ DW XV - .QLJKW Stephanie Catlett is currently an orange nougat open mic’er, but she strives for dark chocolate caramel. With nuts. March 2010 | Little Village

13

OFFICIAL PROGRAM 5th an nua

l

MISSION

CREEK 3 l i r p a 9 2 h Marc

0 1 20

festiva music + lit

l

.com

ak www.missionfre

thank you to our sponsors + Bandwith \ Catherine's \ Java House \ Little Village \ Revival \ RSVP \ Zephyr Printing & Design

pages of this guide to see when your favorite local band might be gracing a stage.

arch 2010 marks WKH ¿IWK LQVWDOOment of Iowa City’s Mission Creek Festival, a music and arts bash that takes over downtown Iowa City for several days each year. A now-independent spin-off from the original Mission Creek Festival in San Francisco, it is kind of a miracle that the festival even exists in a town this small. However, thanks to the dedication of music fans, the support of local businesses, and the hard work of a small staff of rabid art-lovers, the festival manages to organize more than 100 bands, artists and writers across Iowa City’s venues over ¿YH UHZDUGLQJ GD\V 3DVW IHVtivals have hosted fan-favorite

M

bands like Tapes ‘n Tapes (MC 2006); Mucca Pazza and Patti *ULIÂżQ 0& %RQ ,YHU and Cursive (MC 2008); and GZA, The Mountain Goats and Beach House (MC 2009)--and Jesus H., that’s just the short list of national acts. Even as Mission Creek hosts bigger and more rocktastic acts like this year’s Booker T. of the MGs, the Meat Puppets, the Hood Internet and Acid Mothers Temple, the organizers continue to stuff its programming with a vast number of local and regional bands that have entertained Iowa City residents for months (Grand Tetons), years (Liberty Leg) or even decades (Greg Brown). Thumb through the

mon, march 29

highlights for

And let’s be clear: Mission Creek is not just about the music. Each year the organizers schedule several events to highlight the written word, hosting both local and national writers. Turn to page 4 of this Mission Creek Festival program to see this year’s exciting literary events. Be sure to check MissionFreak.com for the most current Mission Creek Festival news and updates, including information about obtaining all-access festival passes. Little Village is proud to be collaborating with festival organizers to publish this 2010 festival program, and will be posting Mission Creek news to its own website at LittleVillageMag.com, as well.

Nelle Dunlap, John Schlotfelt, Mikko Wolf, Joe Tiffenthaler, Chris Wiersma

program Contributors Melody Dworak, Craig Eley, Todd Olmstead, Andre Perry, John Schlotfelt

program design Nelle Dunlap, Andrew Sherburne published by

www.littlevillagemag.com

The Cave Singers + Birds & Batteries \ Mondo Drag

Gabe’s/The Picador, 9pm [$8]

pUBLISHED by LITTLE

festival staff

tues, march 30

+ Peaking Lights \ Rene Hell \ Alex Body

2

Craig Eley, Tanner Illingworth, Todd Olmstead, Andre Perry

Woot! Enjoy the shows!!!

Pocahaunted

Pocahaunted is a psychadelic drone RXW¿W IURP &DOLIRUQLD FRPSULVHG of Amanda Brown and Bethany Cosentino (Bethany is also making waves as Best Coast). The duo mixes D GLYHUVH SDOOHW RI LQÀXHQFHV OLNH Native American chants, Reggae and North African tribal music over deep synth drones. Pocahaunted found the right mixture on 2008’s dub-infused sensation Island Diamonds. The duo garnered numerous blogosphere accolades and became the soundtrack to many a DIY dance party. That same year, the duo also released Beast That You Are, a cassette, on Iowa City’s very own Night-People Records.

festival producers

The Mill, 9pm [Free] What’s remarkable about the Cave Singers isn’t that they’re indie dudes playing folk music; that story has been told before. No, what’s remarkable is that none of these three men have much of a background in folk music. Considering their pedigree—three musicians whose backgrounds lie primarily in loud, punk rock—that they’ve invoked a sound so classic and timeless is almost unbelievable. With two releases for renowned indie label Matador Records under their belts, they are poised to break out. Their recent release, Welcome Joy is fresh and exciting while staying true to some of America’s most well-traveled musical paths.

Dinosaur Feathers + Replacing the Robots \ So Much Fun Public Space ONE, 6pm [Free]

As fellow New Yorkers who have taken aspects of “world musicâ€? and woven it into their own brand of pop, Brooklyn up-and-comers Dinosaur Feathers will eventually be FRPSDUHG WR 9DPSLUH :HHNHQG ,Q WKH PHDQWLPH WKRXJK WKH\ DUH Ă€\LQJ GHOLJKWIXOO\ under most radars, even as they continue to make really fun and sonically VILLAGE interesting pop music.

www.missionfreak.com

highlights for

wed, MARCH 31

Xiu Xiu

+ tUnE-yArDs \ Talk Normal \ Coyote Slingshot Gabe’s/The Picador, 8pm [$8] W8Q( \$U'V GH¿HV DQ\ QRWLRQ RI ZKDW D VROR performer should be. With an arsenal of imagination, the artist also known as Merrill Garbus has created a hypnotic, original collection of songs (BiRd-BrAiNs) that owes heavily to DIY home recording aesthetics DV ZHOO DV ZRUOG ÀDYRUV ,W LV QRLV\ FKDRWLF rhythmic and heartwarming at the same time. tUnE-yArDs is touring with Xiu Xiu, one of indie rock’s more daring and enigmatic bands. That band’s core, Jamie Stewart, mixes passion and politics in his music, creating a volatile mix of musical noise and lyrical subjects that tackle transgression, outsiderness and sexuality.

Booker T.

(of the legendary MGs)

+ JJ Grey \ Dustin Busch The Englert, 8pm [$26 advance/$29 day of show] Booker T. Jones’ presence at Mission Creek this year marks a big step for Mission &UHHN +H ZLOO EH WKH ÂżUVW DUWLVW WR SHUIRUP DW WKH IHVWLYDO ZKR KDV EHHQ LQGXFWHG to the Rock n’ Roll Hall of Fame. That said, Booker T. doesn’t need any awards to justify his legendary status in the music world. As a key member in the 1960s soul group Booker T. & the MGs, Booker T.’s irresistible organ riffs became part of our musical consciousness—that simple hook from “Green Onionsâ€? is still as mesmerizing today as it was 40 years ago. While the MGs garnered success from their own records, they also served as the house band for the seminal Stax Records, anchoring key recordings by the likes of Otis Redding and Wilson Pickett. In recent years, Booker T. has remained busy, most recently cutting the highly acclaimed record Potato Hole with the Drive-By Truckers, and hitting the road for a series of highly acclaimed festival shows.

TICKETs festival passes The Daredevil Christopher Wright

Planning on attending multiple shows? A festival pass will save money and get you access to every venue. More access, less money, good deal.

+ BRIGHTON, MA \ Sarah Mannix \ the New Bodies

REGULAR

The Mill, 9pm [$6] The Daredevil Christopher Wright create bold, playful and original folk music. 2010 is going to be spent building on the success of last year’s excellent In Deference to a Broken Back, for which they worked with fellow Eau Claire, Wisconsin, native Justin Vernon, more popularly known as the man behind Bon Iver.

BUY ONLINE: http://festival.missionfreak.com/festivalPass.html

$

50

PLATINUM

Access to every show except Greg Brown and Booker T.

$

80

Full access to every show on the schedule!

individual tickets Tickets to individual shows are available for purchase at venues the day of show. Tickets for many shows are available for purchase online at www.iowatix.com, www.ticketweb.com and www.midwesttix.com. Tickets for select shows will be available for purchase at the Record Collector. Mission Creek FESTIVAL 2010

3

highlights for

thurs, april 1

PROGRAM PRESENTED BY

Acid Mothers Temple + Over-gain Optimal Death \ Wet Hair \ Broken Water Gabe’s/The Picador, 9pm [$8] Acid Mothers Temple is like a trippy, prog-rock, Japanese version of The Wu-Tang Clan. Formed with a communal spirit in 1995-96, Acid Mothers Temple is the brain child of Kawabata Makoto. Kawabata wanted a place where musicians of equal talent, not necessarily notoriety, could get together and collaborate on long, psychedelic, SURJUHVVLYH MDPV 6LQFH WKH ¿UVW UHOHDVH Acid Mothers Temple & the Melting Paraiso U.F.O., Kawabata and the artists have splintered into numerous offshoots (most featuring Kawabata in some capacity) working in a bevy of different styles (free jazz, kraut-rock, prog-rock). All of the various collectives promote experimentation and improviVDWLRQ *DEHœV 7KH 3LFDGRU ZLOO KRVW WKH ÀDJVKLS JURXS $FLG 0RWKHUV Temple & the Melting Paraiso U.F.O., featuring Kawabata, Tsuyama Atsushi, Higashi Hiroshi and Shimura Koji.

Literary Events Mission Creek is more than music. Feed your hunger for good ZRUGV ZLWK WKHVH ÂżYH IUHH OLWHUDU\ KDSSHQLQJV

Ashley Butler

Thursday, Mar. 30, 7pm, Prairie Lights

Thomas Beller, Ben Hale, Stephen Kuusisto, and members of the UI's Nonfiction Writing Program

Bomb Squad + The Hood Internet \ Database \ School of Flyentology The Yacht Club, 10pm [$8] The past, the present and the future converge upon each other at the Yacht Club for what promises to be an amazing meeting of beat-making minds. Legendary deejays/ producers Bomb Squad, who pioneered the use of sampling in music on albums like Public Enemy’s It Takes a Nation of Millions to Hold Us Back and Fear of a Black Planet, unveil their new dark electronic sounds alongside rising stars the Hood Internet, whose own mash-ups continue to stun audiences long after the fad has passed. Brazil’s dance music phenoms Database return to the USA after a long absence, and local mash-up and dancemusic enthusiasts, School of Flyentology, will kick things off. Bomb Squad’s appearance at this show coincides with their panel talk at the Englert where they will discuss, alongside Chuck D, the making of the essential hip hop album Fear of a Black Planet.

Friday, Mar. 31, 7pm, Prairie Lights

Book Fair Make Magazine, Hobart Magazine, Iowa Review, Essay Press, Wag’s Revue, Sarabande Saturday, Apr. 1, 2–6pm, The Mill

David Bazan + Headlights \ Caroline Smith & the Goodnight Sleeps \ the Poison Control Center The Mill, 9pm [$8 advance/$10 day of show]

Colson Whitehead, Eula Biss, and Kiki Petrosino Saturday, Apr. 1, 3pm, The Mill

Literary Death Match Saturday, Apr. 1, 5pm, The Mill

For descriptions of these events, check out the March issue of Little Village.

4

pUBLISHED by LITTLE VILLAGE

David Bazan’s recent album, Curse Your Branches, ZDV KLV ¿UVW VLQFH UHWLULQJ KLV EDQG 3HGUR WKH /LRQ LQ 2006. And while that band was splitting up, what many didn’t realize was that Bazan was also undergoing a deep personal split with the Christian faith. As a Christian indie rocker, Bazan was an anomaly; he received accolades from both Christian and secular audiences. Curse Your Branches is a deep and human rumination on life, faith and doubt. He is currently touring with emotive pop quartet Headlights. Caroline Smith plays, as well as the return of Ames, Iowa, rockers the Poison Control Center.

www.missionfreak.com

highlights for

fri, april 2

Meat Puppets

+ Joe Jack Talcum (of The Dead Milkmen) \ Sam Locke-Ward & The Boo-Hoos The Mill, 8pm [$15] 2QFH SDUW RI WKH LQÀXHQWLDO 667 5HFRUGV URVWHU LQFOXGLQJ 6RQLF <RXWK + VNHU ' and Minutemen), Meat Puppets were too idiosyncratic to garner the hardcore or punk DFRO\WHV ZKR ÀRFNHG WR + VNHU ' DQG 0LQXWHPHQ UHVSHFWLYHO\ DQG QRW KLJKIDOXWLQ enough to attract the art-house punks surrounding Sonic Youth. Yet Meat Puppets would survive long enough to see their brand of cooky, country-fried punk have it's day. After over a decade as a band and seven albums, Meat Puppets went gold with their eighth effort, Too High to Die, and charted an alternative radio hit with that album's single "Backwater." The spotlight found them after Nirvana covered three songs ("Lake of Fire," "Oh, Me," and "Plateau") from Meat Puppet's seminal sophomore album Meat Puppets II for Nirvana's equally seminal MTV Unplugged in New York, which was released earlier in 1994 just after Kurt Cobain's death. Drug probOHPV VLGHOLQHG 0HDW 3XSSHWV D IHZ \HDUV DQG DOEXPV ODWHU EXW LQ DIWHU D IRXU year hiatus, the group returned to the fray with Rise to Your Knees. The group upped the ante in 2009 with the considerably stronger release Sewn Together. Meat Puppets played The Mill last June in support of Sewn Together and had such a wonderful time they asked to come back.

Little Dragon

+ VV BROWN \ The Envy Corps \ The Western Front Blue Moose Taphouse, 9pm [$8 advance/$10 day of show] Hailing from Sweden, Little Dragon have recently been exploding big city clubs across the United States with their body-moving electronic pop. Much like France’s electronic duo Air, this music is as appropriate IRU WKH GDQFH Ă€RRU DV LW LV IRU WKH EHGURRP 7KHVH VH[\ JURRYHV DUH EXLOW around the seductive voice of Yukimi Nagano and the cunning textural craftwork of her bandmates. With hints of ‘80s electro-pop, futuristic space-pop, and an EDM pulse this has the potential to be the sleeper dance party of the festival. The Envy Corps, indie-pop vets from Ames, Iowa, will play as well, behind their best release yet, Kid Gloves.

Tim Hecker + Greg Davis \ Lwa \ Wind Farm Gabe’s/The Picador, 9:30pm [$8] Tim Hecker makes “ambient� music, for lack of a better word. That said, his songs have shown up everywhere from concept art records to metal blogs, which is a testament to his versatility, the density of his soundscapes, and his willingness to experiment with his own sound over the last decade. Starting with 2001’s landmark Haunt Me, Haunt Me, Do It Again, Hecker’s work consciously blurs his sonic sources, which at any given moment might include computer-generated tones, analog syths or acoustic and electric guitars through all variety of pedals. The result has ranged from glitchy, staticky minalism to the lush electronic waves of last year’s An Imaginary Country, which Hecker has said was based on a “utopian idea� of music. This rare live performance should have the audience feeling similarly.

Dawn’s at Dusk Dawn’s Hide and Bead Away, Friday April 2 and Saturday April 3, 6-8pm [Free] The festival is always in search of something new and different, and this year, that means having shows in a bead store. These events are all about two things: diverse musical acts and really short sets! These two shows will feature 10-12 acts (each night!) performing for no longer than 10 minutes. There will be free food and drink, so stop by before you head out to the rest of the events!

Mission Creek FESTIVAL 2010

5

highlights for

sat, april 3

PROGRAM PRESENTED BY

Grant Hart + The Tanks \ Family Van \ and Super Sonic Piss \ Living Ghost

Anni Rossi + Casiotone for the Painfully Alone \ Golden Birds \ Jeff Ray

Gabe’s/The Picador, 9:30pm [$8] Grant Hart reached the public consciousness as the GUXPPHU IRU 6W 3DXO KDUGFRUH EDQG + VNHU ' Hart, in many ways, proved to be McCartney to felORZ + VNHU ' VRQJZULWHU %RE 0RXOG V /HQQRQ DQG deserves fair credit for the expansive and psychedelic palettes the band would explore as it became a critiFDO GDUOLQJ $IWHU + VNHU ' V GLVLOOXVLRQ +DUW FRQcentrated his efforts on his alternative act Nova Mob EHIRUH ¿QDOO\ IRFXVLQJ RQ D VROR FDUHHU DIWHU Hart is still out on the road supporting his 2009 release, Hot Wax, an album steeped in early garage rock and the psychadelic sounds of the late '60s. Hart's solo debut, 1989's Intolerance, originally reOHDVHG RQ WKH KHHOV RI + VNHU ' V EUHDN XS KDV DOVR been recently reissued on 180-gram vinyl.

Public Space ONE, 9pm [$6] Classically-trained violist Anni Rossi has accomplished a lot in her 24 years, including two of the biggest breaks an indie songwriter could hope for: getting signed to the 4AD record label and having a debut album produced by the legendary Steve Albini (who has recorded The Breeders, The Jesus Lizard, Slint, Fugazi and PJ Harvey, to name a few). The result of these stars aligning is 2009’s Rockwell, a gem of a record that features her trademark quirky vocals, minimal musical accompaniment, and the overwhelming feeling that she both deserves her success and is criminally underrated. With 10 songs clocking in at just more than 26 minutes, Rossi certainly can’t be described as self-indulgent, which is refreshing in the increasingly crowded performance category of stringed-instrument virtuosos wanting to make indie music.

Cory Chisel & THE Wandering Sons + Diplomats of Solid Sound \ Sad Iron The Mill, 9pm [$8 advance/$10 day of show] As a live unit, the Wandering Sons are reminiscent of classic groups like the Heartbreakers and the Band—and with Cory Chisel fronting them, they have a distinctive voice to complement those instrumental chops. Chisel croons like he’s a lost member of the Rat Pack but his posturing is much more modern: He is a charming, whisky-sipping hipster. His songs are one-part country, one-part soul, and a healthy dose of salvation. Chisel just cut a new album with members of the Raconteurs down in Nashville. The result is a rocking collection of songs, full of regrets and revelations. Also, the highly revered Diplomats of Solid Sound reunite to bring their hip-shaking ‘60s grooves back to the stage.

FULL SCHEDULE BLUE MOOSE

ENGLERT

MILL

211 Iowa Ave

221 E Washington St

120 E Burlington St

9:00 Mondo Drag 10:00 Birds & Batteries 11:00 The Cave Singers

Tue 3/30

Wed 3/31

TBA Black Cobra Metal Show (details at www.missionfreak.com)

Thu 4/1

9:30 Scenester Credentials Showcase (details at www.missionfreak.com)

Fri 4/2

Sat 4/3 6

9:15 10:15 11:15 12:15

The Western Front The Envy Corps VV Brown Little Dragon

8:00 TBA 8:50 Camera Obscura

pUBLISHED by LITTLE VILLAGE

8:00 Dustin Busch 8:30 JJ Grey 9:30 Booker T. 7:00 Chuck D Lecture 9:00 Circus 10:00 Les Dames du Burlesque 8:00 Shame Stevens 8:50 Spirit of the Red 9:40 Dave Zollo 8:00 Pieta Brown 9:00 Greg Brown

9:00 9:50 10:45 11:45

The New Bodies Sarah Mannix Brighton, MA The Daredevil Christopher Wright

9:00 10:00 11:00 12:00

The Poison Control Center Caroline Smith Headlights David Bazan

8:50 Joe Jack Talcum 8:00 Sam Locke Ward & the Boo-Hoos 9:45 The Meat Puppets 9:30 Sad Iron 10:30 Diplomats of Solid Sound 11:30 Cory Chisel

Note: Set times end roughly 15 minutes before the next act begins.

www.missionfreak.com

highlights for

sat, april 3

Greg Brown + Pieta Brown The Englert, 8pm [$30 assigned seating/$45 Golden Circle seating] Along with Bix Beiderbeck and Slipknot, Greg Brown stands as one of Iowa's few, true, homegrown musical stars. Brown was something of a journeyman in his younger days, he led the famous hootenanies at Gerde's Folk City in New York, traveled to Portland, Los Angeles, and wrote songs for Buck Ram of the Platters in Vegas. In 1980, Brown returned to Iowa, got married, and set his sights on a solo career. His early records, released on his very own Red House Records, landed the folkie solid reviews and his regular appearances on Garrison Keillor's A Prairie Home Companion netted him a strong following. The title track from his '81 release The Iowa Waltz ZDV HYHQ LQ WKH UXQQLQJ DV WKH RI¿FLDO VWDWH VRQJ of Iowa. Among Brown's numerous accolades and awards, he's also recieved two Grammy nominations (Friend of Mine [with Bill Morrissey] and Slant 6 Mind). Brown's spare compositions and emotionally wrought lyrics have been admired and covered by the likes of Willie Nelson, Jack Johnson, Joan Baez, Ani DiFranco, Carlos Santana and many more. Mission Creek organizers are truly honored to have a quintessential Iowa musician be an integral part of this festival.

Camera Obscura + TBA

Blue Moose Taphouse, 8pm [$15] When Camera Obscura broke through in the United States with 2004’s Underachievers Please Try Harder, some critics were prepared for them to be a short, but amazing, blip on the indie-pop radar. They were just too precious, too devoted to fellow Glaswegians Belle & Sebastian, and too darn good at writing forlorn love songs to stick around for long, right? Thankfully, those critics were wrong, and Camera Obscura’s critical and popular success has only increased with each new record. After Underachievers, Merge Records reissued their 2001 European debut, Biggest Bluest Hi-Fi, and in 2006, they returned with new material on Let’s Get Out of This Country. Their most recent effort is last year’s My Maudlin Career. The face and voice of Camera Obscura is Tracyanne Campbell, whose deceptively plain singing manages to capture loneliness, desperation and low self-esteem in an emotionally honest way, whether she’s singing about high school crushes or more adult traumas of love and loss. The whole thing might be a big downer if it wasn’t for the incredibly lush and melodic music made by the quintet that accompanies her. Make no mistake: This is classic, sugary sweet pop music, in that way that the Scottish are so darn good at.

PUBLIC SPACE 1

YACHT CLUB

330 E Washington St

129 E Washington St

13 S Linn St

MON 3/29

Gabe’s/Picador 9:30 10:15 11:00 11:50

Alex Body Rene Hell Peaking Lights Pocahaunted

7:00 7:50 8:40 9:20

9:00 9:50 10:40 11:40

Coyote Slingshot Talk Normal tUnE-yArDs Xiu-Xiu

9:20 10:05 10:45 11:30

Broken Water Wet Hair Over Gain Optimal Death Acid Mothers Temple

9:30 10:00 10:40 11:40

Wind Farm Lwa Greg Davis Tim Hecker

8:00 8:50 9:40 10:30

Mumfords Porno Galactica Roommate Christopher the Conquered

9:30 Dave Bess 10:30 The Gglitch

9:15 9:50 10:30 11:00 12:00

Living Ghost Family Van Super Sonic Piss The Tanks Grant Hart

8:30 9:15 10:00 11:00

Jeff Ray Golden Birds Casiotone for the Painfully Alone Anni Rossi

10:00 Dennis McMurrin

8:00 8:50 9:40 10:40

Happy Chromosomes So Much Fun Replacing the Robots Dinosaur Feathers Old Panther The Wheelers Capgun Coup Molly Ringwald

MORE! SANCTUIARY PUB 405 S Gilbert St

9:30 10:20 11:10 12:00

Liberty Leg Beast Wars Carusella Mannix!

9:00 11:00 10:00 12:15

School of Flyentology The Hood Internet Database Bomb Squad

Thurs, April 1 8:30 Dewi Sant 9:15 Monadnoc 10:00 Brooks Strause JAVA HOUSE 2111/2 E Washington St

Thurs, April 1 8:00 Star City 8:50 Ed Gray Fri, April 2 8:30 Equilateral Sat, April 3 8:00 Chrash 8:50 The Poison Control Center

Mission Creek FESTIVAL 2010

7

Talking Movies

SCOTT SAMUELSON

www.LittleVillageMag.com

Greatness Unbroken I f you’re the kind of moviegoer who wishes you’d lived back when X was making movies (where X stands for your favorite great director), if like me you wish you had been there for the fresh projecWLRQV RI *RGIDWKHU , UDWKHU WKDQ RSHQLQJ ZHHNend of Godfather III²HYHQ if you’re simply content to see PenelopĂŠ Cruz without KHU VKLUW RQ²JR VHH Broken Embraces, the newish Pedro AlmodĂłvar movie, which in more populous civilizations I would have reviewed four PRQWKV DJR Los Abrazos Rotos, as it’s more euphoniously named in WKH RULJLQDO 6SDQLVK ZKLFK SOD\V DW WKH %LMRX IURP March 5th through the 11th, is yet another work from the golden age of AlmodĂłvar, our auteur on par with the OLNHV RI )HOOLQL (YHU\ VLQJOH shot sings of his unique style: the pop-art crispness of colors, the clarity and geometry of Mediterranean sun, the explorations of a lingering fascist PHQWDOLW\ WKH V\PSDWKHWLF PLVÂżWV WKH PHORdrama, the Platonic form of beauty that is 3HQHORSp &UX] %URNHQ (PEUDFHV LV QRW , ZLOO VD\ KLV JUHDWHVW PRYLH LWV HPRWLRQV GRQÂśW UXQ as deep as All About My Mother or Volver ,W PD\ KRZHYHU EH KLV PRVW FRPSOH[ PRYLH , don’t mean that it’s hard to follow, just that every theme and every shot are deeply interZRYHQ LQWR WKH ZKROH 7KH PRYLH VKXWWOHV EDFN DQG IRUWK ZLWK WKH effortlessness of memory, from now to the HDUO\ V 1DUUDWHG E\ Âł+DUU\ &DLQH´ /OXtV +RPDU WKH SVHXGRQ\P RI 0DWHR %ODQFR D movie director back then and a screenwriter now, the story revolves around his tragic love DIIDLU ZLWK /HQD &UX] ZKR LV HQWDQJOHG ZLWK D PLOOLRQDLUH ÂżQDQFLHU DQG PRYLH SURGXFHU E\ WKH QDPH RI (UQHVWR 0DUWHO (VVHQWLDOO\ ZH KDYH WKH PXVH WKH DUWLVW DQG WKH PRQH\²DQG WKH PRQH\ UXLQV HYHU\WKLQJ %XW WKLV PHORdrama is given life by all the strange rhyming VXESORWV DQG ORYHO\ HFKRLQJ LPDJHU\ 14

March 2010 | Little Village

Broken Embraces is a movie literally about WKH PDNLQJ RI PRYLHV /HQD JHWV D SDUW LQ Mateo’s comedy Women and Suitcases (a thinly veiled version of Almodóvar’s own Women on the Verge of a Nervous Breakdown WKHLU URPDQFH WDNHV SODFH EHWZHHQ WKH VFHQHV EXW

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Reality is somewhere bouncing between the mirrors.

even what’s going on between the scenes is being shot by Martel’s obsessive gay son, who’s ostensibly making a documentary about the making of the movie, but is seFUHWO\ GRLQJ GHWHFWLYH ZRUN IRU KLV IDWKHU $W the same time, the movie is a loving homage WR DQ\ QXPEHU RI PDVWHU PRYLHV $ QDPH OLNH +DUU\ &DLQH UHĂ€HFWV 2UVRQ :HOOHV ZKRVH PRVW IDPRXV UROHV ZHUH +DUU\ /LPH DQG &LWL]HQ Kane, and also Michael Caine who played Harry Palmer in The Ipcress File 7KHUH DUH UHIHUHQFHV H[SOLFLW RU LPSOLFLW WR /RXLV 0DOOH Roberto Rossellini, Michael Powell and probDEO\ FRXQWOHVV RWKHUV %XW E\ IDU WKH ÂżOP DW WKH FHQWHU RI WKH ÂżOP LV +LWFKFRFNÂśV Vertigo Broken Embraces is Vertigo turned insideRXW ,Q Vertigo 6FRWW\ IDOOV LQ ORYH ZLWK D woman who, unbeknownst to him, is doing DQ DFW WR HQVQDUH KLP $IWHU KHU VWDJHG GHDWK KH ÂżQGV KHU DJDLQ DQG QRZ EHFRPHV KHU ÂłGLUHFWRU ´ PDNLQJ KHU XS WR WU\ WR ORRN OLNH WKH ZRPDQ KH ORVW ,Q Broken Embraces, Mateo begins as a real-life director who falls in love with a woman who really is an actress in his PRYLH $IWHU KH ORVHV KHU KH FDQ QR ORQJHU GLUHFW²KH ORVHV KLV VLJKW OLWHUDOO\ DQG HPR-

EHHQ VR QRZ IRU \HDUV %XW $OPRGyYDU KDQGOHV WKH life-is-a-movie metaphor so deftly we’re left groping for a vocabulary to catch up to KLV LPDJHV :KHQ 0DWHR ÂżUVW VHHV /HQD VKH WXUQV LQ FODVVLF VORZ PRWLRQ DQG ORRNV ULJKW DW XV Her beauty is overwhelming to us viewers, as it is to Mateo, who’s narrating the scene in UHWURVSHFW -XVW PRPHQWV ODWHU VKHÂśV DXGLWLRQing for a role in his new movie in a variety of costumes, including one that turns PenelopĂŠ Cruz, mirabile dictu, into the spitting image RI $XGUH\ +HSEXUQ 6XGGHQO\ ZH UHDOL]H WKDW Mateo is directing her how to turn and look at KLP 5HDOLW\ LV VRPHZKHUH ERXQFLQJ EHWZHHQ WKH PLUURUV %URNHQ (PEUDFHV NHHSV HFKRLQJ IRU GD\V LQ the mind, but don’t deny yourself the experience of seeing it on the (semi-) big screen at WKH %LMRX :K\ GHQ\ \RXUVHOI WKH IXOO H[SHULence of what makes AlmodĂłvar truly great: his uncanny ability with red, orange and yellow? 'LG , PHQWLRQ WKDW \RX JHW WR VHH 3HQHORSp Cruz naked? Scott Samuelson teaches philosophy at Kirkwood Community College. He is also sometimes a moderator on KCRG’s “Ethical Perspectives on the Newsâ€? and sometimes a cook at Simone’s Plain and Simple, the French restaurant in the middle of nowhere.

JOE TIEFENTHALER

Mission Creek

Get Lit at Mission Creek

)

or every musical heavyweight offered onto your Mission Creek plate, a scribe of equal course is there to XVKHU \RX LQ 7KLV \HDU WKH ZXQGHUNLQGV DW WKH FRQWUROV RI 0LVVLRQ &UHHN²&UDLJ (OH\ 7DQQHU ,OOLQJZRUWK $QGUH 3HUU\ DQG 7RGG 2OPVWHDG²KDYH ¿OOHG WKH week with a six-degrees-of literDU\ ZKR¶V ZKR ZLWK 1HZ <RUN¶V ¿QHVW DQG ,RZD &LW\¶V OLWHUDU\ PDLQVWD\V Monday, April 1 Prairie Lights, 7pm

$VKOH\ %XWOHU D QDWLYH 9LUJLQLDQ ZLWK DQ 0 ) $ LQ QRQ¿FWLRQ IURP ,RZD ZLOO RSHQ the literary events with a reading from her essay collection Dear Sound of Footstep $Q LQYHVWLJDWLRQ LQWR parentage, Dear Sound explores her mother’s GHDWK DQG KHU HVWUDQJHG SDWHUQDO UHODWLRQVKLS 2XW RQ WKH LQGHSHQGHQW LPSULQW 6DUDEDQGH %RRNV %XWOHU¶V ZRUNV KDYH DOVR EHHQ SXElished in Ninth Letter, jubilat, Gulf Coast and &UHDWLYH 1RQ¿FWLRQ Friday, April 2 Prairie Lights, 7pm

Reading alongside heralded Iowa ZULWHUV %HQ +DOH DQG 6WHSKHQ .XXVLVWR 1HZ <RUN &LW\ via New Orleans author DQG 2SHQ &LW\ %RRNV FR IRXQGHU 7KRPDV %HOOHU DUULYHV LQ Iowa City to much IDQIDUH :LWK HLJKW volumes of written and edited work, one tri-annual literary magazine, an online neighborhood, and one small press to KLV QDPH 7KRPDV %HOOHU LV RQH RI OLWHUDWXUH¶V ¿QHVW SUDFWLWLRQHUV $ IRUPHU VWDII ZULWHU DW WKH New Yorker, %HOOHU¶V ZRUN KDV DSSHDUHG LQ Best American Short Stories, The New York Times, ELLE, Spin, Vogue and Slate

Saturday, April 3 The Mill, 2-6pm

6SRWWHG ZLWK WKH IHVWLYDO¶V ¿QDO WZR UHDGLQJV D ERRN IDLU FRYHULQJ 6DWXUGD\ DIWHUQRRQ ZLOO EH WDEOHG E\ VRPH RI WKH QDWLRQ V PRVW exciting small-press literary journals and imprints, including the Iowa Review, Sarabande Books &KLFDJR V biannual Make Magazine, H o b a r t Magazine, cofounded by Mission Creek special guest Eula %LVV DQG WKH RQKiki Petrosino line literary quarterly Wag’s Review Saturday, April 3 The Mill, 3pm

$ FKURQLFOHU RI FXOWXUHV &ROVRQ :KLWHKHDG brings with him a literary know-how and VZDJJHU SHUIHFWO\ ¿W IRU 0LVVLRQ &UHHN 2QH RI 1HZ <RUN OLWHUDWXUH¶V ¿JXUHKHDGV :KLWHKHDG¶V ERRNV KDYH EHHQ ¿QDOLVWV IRU WKH 3(1 +HPLQJZD\ DZDUG WKH / $ 7LPHV )LFWLRQ $ZDUG DQG WKH 1DWLRQDO %RRN &ULWLFV &LUFOH $ZDUG 2IWHQWLPHV LQYHVWLJDWLQJ FXOWXUal minutiae for the synecdotal realities WKH\ WUXO\ DUH &ROVRQ :KLWHKHDG LV D ZULWHU RI XQFRPPRQ LQVLJKW His novels speak to a unique breadth of understanding character and situation that PDNH KLP D SHUIHFW ¿W IRU WKH IHVWLYDO 6XSSRUWLQJ UHDGLQJV IURP 8, 0 ) $ JUDGXDWHV (XOD %LVV QRQ¿FWLRQ DQG $VKOH\ %XWOHU¶V IHOORZ 6 D U D E D Q G H L V W D Colson Whitehead Kiki Petrosino (poetry) round out what has the makings RI D OHJHQGDU\ ,RZD &LW\ UHDGLQJ %LVV¶ IHHO IRU LQQRYDWLYH QRQ¿FWLRQ KDYH GUDZQ UDYH UHYLHZV IURP 'DYLG 6KLHOGV 6KHUPDQ $OH[LH LIT CONTINUED ON PAGE 21 >>

March 2010 | Little Village

15

LOCAL

ALBUMS PRUH JRLQJ RQ WKDQ \RX PLJKW ¿UVW DSSUHKHQG It’s a lot easier to write something fancy or complicated than to write something simple DQG WUXH DQG 6FKPLGW GRHV WKH ODWWHU DV ZHOO DV ,¶YH KHDUG LW GRQH LQ ,RZD &LW\ Kent Williams is an optimist who loves life, sport, and hates lies. He is /LWWOH 9LOODJH’s arts editor.

Olivia Rose Muzzy Fisherman’s Dream

Illinois John Fever

Ben Schmidt

myspace.com/illinoisjohnfever

Self-released myspace.com/benschmidtmusic

Now Is Not The Way It Is &RXQWU\ %OXHV FDQ UHDOO\ EH D FKDOOHQJH IRU ERWK SHUIRUPHUV DQG OLVWHQHUV 7KH EDVLF PXVLFDO JHVWXUHV RVVL¿HG LQWR FOLFKp \HDUV DJR DQG LW¶V UDUH WR ¿QG VRPHRQH ZKR FDQ ZULQJ VRPHWKLQJ QHZ RXW RI WKHP 7KH only way it can work out is if you commit to it totally and keep doing it until you get it ULJKW ³1RZ ,V 1RW 7KH :D\ ,W ,V´ LV H[DFWO\ WKDW²WKUHH JX\V JHWWLQJ LW ULJKW :KDW PDNHV ERRJLHV OLNH ³0RQNH\KRXVH´ DQG ³7KH 0DUFK´ ZRUN²DVLGH IURP the sweet slide work and minimal drumPLQJ²LV /XWH 7XFNHU¶V DELOLW\ WR IXOLPLQDWH DQG UDJH , GRQ¶W HYHQ XQGHUVWDQG ZKDW KH¶V VLQJLQJ EXW LW¶V JUHDW IXQ²VWUHHW FRUQHU crazy-man ranting turned into hillbilly blues VKRXWLQJ ³*LUO 1HHGV $ %HOO´ WDNHV LW GRZQ a notch in tempo and turns a single repeated PDMRU FKRUG ULII LQWR ¿YH PLQXWHV RI GUHDP\ EOXHV ZLWK WKH UHIUDLQ ³RK PH RK P\ , JRW QR PH , JRW QR PLQH ´ :KDW GRHV LW PHDQ" <RX PLJKW DV ZHOO DVN ZKDW ³, JRW D FRZ VKH ZRQ¶W PLON , JRW D JLUO MXVW WKH VDPH´ PHDQV 7XFNHU¶V VOXUUHG ZRR]\ GHOLYHU\ LV perfectly effective at conveying mood, less VR DW REMHFWLYH PHDQLQJ ,OOLQRLV -RKQ )HYHU¶V VRQJV VKDPEOH DORQJ like a barefoot bum on the fourth day of a ¿YH GD\ GUXQN EXW WKH\¶UH QHYHU VORSS\ 7KH\ MXVW UHOD[ LQWR WKH JURRYH VR PXFK WKH\ sound like they could take a nap without PLVVLQJ D EHDW 7KHLU LQGLYLGXDO WDOHQWV² ZKLFK DUH FRQVLGHUDEOH²QRWZLWKVWDQGLQJ it’s the comfort and joy of their ensemble SOD\LQJ WKDW PDNHV ,OOLQRLV -RKQ )HYHU PDVWHUV RI WKH ERRJLH

16

March 2010 | Little Village

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%HQ 6FKPLGW LV D JX\ ZKR ZULWHV VRQJV DQG plays guitar, which in Iowa City, means he has WR ZRUN SUHWW\ KDUG WR VWDQG RXW IURP WKH FURZG 6FKPLGW¶V VLQJLQJ LV SUHFLVHO\ SLWFKHG DQG ZLWKRXW RUQDPHQW +LV VRQJZULWLQJ KDV D SOHDVDQW UHOD[HG DFFHVVLELOLW\ +LV JXLWDU SOD\LQJ LV DFFRPSOLVKHG EXW 6FKPLGW¶V WDVWH GRHVQ¶W UXQ WR ÀDVK\ GLVSOD\V +H¶V WKH SHUIHFW JXHVW IRU ,RZD 5DGLR¶V ³/LYH $W 7KH -DYD +RXVH´²KH GRHVQ¶W FXUVH RU \HOO RU WXUQ DQ\WKLQJ XS WRR ORXG 7KLV is pretty faint praise, the sort musicians hate to EH GDPQHG ZLWK EXW 6FKPLGW NHHSV KLV DZHVRPHQHVV VWHDOWKHG +H VWDQGV RXW QRW IRU DQ\ gimmicks or outlandish gestures, but rather for the subtlety of his writing and his unforced, QDWXUDO SHUIRUPDQFHV 7KH WLWOH WUDFN ³6LOW´ VSLQV DORQJ LQ D UHlaxed minor-tinged lope, but each line is of epic length, and the lyric spins out a complex H[WHQGHG PHWDSKRU ³$W WKH HQG RI WKH GD\ ZH are silt and sediment, a dirty line to remind us ZKHUH ZH¶YH EHHQ ´ $ORQJ WKH ZD\ WKHUHV DQ DOOXVLRQ WR +XFNOHEHUU\ )LQQ ZLVWIXOQHVV IRU ³D WLPH EHIRUH WKH ÀRRG ´ DQG YHLOHG UHÀHFWLRQV RQ UHJUHW DQG PRUWDOLW\ ,W JDLQV SRZHU IURP EHLQJ URRWHG LQ WKH DFWXDOLW\ RI OLYLQJ E\ D ULYHU ³1HJOHFW´ UHWXUQV WR WKH ULYHU IRU LW¶V RSHQLQJ VLPLOH ³2OG 1HJOHFW MXPSHG XS OLNH D FDW¿VK ¿JKWLQJ IRU WKH ULJKW WR OD\ EHORZ WKH ZDWHU ´ )RU EHLQJ D SDHDQ WR OD]LQHVV LW¶V D SUHWW\ ¿QHO\ ZRUNHG O\ULF 7KH ¿QJHU SLFNHG JXLWDU DQG brushed drums are a comfortable backdrop to a O\ULF ZKRVH H[WUDYDJDQW VSHFL¿FLW\ ³DOO ZH¶YH got is basil leaves and sweet tomato mermaids NLVV WKH EHDFK RI DOO RXU VHDV´ EHOLHV 6FKPLGWV UHOD[HG VPRRWK GHOLYHU\ 7KH VRQJV RQ ³6LOW´ DUH DOO OLNH WKDW²6FKPLGW lulls you with his considerable facility for comfortable folk-tinged pop, but there’s always

Self-released myspace.com/oliviarosemuzzy Olivia Rose Muzzy makes an odd brand of folk music with a double bass, loop pedal, and KHU ZLOG H[SUHVVLYH YRFDOV +HU GHEXW UHFRUG Fisherman’s Dream, presents her live act accurately, rather than tracking all of the many bass parts comprising each piece separately, we’re treated to marked addition as she records each SDUW DQG WKHQ ORRSV LW 7KH DOEXP¶V VHFRQG FXW ³2FHDQV )LHOG 'DQFH´ LV D VSOHQGLG H[DPSOH RI KHU DUFKLWHFWXUDO DELOLWLHV 7KH VRQJ EHJLQV ZLWK D EDVV line which sounds like sap dripping from a WUHH 5RVH 0X]]\ UXVKHV LQ ZLWK D GRXEOH tracked 16th-note vamp and makes room for PLG UDQJH ÀXWWHUV WR SOD\ FDOO DQG UHVSRQVH with high coos and squeals before she begins WR VLQJ +HU YRLFH LV XQDVVXPLQJ DW ¿UVW JHQWO\ leading you through garland-laced walkways, but her unpredictable vocals highlight VRPHWKLQJ HOHPHQWDO LQ KHU VRQJV 7KH VRQJ UHDFKHV D SHDN ZKHQ GUXPPHU (G %RUQVWHLQ MRLQV DQG 5RVH 0X]]\ EHJLQV WR ZDLO ³7HDFK PH WR WKURZ DZD\ P\VHOI ´ 1R ORQJHU VZHHWO\ guiding, but blunt and direct, Rose Muzzy’s voice drops from an intense, impassioned howl to low, cavernous noise sitting in the EDFN RI KHU WKURDW 7KH VRQJ FORVHV ZLWK 5RVH Muzzy unleashing a series of tribal chants as WKH PXVLF IDGHV RXW 7KH DOPRVW SRSS\ ³:DOW] IRU <RX´ IROORZV XS WKH DEUDVLYH DQG MDUULQJ FORVH WR ³2FHDQV )LHOG 'DQFH ´ ³:DOW]´ EHJLQV WLJKWO\ ZLWK D bounding bass line from Rose Muzzy bouncLQJ RQ %RUQVWHLQ¶V VWXWWHU VWHSV 5RVH 0X]]\ subtly adds elegiac sweeps and swells and %RUQVWHLQ¶V ¿OOV JHW JUDGXDOO\ PRUH RII NLOWHU DQG LGLRV\QFUDWLF DV WKH VRQJ SURJUHVVHV 6XGGHQO\ WKHUH¶V D V\PSKRQ\ RI LQWHUPLQgling bass lines as the drum part moves from tight bass and snare work to splash after VSODVK RI F\PEDO 7KH UHVXOW LV WKH PRVW FRQventionally satisfying moment on the record DV 5RVH 0X]]\ KRZOV DERYH WKH IUD\ ³, VHH

SEND CDS FOR REVIEW TO: LITTLE VILLAGE, PO BOX 736, IOWA CITY, IA 52244

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Alex Body Just Say Yes Self-released $OH[ %RG\ÂśV VROR GHEXW Just Say Yes, is D JOLWFK\ OR Âż HSLF FRQVLVWLQJ RI FRQGHPQDtions of himself and humanity over digital DQG DQDORJ ORRSV DQG IDX[ SLSH RUJDQ GURQHV Just Say Yes takes some time to warm up, EXW E\ WKH WKLUG WUDFN Âł:LWKRXW D )ULHQG WR (YHQ &DOO ´ %RG\ KLWV KLV VWULGH 7KH DOEXP never shies away from slower pacing, but Âł:LWKRXW D )ULHQG WR (YHQ &DOO´ LV D GLUJH %RG\ÂśV SLQFKHG IDOWHULQJ YRLFH EDUHO\ ULVHV above the synth hum and the plod of his CasioEDVHG EHDWV XQWLO WKH KHDUW ZUHQFKLQJ FKRUXV %RG\ OD\V GRZQ DQ HHULH FUHDN\ KDUPRQ\ ZDLOLQJ Âł/HW WKH ZRUOG GDPQ PH OHW PH GDPQ WKH ZRUOG´ IRU WKH UHVW RI WKH VRQJ DV ZKLQHV and squeaks from his synthesizer envelope his YRLFH DQG VZDOORZ LW ZKROH E\ WKH VRQJÂśV HQG %RG\ÂśV EHDWV JHW FRQVLGHUDEO\ OLYHOLHU RQ WKH Âł6L[WHHQ <HDUV ´ 7KH YHUVHV DUH VWUXFWXUHG over long, droning synth chords and whined laments, but for the chorus he unloads a krautURFN UDYH XS %RG\ÂśV FUHHS\ VWXWWHUHG VKRXWV RI Âł6L[WHHQ \HDUV DJR´ VSLOO RXW RYHU D IUDQWLF burst of percussion, which sounds like a dub UK\WKP RQ VSHHG ,WÂśV HDVLO\ RQH RI WKH ZHLUGest and most delightful moments on the record then it fades into the monstrously demoralizLQJ Âł'LVWRUWHG +DOOZD\ ´ Âł'LVWRUWHG +DOOZD\´ FRQWDLQV WKH DOEXPÂśV VXQQLHVW VHQWLPHQW Âł7KH KXPDQ UDFH ZHÂśUH VR IXFNHG (YHU\WKLQJ ZHÂśYH GRQH GRHVQÂśW DPRXQW WR PXFK ´ %RG\ÂśV UHYHUE VRDNHG DQDO\VLV Ă€RDWV RYHU D IUHQ]\ RI SKDVH VKLIWHG V\QWK VZLUOV²OLNH JKRVWV ZKLUOLQJ DURXQG KLV KHDG²DQG DQ RPLQRXV GURQH

ULGLQJ D VWRFN EHDW RII D FKHDS NH\ERDUG Just Say Yes can feel a bit monotonous thematically, but much of the overwhelming cynLFLVP LV GHOLYHUHG ZLWK %RG\œV WRQJXH SODQWHG LQ FKHHN 6LPLODUO\ PDQ\ RI KLV GURQH KHDY\ compositions are highlighted by whimsical synth splashes and warm, funky workouts like WKH RQHV DW WKH EHJLQQLQJ RI ³6L[WHHQ <HDUV´ DQG DW WKH HQG RI WKH DOEXP DV ³'LVFKDUJH´ IDGHV RXW John Schlotfelt is ready for spring. Email him if you have comments about weather or questions about music at john.schlotfelt@littlevillagemag.com.

COMING TO TOWN >>

The Woes

Heaven Knows Self-released myspace.com/thewoes :LWK WKH :RHVÂś ODWHVW UHOHDVH Heaven Knows WKH 1HZ <RUN FROOHFWLYH KDV ZRYHQ D

NOW WITH DOWNTOWN 136 S. Dubuque St.

319-351-9400

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www.thewedgepizza.com

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799

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add a second for $6.99

Valid at both locations. Carry out or delivery available to a limited campus delivery area. Expires 4/30/10

John Schlotfelt

LOCATIONS!

RIVERSIDE 519 S. Riverside Dr.

319-337-6677

Delivery or Carry Out

Two slices for

SDVWLFKH RI GXVW\ IRON EOXHJUDVV 'HOWD EOXHV New Orleans jazz, a pinch of punk and vinWDJH 5 % LQWR D VXUSULVLQJO\ FRKHVLYH ZKROH Âł7KH 6HFUHW´ RSHQV WKH DOEXP PDUFKLQJ RQ D VWDFFDWR EDVV OLQH ,WÂśV D VHW RI FRORUIXO FRVWXPHV DZD\ IURP URFNLQJ WKH )UHQFK 4XDUWHU Âł7KH 6HFUHW´ ZRXOG EH D FRPSOHWH ZUHFN LQ the hands of an amateur, but bandleader Osei (VVHG NHHSV WKH VXQGU\ HOHPHQWV LQ OLQH (VVHG highlights individual elements by harmonizing with the horn section, giving the accordion a bar here and there to open up a bit, and letWLQJ WKH KDUPRQLFD SOD\HU WHDU LQWR D ÂżHU\ VROR 7KH WLJKW VWUXFWXUH RI WKH VRQJ DGGV D SXQFK WR the touch of punk which seeps in, after each refrain a team of backing vocalists gnash on VRPH Âł\HDKV´ OLNH D FKRUXV RI FDFNOLQJ K\HQDV Not everything on Heaven Knows thrives RQ D UROOLFNLQJ NLWFKHQ VLQN DHVWKHWLF 7KH :RHV OLJKW D IHZ VWULSSHG GRZQ WRUFK VRQJV Âł$ +HDUW IRU 'UHDPLQJ´ VWDQGV RXW DV WKH strongest with a mournful, minor key violin and haunting rustles of pedal steel guiWDU ,WÂśV VWDUWV RII VRXQGLQJ D OLWWOH WHDU LQ WKH beer, bare and taught, with Essed’s laments and the violin taking the lead, before the drums really kick in and the violin knocks off some violent staccato stabs while Essed JHWV VRPH FDWKDUVLV KRZOLQJ RXW WKH FKRUXV <HW OLNH D GRUPLWRU\ PDWWUHV Heaven Knows JHWV VDJV D OLWWOH LQ WKH PLGGOH 7KH :RHV VWXFN Âł%URNH $JDLQ $Q ,PSURYLVDWLRQ ´ VPDFN LQ the heart of the record to help bolster a live IHHO +RZHYHU WKH VKDPEOLQJ PHVV RI Âł%URNH $JDLQ´ VHHPV OHVV DIIDEOH DQG SOD\IXO ZLWK WKH ZHDNHVW FRPSRVLWLRQ Âł)RU 1RWKLQJ ´ QLSSLQJ DW LWÂśV KHHOV 7KH /DWLQ WLQJHG EDUQ EXUQHU RI Âł6UDQDQ´ DQG WKH UDXFRXV YHQJHIXO Âł+DQJLQJÂśV )DLU´ ZUDS WKLQJV XS RQ D KLJK HQHUJHWLF QRWH 7KH :RHV ZLOO EH DW 7KH 0LOO ZLWK 6KDPH 7UDLQ RQ 6DWXUGD\ 0DUFK

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BREADSTIX add to any order

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local checks accepted. 50¢ check & credit card surcharge

HOUSE SALAD add to any order

500 $650 $500

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Valid at both locations. Expires 4/30/10

ONLY

Valid at both locations. Expires 4/30/10

March 2010 | Little Village

17

CALENDAR ART/EXHIBITS African American Historical Museum and Cultural Center of Iowa 55 12th Ave SE, Cedar Rapids www.blackiowa.org WK $QQXDO %DQTXHW ³&HOHEUDWLRQ RI (GXFDWLRQDO ([FHOOHQFH´ 0DU ‡ 1R 5RDGV /HDG WR %X[WRQ ongoing

AKAR 257 E. Iowa Ave. Iowa City www.akardesign.com 6KRNR 7HUX\DPD WKURXJK 0DU ‡ <XQRPL ,QYLWDWLRQDO RSHQV 0DU

Cedar Rapids Museum of Art 410 Third Ave. SE, Cedar Rapids www.crma.org Thursday evening free admission, 4-8pm 6P$UW 6DWXUGD\ 0DU ‡ :D\V WR &ROOHFW RQ D %XGJHW 0DU ‡ 'UDZQ WR 'UDZLQJ /HVV LV 0RUH 0DOYLQD +RIIPDQ 0DXULFLR /DVDQVN\ $UW LQ 5RPDQ /LIH *UDQW :RRG ,Q )RFXV 7KH $PHULFDQ &HQWXU\ 7UHDVXUHV IURP WKH 1DWLRQDO &ROOHFWLRQ ongoing

CSPS/Legion Arts 1103 Third St SE, Cedar Rapids www.legionarts.org 7UDQVODWLRQV RQJRLQJ

Faulconer Gallery Grinnell College, 1108 Park St., Grinnell www.grinnell.edu/faulconergallery 5HSHDW 5HYHDO 5HDFW ,GHQWLWLHV LQ )OX[ WKURXJK 0DU ‡ ,QÀXHQFH )DFXOW\ 6HOHFWLRQV IURP &ROOHJH &ROOHFWLRQV WKURXJK 0DU

Herbert Hoover Presidential Museum West Branch www.nps.gov/heho 3DWWHUQV RI WKH 3DVW $ &HQWXU\ RI $PHULFDQ 4XLOWLQJ WKURXJK 0DU ‡ ,RZD $ WR = RQJRLQJ

Calendar listings are free, on a space-available basis. For inclusion, please email Calendar@LittleVillageMag.com

Public Space One

129 E. Washington St., Iowa City www.myspace.com/publicspaceone -LOO .DPEV RSHQV 0DU SP

University Museum of Art www.uiowa.edu/uima Check website for locations 7ZR 7XUQWDEOHV DQG D 0LFURSKRQH +LS KRS &RQWH[WV featuring Harry Allen’s Part of the Permanent 5HFRUG 3KRWRV IURP WKH 3UHYLRXV &HQWXU\ ‡ 2SHQV 0DU ‡ 8,0$#,08 RQJRLQJ

MUSIC Blue Moose Tap House 211 Iowa Ave, Iowa City www.bluemooseic.com 'DYLG 'DQLHOO $QG 'RXJODV 0F&RPEV 0DU SP ‡ -& %URRNV $QG 7KH 8SWRZQ 6RXQG 0DU SP ‡ 6WDWH 0DGLVRQ 0DU SP ‡ 6FKRRO RI )O\HQWRORJ\ 0DU SP ‡ (YHU\ 7LPH , 'LH ZLWK 3RODU %HDU &OXE 7UDSSHG 8QGHU ,FH DQG )RXU <HDU 6WURQJ 0DU SP ‡ 'LSORPDWV 2I 6ROLG 6RXQG 0DU SP ‡‡ Mission Creek Festival, Mar. 30Apr. 3: /LWWOH 'UDJRQ IHDWXULQJ 7KH (QY\ &RUSV SRUQR JDODFWLFD DQG WKH :HVWHUQ )URQW $SU SP ‡ &DPHUD 2EVFXUD $SU SP

CSPS 1103 Third St SE, Cedar Rapids www.legionarts.org 7KH &URVVURDGV 3URMHFW RSHQLQJ SHUIRUPDQFH 0DU SP ‡ 7KH &URVVURDGV 3URMHFW FORVLQJ SHUIRUPDQFH 0DU SP ‡ 'HUYLVK 0DU SP ‡ *DGML *DGMR ZLWK /RQJLWDO 0DU SP ‡ 'DQLHO 0DUWLQ 0RRUH %HQ 6ROOHH 0DU SP ‡ 7DM :HHNHV $GRZD 0DU SP ‡ $ODVK 0DU SP ‡ -RKQ *RUND ZLWK 'HQLFH )UDQNH 0DU SP ‡ $GULDQ /HJJ 0DU SP ‡ /DV 5XELDV GHO 1RUWH $SU SP

Dawn’s Hide & Bead Away

538 South Gilbert St., Iowa City www.hudsonrivergallery.com .HLWK $FKHSRKO WKURXJK $SU

220 E. Washington St. www.dawnsbeads.com 'DZQ¶V &RIIHHKRXVH .DUOD 0LOOHU -HIIHU\ 0RUJDQ DQG /DXULH +DDJ 0DU SP ‡‡ 0LVVLRQ &UHHN 'DZQ¶V DW 'XVN $SU SP

Johnson County Historical Society

Englert

Hudson River Gallery

310 5th St., Coralville www.jchsiowa.org ,ULVK )HVW 0DU SP ‡ + 7UDYHOLQJ 3KRWRV RSHQV 0DU ‡ $ &HQWXU\ RI $GYHQWXUH <HDUV RI 6FRXWLQJ RQJRLQJ

Old Capitol Museum Pentacrest, Iowa City www.uiowa.edu/~oldcap :RUOG&DQYDVV $VLD 0DU SP 18

March 2010 | Little Village

221 E. Washington St., Iowa City www.englert.org 8QLWHG 6WDWHV $LU )RUFH %DQG 0DU SP ‡ ,RZD &LW\ &RPPXQLW\ 6WULQJ 2UFKHVWUD 0DU SP ‡‡ Mission Creek Festival, Mar. 30-Apr. 3: %RRNHU 7 0DU SP ‡ *UHJ %URZQ ZLWK 3LHWD %URZQ $SU SP

Java House 211 E. Washington Street, Iowa City www.javahouse.com Shows start at 7pm unless otherwise noted 6DUD]LQ %ODNH 7KH 9DJDERQGV 7KH +HOLJRDWV 0DU

‡ 6WHYH *ULVPRUH 4XDUWHW 0DU ‡ +RW &OXE RI 'DYHQSRUW .RSODQW 1R 0DU ‡ %HWKDQQ *DYLQ 7KH (ULFNVRQV 0DU ‡‡ Mission Creek Festival: 6WDU &LW\ (G *UD\ $SU SP ‡ (TXLODWHUDO $SU SP ‡ $SU &KUDVK SP

The Mill 120 E. Burlington St., Iowa City www.icmill.com Shows at 9pm unless otherwise noted Study Hall, the game, Sundays, 9pm-Midnight Open Mic with J. Knight, Mondays, 8pm, call 3386713 to sign up Tuesday Night Social Club, Tuesdays 5RFN $UW 0DU ‡ 'DYH =ROOR WKH %RG\ (OHFWULF Z 6DG ,URQ 0XVLF 0DU ‡ %URRNV 6WUDXVH 0RQDGQRF /LJKW 3ROOXWLRQ 0DU ‡ %XUOLQJWRQ 6WUHHW %OXHJUDVV %DQG 0DU SP ‡ 9LD $XGLR Z 3DWWHUQ ,V 0RYHPHQW 2K .XVR 0DU ‡ (G *UD\ Z -RKQ %HOORZV 0DU ‡ 6KDPH 7UDLQ Z 7KH :RHV 7KH /RQHO\KHDUWV 0DU ‡ 7UHQW :DJOHU 7KH 6WHHO :KHHOV 0DU SP ‡ /HVOLH 7KH /\¶V Z &KULVWRSKHU 7KH &RQTXHUHG 0DU ‡ %XUQLQJ +DORV Z 7KH 6XOOLYDQ *DQJ -XVWLQ $ODQ &R[ 0DU ‡ 6FUHHQV Z 7%$ 0DU SP ‡ 7\URQH :HOOV 0DU SP ‡ 8QLYHUVLW\ RI ,RZD -D]] 3HUIRUPDQFH 0DU ‡ )UXLW %DWV Z %OXH *LDQW 0DU ‡ %XUOLQJWRQ 6WUHHW %OXHJUDVV %DQG 0DU SP ‡ 2O¶ 7KUDKVHUV 5HXQLRQ Z +277 /LEHUW\ /HJ $FRXVWLF *XLOORWLQH 7KH 7HUFHOV %DG $FFLGHQWV 0DU SP ‡ 5R[L &RSODQG Z 6KDQQRQ &XUWLV 5DH )HKULQJ 0DU SP ‡‡ Mission Creek Festival, Mar. 30-Apr. 3: .58, 716& .LFN 2II 3DUW\ Z 7KH &DYH 6LQJHUV %LUGV %DWWHULHV 0RQGR 'UDJ 0DU ‡ 7KH 'DUHGHYLO &KULVWRSKHU :ULJKW %ULJKWRQ 0$ 6DUDK 0DQQL[ WKH :DQGHULQJ %HDUV 7KH 1HZ %RGLHV 0DU ‡ 'DYLG %D]DQ +HDGOLJKWV &DUROLQH 6PLWK WKH *RRGQLJKW 6OHHSV 7KH 3RLVRQ &RQWURO &HQWHU $SU ‡ 7KH 0HDW 3XSSHWV -RH -DFN 7DOFXP RI 7KH 'HDG 0LONPHQ 6DP /RFNH :DUG DQG WKH %RR +RRV $SU SP ‡ &RU\ &KLVHO WKH :DQGHULQJ 6RQV 'LSORPDWV RI 6ROLG 6RXQG 6DG ,URQ 0XVLF $SU SP

Old Capitol Museum Pentacrest, Iowa City www.uiowa.edu/~oldcap 3LDQR 6XQGD\V $ODQ +XFNOHEHUU\ DQG 5HQH /HFRXQD 0DU SP

Orchestra Iowa www.orchestraiowa.org 5HÀHFWLRQV 6LQFODLU $XGLWRULXP 0DU SP ‡ 5HÀHFWLRQV :HVW +LJK 6FKRRO 0DU SP

The Picador /Gabe’s 330 E. Washington St., Iowa City www.thepicador.com All shows at 9pm unless otherwise noted %LEOH RI WKH 'HYLO ZLWK %ORRGFRZ 6QRZ 'HPRQ 0DU ‡ *RHV &XEH ZLWK (DVW RI WKH :DOO $VHHWKH 0DU ‡ =RRV RI %HUOLQ ZLWK &KLOG %LWHV /RFDO 7%$ 0DU ‡‡ Mission Creek Festival, Mar. 30-Apr. 3: 3RFDKDXQWHG ZLWK 6XQ $UDZ

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Public Space One

Joe and Vicki Price

George’s Buffet 312 E. Market St. Friday, March 19, 9pm Free www.joepriceblues.com Make no mistake, those festival passes are a bargain—worth every penny. But this March, if you be talkin’ ‘bout hard times, and if this tax season even Uncle Sam ain’t showing you no kinda love, you might just find yourself up Mission Creek without a paddle. Enter George’s Buffet, where even the cheap whiskey (there’s plenty of it) comes with a beer back, a single 10spot will get you your very own pitcher (with enough left over to leave a healthy tip), and, Friday, March 19, Joe and Vicki Price are playing‌ for free! Better get there early because these two locals always pack the house— and it’s no wonder: Their latest album “Rain or Shineâ€? is getting high praise nationally (Independent Music Awards named it the Best Blues Album of 2009) and internationally as Bluesforum (Netherlands) has nominated them for the same prize on the global scale. They’re in the running for an IMA People’s Vhoice award, too, and you can go vote for them at www.independentmusicawards.com/imanominee/2010/ Album/Blues. Top-notch music in a tiny, unpretentious bar? Go ahead and bring your blues, the Prices be right.

129 E. Washington St., Iowa City www.myspace.com/publicspaceone :H $OO +DYH +RRNV )RU +DQGV 2QH )RU 7KH 7HDP 0DU SP ‡ 7KHVH $UH 3RZHUV -DYHOLQ 'DWDJXQ 6FKRRO RI )O\HQWRORJ\ 0DU SP ‡‡ 0LVVLRQ &UHHN )HVWLYDO 0DU $SU ',126$85 )($7+(56 : 5HSODFLQJ WKH 5RERWV 6R 0XFK )XQ +DSS\ &KURPRVRPHV 0DU SP ‡ 0ROO\ 5LQJZDOG ZLWK &DSJXQ &RXS WKH :KHHOHUV 2OG 3DQWKHU 0DU SP ‡ &+5,6723+(5 7+( &2148(5(' ZLWK 5RRPPDWH 3RUQR *DODFWLFD 0XPIRUGV $SU SP ‡ $QQL 5RVVL ZLWK &DVLRWRQH IRU WKH 3DLQIXOO\ $ORQH *ROGHQ %LUGV -HII 5D\ $SU SP

Riverside Casino 3184 Highway 22, Riverside www.riversidecasinoandresort.com 7KH 3RLQWHU 6LVWHUV 0DU SP

The Sanctuary 405 S. Gilbert Street VDQFWXDU\SXE TZHVWRI¿FH QHW -D]] -DP 0DU SP ‡ %HQ 6FKPLGW 0DU SP ‡ 0LVVLRQ &UHHN )HVWLYDO %URRNV 6WUDXVH ZLWK 0RQDGQRF 'HZL 6DQW $SU SP

University of Iowa Music Dept. www.uiowa.edu/~music See website for locations -RKQ 0XULHOOR EDULWRQH 'DYLG *RPSSHU SLDQR 0DU SP ‡ $ODQ +XFNOHEHUU\ DQG 5HQH /HFXRQD 0DU SP ‡ 8QLYHUVLW\ %DQG &RQFHUW %DQG 0DU SP ‡ $UP\ %DQG %UDVV 4XLQWHW 0DU SP ‡ +HQU\ )DLUV JXHVW RUJDQLVW 0DU SP ‡ )HVWLYDO RI &RQWHPSRUDU\ 0XVLF 0DU ‡ &HOHEUDWLQJ 0XVLF RI 6FKXPDQQ DQG &KRSLQ $SU SP

White Lightning Warehouse www.myspace.com/whitelightningic +XPDQ +DQGV %LUWK *HP -RQHV 5HQHH +HOO 6OLPH \RXQJ 0DU SP ‡ 0& 9/ .LWWHQ )RUHYHU 0DU SP ‡ 6WUHVV $SH 6XSHUVRQLF 3LVV 9LNLQJ )XFN 0DU SP

Yacht Club 13 S. Linn St., Iowa City www.iowacityyachtclub.org Shows at 9pm unless otherwise noted +HQKRXVH 3URZOHUV 3RUFK %XLOGHU 0DU ‡ 'HQQLV 0F0XUULQ DQG WKH 'HPROLWLRQ %DQG 0DU ‡ *LDQW 3DQGD *XHULOOD 'XE 6TXDG ' %HVV 0DU ‡ 'DQFH 3DUW\ 86$ ZLWK (OHFWURFLW\ DQG '- 7XWW 0DU SP ‡ 8PSKUH\œV 0F*HH 3RVW 6KRZ 3DUW\ 0DU SP ‡ 3DSDGRVLR '- 9RQ 0DU[HQ 0DU ‡ +DLWL %HQH¿W Z 0HK )XQN 0RWKHU &XOWXUH

March 2010 | Little Village

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CALENDAR 6WXEERUQ 7LQ\ /LJKWV 0DU ‡ 3DXO .UHVRZLN 7KH ,QVWUXPHQWDOV &ROOHFWLEOH %R\V 0DU ‡ 6FKRRO RI )O\HQWRORJ\ 0DU SP ‡ 6W 3DWULFNœV 'D\ 0DVVDFUH 9,, 0DU SP ‡ +HDG IRU WKH +LOOV )LOOLQJ 6SDFH 6RQJELUG %HWKDQQ 0DU ‡ 'DQFH 3DUW\ 86$ ZLWK 5LFK 5RN DQG 7\OHU &RRQ 0DU SP ‡ 'HDG /DUU\ /XQDU )XQN 7KHRU\ -RQ :D\QH 7KH 3DLQ 0DU ‡ 'HDWKIDFH -RKQQ\ /RYH RI *XQV 1 %RPEV DQG /DG\ (VSLQD 0DU ‡‡ Mission Creek Festival, Mar. 30-Apr. 3: 0$11,; ZLWK &DUXVHOOD %HDVW :DUV /LEHUW\ /HJ 0DU ‡ %RPE 6TXDG ZLWK 7KH +RRG ,QWHUQHW 'DWDEDVH 6FKRRO RI )O\HQWRORJ\ $SU ‡ 7KH *JOLWFK ' %HVV $SU ‡ 'HQQLV 0F0XUULQ 'HPROLWLRQ %DQG $SU

THEATER/DANCE/ PERFORMANCE Englert Theatre 221 E. Washington St., Iowa City www.englert.org 6QRZ :KLWH DQG WKH 6HYHQ 'ZDUIV 0DU ‡ ,Q WKH 0RRG 0DU SP ‡ %RE 7RP &RPHG\ $OO 6WDUV 0DU SP SP

Hancher Auditorium www.hancher.uiowa.edu at US Cellular Center, Cedar Rapids See website for showtimes $YHQXH 4 0DUFK

Iowa Theatre Artists Company 4709 220th Trail, Amana www.iowatheatreartists.org 6SRRQ 5LYHU $QWKRORJ\ 0DU

Johnson County Senior Center 28 S. Linn St., Iowa City ,ULVK &HLOL 0DU SP

No Shame Theatre Theatre B, UI Theatre Building www.noshame.org )ULGD\V LQ 0DUFK SP

Penguin’s Comedy Club Clarion Hotel, 525 33rd Ave. SW, Cedar Rapids www.penguinscomedyclub.com Check website for showtimes 0DUN *URVV 0DU ‡ 'DQ 6W 3DXO 0DU ‡

Riverside Theatre 213 N. Gilbert St., Iowa City www.riversidetheatre.org Check website for showtimes .LOODGHOSKLD 0L[WDSH RI D &LW\ 0DU

Summit Restaurant Comedy Night 10 S. Clinton St, Iowa City www.thesummitrestaurantandbar.com 20

March 2010 | Little Village

Shows start at 9:30pm &KDUOLH :LHQHU -HII :R]HU 0DU ‡ 6FRWW /RQJ 0DU ‡ :DUG $QGHUVRQ 6FRWW 6KLHOGV 0DU ‡ 7LP &RVWHOOR 6WX 0F&DOOLVWHU 0DU

Theatre Cedar Rapids 4444 1st Ave NE, Cedar Rapids www.theatrecr.org 7KH 3URGXFHUV WKURXJK 0DU

The University of Iowa Dance Space/Place Theatre, North Hall www.uiowa.edu/artsiowa 'DQFHUV LQ &RPSDQ\ 0DU

The University of Iowa Theatre Main Theatre Building, UI Campus www.uiowa.edu/~theatre Check website for showtimes (XU\GLFH 0DU

U.S. Cellular Center 370 1st Ave NE, Cedar Rapids www.uscellularcenter.com &LUTXH GH 6ROHLO 0DU ‡ $YHQXH 4 0DUFK

WORDS The Mill 120 E. Burlington St., Iowa City www.icmill.com 7DON $UW :ULWHUVœ :RUNVKRS 0DU $SU SP ‡‡ Mission Creek Festival, Apr. 3: %RRN )DLU SP

Prairie Lights 15 S. Dubuque St., Iowa City www.prairielightsbooks.com All “Live from Prairie Lights� readings at 7pm unless noted -RKQ 0F1DOO\ 0DU ‡ $GDP +DVOHWW 0DU ‡ &DURO 6NOHQLFND 0DU ‡ $ODQ %UDGOH\ 0DU ‡‡ 0LVVLRQ &UHHN )HVWLYDO $VKOH\ %XWOHU $SU ‡ %HQ

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Public Space One 129 E. Washington St., Iowa City www.myspace.com/publicspaceone 7KH 6HDJXOO 6RFLHW\ 0DU SP

University of Iowa Museum of Natural History Macbride Hall, UI Campus www.uiowa.edu/~nathist 2OG %RQHV 1HZ 2SSRUWXQLWLHV -RXUQH\ 7KURXJK WKH 7DUNLR 9DOOH\ 6ORWK 3URMHFW 0DU SP

UI School of Art Studio Arts, 1375 Hwy 1 West www.art.uiowa.edu Check website for galleries and hours -XGH 7DOOLFKHW DQG 0DWW )UHHGPDQ 0RUH 7KDQ 6XSHU 0DU SP

CINEMA Bijou Theatre IMU, UI Campus, Iowa City www.uiowa.edu/~bijou/ 8QFHUWDLQW\ $IWHU 6FKRRO )HE 0DU ‡ $Q (GXFDWLRQ %URNHQ (PEUDFHV 0DU ‡ %LMRX 2VFDU 3DUW\ 0DU SP

Englert Theatre 221 E. Washington St., Iowa City www.englert.org +ROO\ZRRG /LYH 2VFDU 3DUW\ 0DU SP ‡ 1DNHG /XQFK 0DU SP ‡ +LVWRU\ 2I 7KH :RUOG 3DUW 0DU P SP ‡ +LJKODQGHU 0DU SP

Iowa City Public Library 123 South Linn St. Iowa City www.icpl.org (VWDEOLVKLQJ D )RRG )RUHVW 0DU SP ‡ %OXH *ROG :RUOG :DWHU :DUV 0DU SP

University of Iowa Museum of Natural History Macbride Hall, UI Campus www.uiowa.edu/~nathist 5HWXUQ WR WKH :DWHU 0DU SP

KIDS Cedar Rapids Museum of Art at Hiawatha Library www.crma.org 'RRGOHEXJV 6KDSH 6KLIWLQJ 0DU DP

The Iowa Children’s Museum 1451 Coral Ridge Ave., Coralville www.theicm.org $UW $GYHQWXUH 7RWHP 3ROHV 0DU ‡ $UW $GYHQWXUH <RJXUW &XS $QLPDOV 0DU $UW $GYHQWXUH %LUG 1HVW +HOSHU 0DU ‡ 3ULQWPDNLQJ 'D\ &DPS 0DU ‡ $UW $GYHQWXUH 3DSHU 3RSSLHV 0DU ‡ )DPLO\ )UHH 1LJKW 0DU ‡ )ORZHU 'D\ &HOHEUDWLRQ 0DU

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MISC PATV 206 Lafayette St., Iowa City www.patv.tv 7KH 6PDUWHVW ,RZDQ JDPH VKRZ :HGQHVGD\V FRQWHVWDQWV QHHGHG VPDUWHVWLRZDQ#JPDLO FRP *XLGHOLQHV ZRUNVKRS 0DU SP

MISSION CREEK

>> LIT FROM PAGE 18 DQG $OEHUW *ROGEDUWK Notes From No Man’s Land, a collection of essays about America DQG UDFH ZRQ WKH *UD\ZROI 3UHVV SUL]H IRU QRQ¿FWLRQ $QG LQ KHU RZQ WUXH IRUP .LNL Petrosino reads in her current hometown of Iowa City, hot off nationwide (and worldwide) VWRSV IRU WKH SXEOLFDWLRQ RI KHU ¿UVW FROOHFWLRQ of poems, Fort Red Border Saturday, April 3 The Mill, 5pm

%ULQJLQJ WRJHWKHU WKH WZR OLWHUDU\ ZRUOGV RI 1HZ <RUN DQG ,RZD &LW\ WKH OLW VLGH RI 0LVVLRQ &UHHN FRPHV WR D KHDG RQ 6DWXUGD\ $SULO ZLWK WKH /LWHUDU\ 'HDWK 0DWFK SUHVHQWHG E\ 1<¶V Opium Magazine, and Iowa City’s own shrapnel-bomb of a reading series Anthology 7KLV LV OLWHUDU\ MXGJPHQW DW LWV ¿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oe Tiefenthaler is part of the 2010 Mission Creek Festival staff. As an undergrad at The University of Iowa, he was the editor-in-chief of Earthwords and has since spent time as an editorial assistant for the Iowa Review. Currently, he serves as a program assistant for the International Writing Program.

PLUCK OF THE IRISH IRU WKRVH IHZ ÀHHWLQJ KRXUV ZHOO LW¶V FORVH HQRXJK %HVLGHV DQ\ KROLGD\ WKDW¶V FHOHEUDWHG E\ 6SDJKHWWL2V DQG ZDWFKLQJ D 6RSUDQRV PDUD- lifting a beer, making toasts and singing and WKRQ PDNHV \RX ,WDOLDQ dancing with strangers while driving winter )RONV JHWWLQJ SODVWHUHG RQ 6W 3DWULFN¶V 'D\ RXW RI RXU OLYHV LV D KROLGD\ , FDQ JHW EHKLQG DUHQ¶W KDYLQJ DQ DXWKHQWLFDOO\ ³,ULVK´ H[SHULI remember how spectacularly and unseaHQFH E\ EHLQJ GUXQN :KHQ IRONV JHW SODVWHUHG sonably warm it was in Iowa City last year on RQ 6W 3DWULFN¶V 'D\ WKH\¶UH UHDOO\ MXVW KRSLQJ 6W 3DWULFN¶V 'D\ 'XEXTXH 6WUHHW FRXOG KDYH that the booze will remove enough of their in- JLYHQ %RXUERQ 6WUHHW D UXQ IRU LWV PRQH\ DQG hibitions so that they’ll be able to to sing and while sitting on the bench in front of Pizza on dance and love and tell stories and jokes with- 'XEXTXH DIWHU ERG\ VXU¿QJ XS WKH VWDLUV IURP RXW EHLQJ DW DOO VHOI FRQVFLRXV DERXW LW²WR WKH 'XEOLQ 8QGHUJURXQG , WKRXJKW WR P\VHOI OLYH LI RQO\ IRU D IHZ KRXUV²KRZ PDQ\ ,ULVK what an even more wonderful place Iowa City would be if the weather were alZD\V WKLV QLFH LQ PLG 0DUFK St. Patrick's Day is really a celebraI enjoyed that thought for a tion of the death of winter—even moment before I realized that if though winter may stubbornly cling that were the case, we’d be so over-populated that we might as to life for several weeks thereafter. ZHOO EH 7DPSD 7KHUH ZRXOGQ¶W have been a seat on the bench IRONV DUH DEOH WR OLYH DOO \HDU ORQJ in front of the pizza place (if there were even (YHQ WKRXJK LW¶V D ORW OLNH 1HZ <HDU¶V (YH a bench there at all) and that everything that in that it draws the casual drunkards out of the PDGH WKDW PRPHQW VR VSHFLDO²WKH ZHDWKHU ZRRGZRUN , DP VWLOO D IDQ RI WKH KROLGD\ the revelers, the Irish girls I had been drinking Mostly because it’s a more honest excuse to DQG GDQFLQJ ZLWK GRZQVWDLUV²QRQH RI WKHP GULQN WKDQ 1HZ <HDU¶V EHFDXVH WKHUH¶V QR SUH- would have been quite as enjoyable to me as WHQVH RI LW EHLQJ RQH PRUH ³ODVW KXUUDK´ EHIRUH they were there, at that moment, because it reHQWHULQJ D /HQWHQ OLNH SHULRG RI LQWURVSHFWLRQ ally wouldn’t be Iowa City any more if that and restraint and denial and self-improvement ZHUH WKH FDVH XQGHU WKH JXLVH RI 1HZ <HDU¶V 5HVROXWLRQV An unseasonably warm day that perfectly :HOO LQWHQGHG EXW XVXDOO\ KROORZ SURPLVHV coincided with a holiday where drinking made to yourself that are lucky to last more in public is all but a required observation WKDQ D IHZ ZHHNV ,I WKH\¶UH HYHQ UHPHPEHUHG (more than it usually is in Iowa City, anyway) by the time you crawl out of bed the next FRXOGQ¶W KDYH MXVW EHHQ D FRLQFLGHQFH PRUQLQJ I think it was our reward for toughing it out )RU PRVW IRONV WKH ³WZLQNOH LQ WKHLU H\H´ WKURXJK DQRWKHU ORQJ ZLQWHU WKH\ KDYH ZKLOH VLQJLQJ 2K 'DQQ\ %R\ DW WKH 2U PD\EH *RG MXVW OLNHV 6W 3DGG\¶V 'D\ 'HDGZRRG RQ 6W 3DWULFN¶V 'D\ LV MXVW VRPH WRR -DPHVRQ WKDW VSODVKHG LQWR LW ZKLOH WKH\ ZHUH , ZRXOGQ¶W EODPH KLP GRZQLQJ WKHLU VL[WK &DU %RPE RI WKH HYHQLQJ not the genuine twinkle a lot of Irish folks Yale Cohn is not Irish but he wouldn't mind if DXWKHQWLFDOO\ KDYH EXW RQ 6W 3DWULFN¶V 'D\ he were. >> ST. PADDY FROM PAGE 5

March 2010 | Little Village

21

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Contact Dr. Star at Dr.Star@LittleVillageMag.com

DR. STAR

STARS OVER IOWA CITY

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March 2010 | Little Village

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