Portfolio 2000-2009

Page 1



Charisse Lynn Bennett Oklahoma State University Summa Cum Laude May 2005 Bachelor of Architecture Studio Art Minor


Competitions Pella Prize Grand Prize, Spring 2004

Comprehensive Design & Development Studio

Bentley Microstation Freeform Design First Place, Summer 2003 creative use of Bentley Microstation products

Activities ACE Mentor Program

Career Direction for Students in Architecture, Construction and Engineering. Volunteer 2008-2009

ASTEK

Architecture Students Teaching Elementary Kids Past-Coordinator 2004-2005 Coordinator 2003-2004 Assistant Coordinator 2002-2003

Computer-aided Student Design Competition Honorable Mention, Spring 2003 Acme Brick Student Design Competition Grand Prize, Fall 2002 creative use of brick in architecture

AIAS

American Institute of Architecture Students Active Member 2000-2005 Class Representative 2000-2002

NAAB

National Architectural Accrediting Board Visiting team member Spring 2004

Honors / Awards AIA/AAF Scholarship

for Professional Degree Candidates

Architecture Alumni Scholar

for outstanding grades & performance in studio

Success Coach

Mentor for freshmen architecture students Fall 2004

President’s Honor Roll 6 of 9 semesters

Faculty Search Committee

Alumni Book Award 2001, 2002

Oklahoma State University School of Architecture Spring 2003

Link

Mentoring women in architecture Co-Coordinator 2003-2004

CREW

Collegiate Role-Models Educating Women Mentor 2002-2003

for 4.0 GPA

for outstanding performance in studio

Joseph R Reeves Memorial Scholarship for outstanding grades & performance in studio

Regents Distinguished 5 year Scholar for outstanding ACT scores


Experience Pickard Chilton Architects New Haven, Connecticut June 2005 - Present

Selser Schaefer Architects Tulsa, Oklahoma August 1999 - August 2004 (school breaks)

Oklahoma State University Teaching Assistant 1216 Design Studio Spring 2005

1112 Intro to Architecture Fall 2003, 2004 Discover Architecture Summer 2003

Bachelors of Architecture Boston Public Library Guthrie Visitor’s Center The Parachute Pavilion Monza Grandstand ACSA/AISC Design Competition Tulsa Jazz Hall of Fame Art Minor

Abilities / Interests

Windows and Macintosh Adobe Photoshop Adobe InDesign Adobe Illustrator Autodesk AutoCAD Architecture 2008 Autodesk 3ds Max Rhinoceros 4.0 Microsoft Office Word Microsoft Office Excel Microsoft Office PowerPoint Drawing Painting Sculpture Graphic Design Industrial Design Travel

Professional CalPERS Rugs - Sacramento, California Tivoli Gardens - Copenhagen, Denmark California Green - Irvine, California 300 North LaSalle - Chicago, Illinois River Point - Chicago, Illinois Corporate Headquarters - Houston, Texas

The following projects represent my experience thus far. This is only the beginning of a lifetime of designing and exploring.


Site: The northern end of the “Big Dig” in Boston, Massachusetts. The ”Big Dig” is the largest urban construction project in the history of the modern world.

1/32” mass model in context


Boston Public Library

Studio Goals: . present the opportunity to design in a true urban environment . provide the opportunity to participate in an element of the “programming” of the project’s requirements

. provide a sufficient amount of time to enable the student to develop a design solution in greater detail

was the major project of the Urban Design Studio the Fall semester of Fifth year, lasting 9 weeks. This project was designed as a twoperson team . Our primary design process was achieved through physical study models.

Fall 5th Year

. provide the opportunity to orally present design solutions to your client, faculty and peers

The Public Library for Boston’s North End

view of site with context

Oklahoma State University

. provide another opportunity to develop skills for working on a design team

Boston, Massachusetts

9 weeks

. provide the opportunity to experience the process of designing a multi-story building complex in an urban context.


Concept: The main concept behind this project was the library as an information hub for the city. There is a glassy information ribbon that flows through the building inside and out. The main part of the library does not begin until the second floor, leaving the first floor completely open and inviting to the public.

basic diagram

design process study models

process sketch


design process study models

information ribbon

Boston Public Library Oklahoma State University

Fall 5th Year

Boston, Massachusetts

9 weeks

Program Brief: This is an eight story building with over 164,000 square feet of space. Some of the programmatic functions include: gift shop, copy shop, restaurant, internet cafe, art gallery, auditorium, meeting center, large reading room and of course book stacks.



Oklahoma State University

Fall 5th Year

Boston, Massachusetts

final project floor plans

final project elevations

9 weeks

Boston Public Library


1/8� design development section model


Boston Public Library 9 weeks information ribbon at roof level

main vertical circulation stairs

Oklahoma State University

Fall 5th Year

Boston, Massachusetts

1/32� mass model in site


Concept: The overall concept was derived from Oklahoma’s history and the land itself. The prairie grass roof was used to relate to the open prairie that has historically been representative of Oklahoma. The wood-slat entry cube was influenced from old houses found in the open countryside. The final composition combines the history of Oklahoma and the town of Guthrie with the future and all the possibilities it holds.

concept diagram

overall views of 1/8� final model


Guthrie Visitor’s Center view towards entry

Oklahoma State University

Fall 3rd Year

Acme Brick Student Design Competition Grand Prize

Guthrie, Oklahoma

Guthrie Visitor’s Center This visitor’s center of about 4,500 square feet was for the town of Guthrie, Oklahoma. Guthrie has a distinct history as the original capital of Oklahoma and the birth place of the Oklahoma Land Run of 1889.

4 weeks

visual inspirations


final competition board


Spring 5th Year Oklahoma State University

The Parachute Pavilion: an Open Design Competition for Coney Island invited innovative design proposals from designers worldwide.

Brooklyn, New York

7 weeks

The Parachute Pavilion

Project Statement: Emerging from the current inadequate boardwalk, the pavilion focuses the attention of the pedestrians towards the parachute jump. The plaza of the pavilion allows and encourages movement directly in front of the parachute jump, setting up the opportunity for people-watching and interaction. The new flow through the site creates a stronger connection to the boardwalk from the city, subway and Surf Avenue. With the use of modern building technologies and forms, the pavilion becomes a symbol of the future possibilities of rebirth in Coney Island.


final presentation boards


Monza Grandstand

Project Goals: . to study architecture as a cultural phenomenon and how cultural geography affects its relationship with the users and the environment . to study complex architectural circulation systems, both horizontal and vertical . to study the human behavior as people interact with the designed environment

5 weeks

. to further develop new problem solving techniques . to further develop new graphic communication techniques

final presentation boards

Oklahoma State University

Spring 3rd Year

Computer-aided Student Design Competition Honorable Mention

Monza, Italy

Monza Grandstand The schematic design for a new grandstand at the Monza racing circuit in Monza, Italy.


final competition boards


ACSA/AISC Design Competition

ACSA/AISC Student Union Design Competition Steel Monocoque Construction The site Chosen is a university extension campus serving 1,500 - 2,000 students located in a Midwest city of almost 500,000 people. This campus’ growth is projected to reach 20,000 students by the year 2020.

6 weeks

Making use of the existing site contours, the proposed student union provides a sense of a naturally fluid movement serving the movement of the pedestrian across the site. The proposed Student Union is positioned higher on the slope, embraces the slope, and then turns towards the downtown skyline for a stong visual connection back to the city.

study models

Oklahoma State University

Spring 5th Year

This city has a strong connection with the industry of constructing airplanes. The form and structural concepts of this Union evolved from the steel construction system used to enclose the airplane fuselage. The long linear spaces are enclosed in glass and then shaded from the direct sun with stainless steel folded plates. This system allows natural light to be filtered into the entire facility.



Bachelor of Architecture Portfolio 2 weeks Spring 5th Year Oklahoma State University

Portfolio with Box Each project/subject had a folder with individual pages of images and information. As this portfolio was hand-made there is only one copy that was taken to job interviews. In a situation where there were multiple people in the interview this idea worked really well and the folders could be passed around and spread out on the table.


concept sketch

schematic design presentation model


. demonstrate the interdependence between design goals and technological realization

Pella Prize - Grand Prize 17 weeks

. ensure the technical integrity of the design and development process

. illustrate the process of project management - its dependence and influence on design goals

Spring 4th Year

Tulsa, Oklahoma

. as appropriate, emulate current professional practice processes

schematic design presentation board

Oklahoma State University

. ensure that students are immersed in the issues associated with the constructability of their design

Comprehensive Design & Development Studio During this semester one project is focused on from conceptual design all the way through partial construction documents. Structural, acoustics, lighting, HVAC and project management are dealt with during this studio.

Tulsa Jazz Hall of Fame

Studio Goals: . provide a comprehensive design and design development experience


design development model elevations

design development wall presentation


design development entry rendering

Tulsa Jazz Hall of Fame 17 weeks Oklahoma State University

Spring 4th Year

The Oklahoma Jazz Hall of Fame wants to be a strong community focused building, providing a positive step towards revitalization and encouraging activities in the area. The overall concept is to give the building a character all its own. A character that expresses the jazz music that the buildings holds.

Tulsa, Oklahoma

design development interior rendering

Project Statement: Tulsa, Oklahoma has a strong history of jazz musicians and the Oklahoma Jazz Hall of Fame honor’s such musicians and provides educational opportunities for the youth through their music arts programs. The Jazz Hall of Fame serves as a leader for positive community growth within the Historic Greenwood District of North Tulsa, an area that has its own strong history and need for revitalization. The Greenwood District used to be known as the Black Wall Street until the interstate completely cut this area in half. This area is also known for one of the worst race riots in history.


construction documents


materials palette

Spring 4th Year

design development model

Oklahoma State University

Tulsa, Oklahoma

17 weeks

structural calculations Tulsa Jazz Hall of Fame


drawing: paint, ink


oil painting 3’x3’

I am also a strong believer in using one’s hands to create and design. Often people have the ability to design and think, but little to no skill in actually creating. I enjoy adding that extra touch to all of my projects, spending just a little more time to make them one of a kind.

Art Minor: Drawing & Oil Painting

Art Minor: Art has been a strong influence in my life as long as I can remember. I find that I am a very visual thinker and get inspired from everyday sights and experiences.

oil painting 3’x5’

oil painting 3’x3’

Oklahoma State University

Life Drawing Oil Painting Sculpture Jewelry & Metals Welding


Jewelry & Metals: Our final project in this class was to create a “box� or vessel. The vessel lightly floats in the nest of brass rods springing from the birch log. While it was a jewelry and metals class, I truly enjoy combining other materials together. The vessel itself started as a block of basswood and was slowly formed into an egg that was then hollowed out. The birch log came from my grandpa’s farm and serves as the base and starting point for the entire piece. The brass has the ability to compliment the natural colors of the woods.

sculpture: birch, bass wood, brass


bookmark: nickel, copper Oklahoma State University

2005

rings: silver Art Minor: Jewelry & Metals



Art Minor: Sculpture

Sculpture: The final project for sculpture class was to create a pedestal for our stone sculpture. The process sketches below show the evolution of the design. The final idea was inspired by the stone sculpture , but also has it’s own identity.

Oklahoma State University

2004

The final pedestal was constructed with segments of layered plywood. As each layer was slightly different, a computer model was used to extract templates for each piece. The total project stands 3’-6” tall.


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CalPERS Rug Designs Sacramento, California

Project Description: These custom rugs were designed for the new CalPERS Headquarters in Sacramento, California. Initial sketches and paper collages were translated into drawings for fabrication. Coordination with several carpet consultants provided information about the process and secured price quotes for the client. There are a total of six completely individual rugs throughout the complex. The designs were inspired by the Sacramento Valley as seen from above .

C H I LT O N

A rc h i t e c t s I n c


process models

presentation model

tower rendering


PROW

PROW

I was involved in concept design, models, tower renderings and development of one of three schemes.

Project Description: Pickard Chilton was invited to participate in a design competition for the new Four Seasons Hotel and Residences at Tivoli Gardens in Copenhagen, Denmark.

OPEN TO BELOW BALLROOM

BACK OF HOUSE

OPEN TO BELOW OPEN TO BELOW

Tivoli Gardens Hotel Competition

Project Team: The design team included the following individuals: Jon Pickard, William Chilton, Anthony Markese, James Fullton, David Brown, Benjamin Simmons, Jonathan Stitelman and William Traill.

MEETING ROOMS

OPEN TO BELOW PREFUNCTION

LEVEL 2

LEVEL 28

Banquet and Meeting

Sky Garden

Rigging Crane Philip de Lange

FRONT OFFICE

RESIDENTIAL DESK

OPEN TO BELOW FRONT DESK

RETAIL RESIDENCE

BAR/LOBBY LOUNGE

RESTAURANT

STREET LEVEL

LEVEL 24

Ferry Harbourfront

Lobby and Restaurant

Residential Typical 2 Units

RESIDENCE

OPEN TO BELOW

SPA & FITNESS

Copenhagen, Denmark

RESIDENCE LOBBY

FOOD/BEVERAGE BACK OF HOUSE

SPA & FITNESS ACCOUNTING

RESIDENCE

RESIDENCE

OBSERVATION LOBBY RESIDENCE

EXISTING HIPPODROME

105 M GARDEN LEVEL

LEVEL 21

Spa and Fitness

Residential Typical 4 Units

27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 S

STAFF FACILITIES

MECHANICAL PRIVATE GARDEN

HUMAN RESOURCES

LAUNDRY & HOUSEKEEPING

REPAIRS & MAINTENANCE

LOWER LEVEL Back of House

ROOF GARDEN

RESTAURANT HIPPODROME

LOBBY SPA & FITNESS

1:250

126 Spaces on Two Levels

T IVOLI

5.8 M

21.2 M

LEVEL 13

Hotel Typical Tower

OPEN TO BELOW TERRACE

HOUSEKEEPING

HOUSEKEEPING

G LL P1 P2

BUILDING SECTION

PARKING LEVEL 1

HOUSEKEEPING

7.8 M

presentation boards

BUILDING ELEVATION

LEVEL 6

1:250

Hotel Typical Podium

T IVOLI

Pickard Chilton Architects

LOADING DOCK

SECURITY

2006

SKY GARDEN


initial sketches

concept model


Irvine, California 2006-2008

I was involved in the initial concept phase and then lead the project through master planning and schematic design.

The key feature of the site is a large 2.2 acre central green open space that will provide a unique pedestrian experience with such outdoor amenities as outdoor meeting spaces, food and beverage facilities, dining terraces, a putting green, and an outdoor event tent. The buildings have all been rotated to better reduce solar heat gain on the east and west facades.

concept section

Pickard Chilton Architects

Project Team: The design team included the following individuals: William Chilton, Anthony Markese, Ashton, Allan and Jonathan Stitelman

Hines California Green

Project Description: California Green is a three phased office campus in Orange County California. The final build out is to include over 785,000 gsf of office, a hotel and 50,000 gsf of retail. This project is designed to lead the way in green sustainable developments for the City of Irvine.



Hines California Green

Project Description: California Green’s master plan has been designed for sustainability and quality of experience. The buildings have been designed to take full advantage of Southern California’s temperate climate utilizing such features as operable windows, delicate exterior shades, balconies, and exterior work environments.

Irvine, California

©sabiStudio LLC

2006-2008

presentation renderings

Pickard Chilton Architects

©sabiStudio LLC


©Todd Augustyniak

construction photo

©Image Fiction


This building will be completed in January 2009 and received pre-certified LEED CS-Gold.

ŠImage Fiction

site location - downtown Chicago

Pickard Chilton Architects

2005-2009

Chicago, Illinois

While involved in schematic design, design development and construction administration, the lobby was my main area of focus. The lobby features an intricate decorative stainless steel screen and large stainless steel and stone reception desk.

300 North LaSalle

Project Team: The design team included the following individuals: Jon Pickard, William Chilton, Anthony Markese, Benjamin Simmons, David Brown, Maxwell Worrell, Deborah Lukan, Christopher Lee, William Traill and Jonathan Stitelman

Project Description: This is a 60-story 1.3 million gsf office tower in downtown Chicago along the north bank of the Chicago River. The building will include three sub-grade parking levels, retail, a restaurant, and a two level waterfront public garden space. When it opens in early 2009 it will be the 10th tallest building in Chicago. The rich facade is clear low-E glass and stainless steel.


process scheme drawings

inspiration images

initial sketches


300 North LaSalle

Lobby Screen: The lobby is a grand thirty feet tall opening up to a clear view of the Chicago River. The walls wrapping the core are a stained red cherry wood with custom ornamental stainless steel screens floating in front. Each of the six sections of screen is thirty feet tall and fourteen feet wide.

wooden mock-up

partial wooden mock-up

Pickard Chilton Architects

2005-2009

Chicago, Illinois

There were several design options while designing these dramatic screens and drawings, renderings, small scale models and large mock-ups were produced throughout the process.


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Pickard Chilton Architects

construction photos 2005-2009

Chicago, Illinois

300 North LaSalle


process renderings/3D models

scale presentation model

process sketches


300 North LaSalle Chicago, Illinois

presentation rendering

2005-2009

construction photos

Pickard Chilton Architects

Reception Desk: While working on the design of the large reception desk for the building, we went through several design options and produced drawings, renderings, and small scale models. The final design uses stainless steel, glass, and marble.


ŠImage Fiction/Pickard Chilton

tower top studies


444 West lake Chicago, Illinois

Construction will start during the first quarter of 2009 . This building has received pre-certified LEED Gold.

site location - downtown Chicago

2005-2009

While involved in concept design, schematic design and design development I concentrated primarily on the lobby. The lobby features a complex articulated ceiling and stone wall.

Pickard Chilton Architects

Project Team: The design team included the following individuals: Jon Pickard, William Chilton, Anthony Markese, Benjamin Simmons, David Brown, Andrea Zalewski, Ashton Allan and Jonathan Stitelman

Project Description: This is a 50-story 1.2 million gsf office tower in downtown Chicago along the bank of the Chicago River where the north and south rivers combine. The building will include sub-grade parking, retail, a restaurant, sundry and cafe. There will be a grand 1.5 acre public plaza connecting the building to the river and concealing the existing railroad tracks.


study models


presentation model

444 West lake Pickard Chilton Architects

2005-2009

Chicago, Illinois

Lobby Ceiling: The sculptural ceiling curves up from 22’-3” to a soaring 39’-0”, focusing the viewer’s attention out across the plaza to the view of the city and the waterfront.


presentation /process renderings


presentation renderings

444 West lake Pickard Chilton Architects

2005-2009

Chicago, Illinois

Lobby Wall: Several design options with drawings, and numerous renderings were produced while working on the design of the articulated lobby wall. The design options ranged between wood, metal, glass, and stone with a red travertine as the favored scheme.



Pickard Chilton Architects

presentation rendering 2005-2009

Chicago, Illinois

444 West lake


process sketches


presentation scale model

444 West lake Pickard Chilton Architects

2005-2009

Chicago, Illinois

Reception Desk: We went through several design options for the unique sculptural reception desk and produced drawings, renderings, and small scale models. The final design is predominately red travertine.



I contributed to concept design, 3D and physical concept models, drawings, area calculations, and attending presentation meetings. This project has completed concept design.

Corporate Headquarters Pickard Chilton Architects

Project Team: The design team included the following individuals: Anthony Markese, Justin Cochran, and Augustus Chan.

2008

Houston, Texas

Project Description: Pickard Chilton was asked to provide a concept design for a new corporate headquarters in Houston, Texas on a site with an existing deteriorating office building. The site has an existing pond and garden that we focused on cleaning up and expanding on. In all the schemes that were developed the central driving element was maintaining a large area of open green space and a connection between the buildings and this green space.


Charisse Lynn Bennett January 2009




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